The Difference Between "Hip-Hop" & "Rap"

You guys can't be that STUPID

The writer and myself ASSUMED that YOU are smart enough to know the difference between hyperbole and literal speech. We're smart enough to know that the Souljah Boy is a rapper and Rap is one of the 4 tenets of Hip-Hop culture, therefore making him a part of Hip-Hop culture. We're talking about Hip-Hop in a FIGURATIVE, or poetic sense. Only dumb asses come into every thread like this talking about "y'all don't know what Hip-Hop is", because you're not smart enough to know that nobody's talking about the "technical" definition of Hip-Hop.

It would be like a rock head saying, "Fall Out Boy" isn't rock, Led Zeppelin is". You could go on any forum on the WWW and see that sentiment. Now, common sense would tell that both play guitar based music in a band making them both TECHNICALLY rock bands, but what they mean by that is that Led Zeppelin encompassed the spirit and authenticity of what Rock-N-Roll is, meaning the talent, balls, originality, and most importantly, the respect of those who LOVE THE CULTURE, not just passing fans or people who aren't well versed in Rock N Roll music.

That is what "real" means in the sense of what's "real" and "fake" in Hip-Hop. Rodney Dangerfield had a rap hit in the early '80s with "Rappin' Rodney". Is he an MC? Is he to be considered Hip-Hop now? Of course not, because he was just cashing in on a trend and isn't part of what is considered relevant in Hip-Hop culture. It was a "novelty" and not to be taken seriously by people who actually love the culture and participate in the tenets of the music and culture.

Somebody like say. . . Rakim is seen as "real" Hip-Hop because he practiced his craft of MCin' enough to become great at it, meaning he had to CARE enough about Hip-Hop to want to be great at it, and then he influenced others to be great at it, not just because he wanted to ONLY get paid, but because he had respect for all the MC's before him enough to want to be good at it and not just do some bullshit that only appeals to teenage White girls and dumb niggaz like y'all, because they're the ones who buy all the records. He wanted to be respected by people who loved Hip-Hop before him and people who loved Hip-Hop after him. That is why he is considered "real" and guys who only do Hip-Hop to get paid or sugar coat their rhymes to sell to people who don't love the culture aren't.

Eric B & Rakim, Ice Cube, KRS-One, Public Enemy and a lot of others all had enough LOVE for the culture to try to be GREAT at it, which is why they are respected. Also, they all had enough love for their people that they made music FOR US, even if it meant that they wouldn't sell as many records as MC Hammer and Vanilla Ice. They also talked about what it was like to be Black in Amerikkka and have issues with the police, with drugs, with gangs, with violence, and were smart enough to make people understand what it was like to have those things to deal with

It's sad to see how naive you guys really are. You're not educating anybody with your whole "Everything's TECHNICALLY Hip-Hop" spiel, you're only making yourselves look stupid.

preach.jpg


At first I thought some of these dudes knew better but were just appealing to emotion claiming it boils down to nostalgic preference. The real deal is I think its easy to make yourself look stupid if at root you really are. Look at homeboy trying to debunk the list with all that drivel and time after time his counterclaim was "is there a difference?" If the brainiacs cant tell the difference what good is the argument? Let em grow up then we can have a discussion.

Until then it would be poetic justice if some of them ninjas got paid at the job using monopoly money. To which the employer should rightly ask "whats the difference? It's all paper, you got your different denominations and everything." :D
 
You guys can't be that STUPID

The writer and myself ASSUMED that YOU are smart enough to know the difference between hyperbole and literal speech. We're smart enough to know that the Souljah Boy is a rapper and Rap is one of the 4 tenets of Hip-Hop culture, therefore making him a part of Hip-Hop culture. We're talking about Hip-Hop in a FIGURATIVE, or poetic sense. Only dumb asses come into every thread like this talking about "y'all don't know what Hip-Hop is", because you're not smart enough to know that nobody's talking about the "technical" definition of Hip-Hop.

It would be like a rock head saying, "Fall Out Boy" isn't rock, Led Zeppelin is". You could go on any forum on the WWW and see that sentiment. Now, common sense would tell that both play guitar based music in a band making them both TECHNICALLY rock bands, but what they mean by that is that Led Zeppelin encompassed the spirit and authenticity of what Rock-N-Roll is, meaning the talent, balls, originality, and most importantly, the respect of those who LOVE THE CULTURE, not just passing fans or people who aren't well versed in Rock N Roll music.

