Cause he's gay....didn't you read his signature? You gotta be gay to listen to this crap. Not that there is anything wrong with being gay
Good shit.....i got a new one
Imma change it to
not that there's anything wrong with being a faggot
10 votes 1.00 average.
Americans...Americans..Americans...
Let me say this... What they teach us about guitar is this: the best player are the ones who can do as much with the least movement up and down the fretboard as an average players down...If you understand the strings, you can get all those notes without having to range up and down the fretboard as George Benson did. Actually, when all these people were talking about Hendrix, I thought they would bring up Wayman Tisdale or Benson, not that bum Jimmi Hendrix..who I am not going address anymore because I believe I have made the point...
Now for Mr Benson, who is from Pittsburgh, and whose music I listened to growing up, to you in America, he is a good guitarist. To us this is average music. Here is Diblo running through those notes and producing more coherent music than your man. This is the stuff that Popolipo would listen to one time, repeat and then improve..
Lesson: Produce music, not tricks. You remove all the other instruments and Mr Benson is dead in the water with his guitar,,
Dilweed the movement is called octaves. That is exactly what makes the music more interesting. Staying in one box and playing all the notes (only 7 plus sharps and flats which are the same depending on the key) is boring and amaturistic. As good as B.B. is he can be a bit boring with his B.B. Box whereas Stevie Ray moves around the neck creating interest. You're a dumb ass. Them africans play like children.
Americans...Americans..Americans...
Let me say this... What they teach us about guitar is this: the best player are the ones who can do as much with the least movement up and down the fretboard as an average players down...If you understand the strings, you can get all those notes without having to range up and down the fretboard as George Benson did. Actually, when all these people were talking about Hendrix, I thought they would bring up Wayman Tisdale or Benson, not that bum Jimmi Hendrix..who I am not going address anymore because I believe I have made the point...
Now for Mr Benson, who is from Pittsburgh, and whose music I listened to growing up, to you in America, he is a good guitarist. To us this is average music. Here is Diblo running through those notes and producing more coherent music than your man. This is the stuff that Popolipo would listen to one time, repeat and then improve..
Lesson: Produce music, not tricks. You remove all the other instruments and Mr Benson is dead in the water with his guitar,,
Dilweed the movement is called octaves. That is exactly what makes the music more interesting. Staying in one box and playing all the notes (only 7 plus sharps and flats which are the same depending on the key) is boring and amaturistic. As good as B.B. is he can be a bit boring with his B.B. Box whereas Stevie Ray moves around the neck creating interest. You're a dumb ass. Them africans play like children.
George Benson is a good, not a great guitarist. Of course you cannot play every single note without moving up or down one fret. But if you know the frets, you do not need to range as far as he did, in order to go from high E to low E...That is plain is plain idiocy. In the second part of his playing, he was picking the strings, rather than strumming, I bet that diblo can reproduce all that garbage in the last 3 or 4 frets without covering the entire neck with unnecessary motion.
Because you're always insulting people and you also use bad language. I used to give you the benefit of the doubt and try to respect your opinion, but it goes both ways. The mere fact that you down every single amercan musician shows your non-objectivity. There are many different types of music and each has its appeal in some way, but you don't give any american music the time of day and every single american musician and song cannot be all bad, but to listen to you...you would think it is.
Just like there are two performances you posted that I could say good things about, but what good woud it do. You have a one tract mind and obviously have a chip on your shoulder about americans.
You think you know music, but you base it on how difficult it is to play and that does not alone make good music. Also you have it backwards when you discuss "ranging up and down the fret board". You don't understand octaves and building on a phrase. You somehow think sitting in one position proves superiority yet that is the easiest way to play music. Difficulty does not make music good anyway.
I told you once before that sometimes the simplest melody and arrangement can make for the best listening experience. Always on 10 like most of your bands makes for intense bordom. You have to take a break, "Silence" as I told you before plays a major role in good music as well as bridge changes. Your music does neither one. Just one long mono tone all the way through.
Boring as fucking HELL!!
So I'll come down to your level and just resort to name calling and musician bashing like you do, it's the only language you truly understand.
