Here's Lycaon's critique.
Lycaon
Now… it seems that more effort was put into choosing the font than the story presented. You would benefit from reading aloud your stories so you can hear what they sound like. Try not to repeat words, the words “You see” appear four or five times throughout the story and it made the narrator seem child like. Sentences like,” The people I’m referring to is my parents…”
and
“…you can hear them late at night howling letting the few people who haven’t been killed or joined that “cult” it’s only a matter of time”
That last sentence especially, denotes a lack of grammar and proofreading. There are whole words missing. I think you meant, “You can hear them late at night. Howling, letting those who haven’t died or joined their cult know it was just a matter of time.” Something like that… There are a lot of sentences like that, where things are missing out of them, or they don't sound right.
More examples just to show you,
1. “At first everybody agreed this shouldn’t be shown to anybody until there is more evidence but as time went by stranger and stranger things started to happened during this time.”
No need to repeat…time. “…as time went on stranger things started to happen.
2. “You see after the murder of a young girl was a book festival featuring the two oldest books known to Greece “The Endor” and “Under the Mask”. After the festival ended the books was displayed at the local museum and secured but later that night the books was stolen and nobody hasn’t seen the books since then.”
You should already know what’s wrong with this picture. But if you don’t… “ there was a book festival…” and “…festival ended the books were displayed and secured at the local museum. “ and “ nobody has seen them since. “
Then there’s the fact you’re doing more telling than showing the reader. Besides the narrator sounding like a child, it reads like an encyclopedia. John did this. Then he does that. Then they did this. So on and so forth. You have to leave some of it up to the reader’s imagination. Don’t show all your cards at the very beginning, let them work for it. Then at the end you basically tell us, hey they alphas are werewolves. There’s too much exposition here.
One rule you should live by, don’t hand hold your reader. Most of us will get what you mean if you leave clues here and there.
Now there really isn’t a story here… there’s a beginning… but nothing really happens to our main narrator. You might as well have written the story in the third person giving us the viewpoints of the Father, the Mother, or Randal because that’s where most of the story comes from. We get the second hand telling of a story from a narrator who doesn’t know much. He doesn’t know how his father felt when he died. He doesn’t know what the alphas look like. Or he doesn’t tell us or give us a clue. A subtle clue here and there would help tremendously.
I know you said you have two books plotted out and you’ve started on the first draft. My advice to you is to get all you want down on the first draft. Mistakes and all, set it aside, and then come back to it later with a large red pen. Read it aloud to yourself and start crossing out stuff, writing notes in the margins, etc. Then once you’re done with that, get a set of trusted eyes on it. Like a spouse or friend who you know won’t bullshit you. A lot of people will tell you it’s good when it’s not. You don’t want that kind of eyes. You want someone to tell you, “wtf is this shit or this part doesn’t make sense” etc. The go from there.
I still want to read the longer version of this. Be mindful of your narrator’s voice, especially in the first person. This one comes off as an eight year old kid. His words are that of someone that young. Work on that, especially if this is a part of something larger. Grammar is key, reading it aloud helps, or getting someone else to read it for you. A cheating way to a story is to follow the way of the olden days, beginning, middle, and end. You can start in the middle and sprinkle the beginning in. Know where you’re climax is. Think of how your character or characters are going to change after the climax. What will they learn.
This is all arm chair in the shotgun critiquing, I’m not a pro, but I want you to learn your craft and do a lot better than the crap that’s out there now. Want a fun exercise? Go to the bookstore and pick out one of the New York Times best sellers, read a few chapters. Chances are you can write better than what you just read.
Good luck with the books… I want an advance pdf copy.