That is what "real" means in the sense of what's "real" and "fake" in Hip-Hop. Rodney Dangerfield had a rap hit in the early '80s with "Rappin' Rodney". Is he an MC? Is he to be considered Hip-Hop now? Of course not, because he was just cashing in on a trend and isn't part of what is considered relevant in Hip-Hop culture. It was a "novelty" and not to be taken seriously by people who actually love the culture and participate in the tenets of the music and culture.

Somebody like say. . . Rakim is seen as "real" Hip-Hop because he practiced his craft of MCin' enough to become great at it, meaning he had to CARE enough about Hip-Hop to want to be great at it, and then he influenced others to be great at it, not just because he wanted to ONLY get paid, but because he had respect for all the MC's before him enough to want to be good at it and not just do some bullshit that only appeals to teenage White girls and dumb niggaz like y'all, because they're the ones who buy all the records. He wanted to be respected by people who loved Hip-Hop before him and people who loved Hip-Hop after him. That is why he is considered "real" and guys who only do Hip-Hop to get paid or sugar coat their rhymes to sell to people who don't love the culture aren't.

Eric B & Rakim, Ice Cube, KRS-One, Public Enemy and a lot of others all had enough LOVE for the culture to try to be GREAT at it, which is why they are respected. Also, they all had enough love for their people that they made music FOR US, even if it meant that they wouldn't sell as many records as MC Hammer and Vanilla Ice. They also talked about what it was like to be Black in Amerikkka and have issues with the police, with drugs, with gangs, with violence, and were smart enough to make people understand what it was like to have those things to deal with

It's sad to see how naive you guys really are. You're not educating anybody with your whole "Everything's TECHNICALLY Hip-Hop" spiel, you're only making yourselves look stupid.


NAH NIGGA, they actually got DUMB ASSES out there who THINK there is a Difference without kicking all that HYPERBOLE / POETIC shit. I use to RUN into them all the time on TEMPLE OF HIP HOP.org and they would run down the same shit this article said.

Even KRS ONE got into it with DAVEY D over whether or not TOO $HORT was HIP HOP... KRS was saying TOO $HORT was not HIP HOP... Then you see KRS saying SOULJA BOY is HIP HOP... Lots of CONFUSION going on based on DUMB POETIC SHIT confusing the MASSES with this "HIP HOP WILLIE LYNCH MIND FUCK" of an ARTICLE.

Dudes read that shit and believe it.
 
NAH NIGGA, they actually got DUMB ASSES out there who THINK there is a Difference without kicking all that HYPERBOLE / POETIC shit. I use to RUN into them all the time on TEMPLE OF HIP HOP.org and they would run down the same shit this article said.

Even KRS ONE got into it with DAVEY D over whether or not TOO $HORT was HIP HOP... KRS was saying TOO $HORT was not HIP HOP... Then you see KRS saying SOULJA BOY is HIP HOP... Lots of CONFUSION going on based on DUMB POETIC SHIT confusing the MASSES with this "HIP HOP WILLIE LYNCH MIND FUCK" of an ARTICLE.

Dudes read that shit and believe it.

Once again, KRS is talking about the true spirit of Hip-HOp though, not what is "technically" Hip-Hop. We all know that if you walk into the Hip-HOp section at Sam Goody or Tower Records, you'd find Soljah Boy and Too Short there.

He's not considered "real" because he's perceived as somebody who just jumped on a trend without any love for the culture or effort to try to be earn the respect of people who love the culture. That is where the "Hip-Hop" vs "Rap" type arguments start. "Real" Hip-Hop heads look for a way to put distance between what the mainstream chooses as popular rap and what the genuine essence of the culture is. The media called MC Hammer and Vanilla Ice and Young MC "rap music", so "Real" heads ceded the term Rap to the mainstream and kept the "HIp-Hop" term to discribe rappers who care about the craft and the culture. It's all poetic.

EVERYBODY knows that Rap = Hip-Hop in a technical sense, even KRS and people like that.
 
All my "real" Hip-Hop heads already know what it is, but I've seen a lot of people who don't know the difference these days.

30 Ways to Distinguish Hip Hop from Rap

While the terms Hip Hop and Rap may have been synonymous back in the 70's, 80's and early 90's, the terms were separated at the hip at some point during the mid 90's.
Wildstyle. Buy it Here.

To Old School listeners of the genre, Hip Hop was not only a musical mix of beats and rhymes, but it also included graffiti writing, break dancing, and deejaying. New School rappers and Pop culture mistakenly use the term Hip Hop to describe the urban contemporary music that bares a slight resemblance to Hip Hop. Confused? Listed below are 30 examples that may help one distinguish between what is truly Hip Hop and what is indeed Rap:

1. Hip Hop is MCs and DJs. Rap is rappers and Pro Tools producers.

2. Hip Hop is B-boys, B-girls, Scoob & Scrap Lover, and Big Lez. Rap is booty dancers, strippers, and robotic routines taught in Fame-like dance studios.