. Learn how to talk nigga!So what you're saying is you need to got to the WHITE man to learn how to play music on the HIGHEST level, because African music is at such a LOW level, you have to add classical to it to make it WORTH anything.
If being dumb benefits all then no one benefits. Spreading knowledge (if you had any to spread) would be the benefit, not dumbing down the conversation. Unfortunately those words you posted is what makes music and so it is relevant to speak about. So you don't need to go there because you are not capable to do so.
It never crossed my mind because I know why. You are like a nigga who jerks off to white porn. You hate white people, but them white bitches look so good to you that you can't stop. Same thing here. You secretly love that classical shit, but at the same time you think you are betraying Africans by admitting it. I see through your bullshit. No one is going to study classical for years and get a pHD just to add a snippet (small amount) of what they learn to African music. You learn that shit because you love it and you know it, and I know it.
So, you refer to your friend whose father is back home? So if you are in Africa, then back home could be America? OR you are in AMERICA right now and refering to "back home" as Africa? OR you are some place else in Africa or otherwise and refer to another place in Africa. However, when most people say "Back Home" here, they refer to other countries (sometimes states) but mostly countries far away. My point is if you are here in America, why do you Africans hate it here so much but always want to be here and study. If Africa is so great, stay the fuck over there and study. I was in the hospital today listening to an African doctor here. Why is he not in Africa being a doctor if America is so bad? Cause y'all mutha's love it here just like a bad ex-wife. Hate it and love it at the same time.
First, this is only the second time I have addressed you in a thread. The first time I addressed you I was cordial. So basically with that poor attitude you have, you alienated someone based on the actions of others which just gets you more of the same. It is a "self fulfilling prophecy" (sociology term in case you didn't know that becasue you are just an African... LOL) meaning you make true what you predict based soley on the prediction. Therefore, you get what you put out. Had you talked to me intelligently from the start, you wouldn't have to be combative and strident. As far as the best musicians, the only thing I have to deal with concerning African musicians, is dealing with the overbearing boredom and childish musicianship that they convey. They aren't even worthy of the label musician. Let's call them noise makers which more acurately describes their amateuristic performances.
Again, you created the beast. Would be no need for in your face if you started a different way when our paths first crossed. We could go around in a circle; I say your music is boring and you say mine is boring, "Ho Hum", back and forth. Ok, I'll add the latest stroke to the circle.
Again, polyrhythmic, multistage is all well and good, but Africans do not know how to use it. You put too much in until the whole purpose is lost. I'll give you the perfect example because you need things spelled out, after all you're only African, what do you know? Don't answer that, it's a rhetorical question which you wouldn't understan either.
Getting back to the example; If one person sits across an empty coliseum and yells to another person on the other side, a single sentence, the receiver will clearly hear and be pleased by the sound that makes logical sense to them. BUT if the coliseum is full of people and they all yell something diferent at the same time, the receiver will perceive the sound as NOISE, not being able to make sense of the communication. That is what that African bullshit sounds like, a hodgepodge of fucking noise. Multistaging is lost, polyrhythms are lost and it reeks of a PILE of SHIT!
I hate to be petty, but I kinda am when I'm talking to a bone head. Let me correct your sentence for you so, as you put it, the regular people can understand, which is what you sound like with every sentence you utter.
Your sentence should read: "I am NOT giving an inch. We are gonna THROW our hats in the ring, and may the best win."
Normally I don't rag on writing because most times it is "typos", "slang", "carelessness"...but when you use "through for THROW" that's where I draw the line
Stop lying nigga! You know you like classical music.
Let's analyze what you just said to prove you're a fucking Lier. You claim western is simplistic. The west brought classical from europe to the west. Although there were a few classically trained black composers, it is largely a white music even if it didn't start that way (I don't claim to be an authority on its origins).
By your own words, you claim you want to learn classical, and I quote: So what you're saying is you need to got to the WHITE man to learn how to play music on the HIGHEST level, because African music is at such a LOW level, you have to add classical to it to make it WORTH anything.
By your own words nigga! You admit that white classical is of a higher level than that African bullshit you listen to.
So you're a fucking lier, EITHER you really like classical, OR you don't like it and you know it is SUPERIOR to AFRICAN. Has to be one or the other.
You Idiot!