3. Hip Hop is music. Rap is entertainment.

4. Hip Hop is the love of urban culture. Rap is the love of money.

5. Hip Hop is graffiti writers. Rap is graphic designers.

6. Hip Hop is speaking the unspoken. Rap is speaking the spoken over and over again.

7. Hip Hop music gracefully ages over the course of time. Rap goes platinum and no one remembers it.

8. Hip Hop is battling on the microphone. Rap is cowardly battling in the streets.

9. Hip Hop is Yo MTV Raps. Rap is Sucker Free Sundays.

10. Hip Hop is Andre of Outkast. Rap is Andre 3000 of Outkast.

11. Hip Hop is art conscious. Rap is image conscious.

12. Hip Hop is college radio and Saturday night mix shows. Rap is your city’s V103 and Hot 97.

13. Hip Hop is the Flavor Unit. Rap is the G-Unit.

14. Hip Hop is MTV refusing to play "street music" in the 80’s. Rap is MTV playing more “street music" than rock.

15. Hip Hop is variety. Rap is monotony.

16. Hip Hop is writing what you feel. Rap is chanting what sells.

17. Hip Hop is female MCs and DJs. Rap is female strippers.

18. Hip Hop is Queen Latifah’s “Ladies First.” Rap is Shawna’s “Getting’ Some Head.”

19. Hip Hop is sweating out your perm from dancing so much. Rap is sitting down the entire time because your Manolo Blahnik's are uncomfortable.

20. Hip Hop is sweating through your rayon or silk shirt while dancing. Rap is holding up the wall, mean-mugging in your button-up.

21. Hip Hop is a creative art. Rap is a formula.

22. Hip Hop is scratching on records. Rap is scratching on CDs.

23. Hip Hop is bragging about your skills on the Mic. Rap is bragging about record sales, cars, and jewelry.

24. Hip Hop tells the world about all that is wrong in the Hood. Rap glorifies all that is wrong in the Hood.

25. Hip Hop is Wild Style, Beat Street, Krush Groove, and Style Wars. Rap is Get Rich or Die Tryin’.

26. Hip Hop is the first Hip Hop Grammy winner boycotting the ceremony due to the Grammy's disrespect of the genre. Rap is throwing a temper tantrum because you didn't win "Album of the Year."

27. Hip Hop is establishing yourself by battle rapping and performing in front of anyone who will listen. Rap is establishing yourself by "Making the Band."

28. Hip Hop is Kurtis Blow. Rap is Curtis Jackson.

29. Hip Hop is an MC storytelling. Rap is a rapper telling a story.

30. Hip Hop is Puff Daddy of Uptown Records. Rap is Diddy of Bad Boy Records.


http://globalgrind.com/source/oldsc...instances-that-changed-the-course-of-hip-hop/

Spoken with the truth word by word.
 
Once again, KRS is talking about the true spirit of Hip-HOp though, not what is "technically" Hip-Hop. We all know that if you walk into the Hip-HOp section at Sam Goody or Tower Records, you'd find Soljah Boy and Too Short there.

He's not considered "real" because he's perceived as somebody who just jumped on a trend without any love for the culture or effort to try to be earn the respect of people who love the culture. That is where the "Hip-Hop" vs "Rap" type arguments start. "Real" Hip-Hop heads look for a way to put distance between what the mainstream chooses as popular rap and what the genuine essence of the culture is. The media called MC Hammer and Vanilla Ice and Young MC "rap music", so "Real" heads ceded the term Rap to the mainstream and kept the "HIp-Hop" term to discribe rappers who care about the craft and the culture. It's all poetic.

EVERYBODY knows that Rap = Hip-Hop in a technical sense, even KRS and people like that.

The Media Called it "Rap Music"?
Interesting... Because I remember calling it that since the 1980's.

The So- Called "Real Heads" are not even Purist in the truest scene of the word, They are Nostalgic to era's .When it comes to Raps, they are into they lyricism 86-93. When it comes to dress, they are into what was hot around 82-88.

Think about it. You see how so-called "real heads" bitch and moan about the elements not being represented like it was back in the day. Well, When KRS, Rakim and Kane were at their prime, Breakin' was out of style. Fat Laces were out of style. When we speak of the "GOLDEN AGE of HIPHOP", Breakin' and Poppin' was not in style during those years. All the Trains were clean because they put the Fences around the Train Yards... So even during the so called "Golden Age", all the so-called "Elements" were not represented in their PURIST FORM.

Scoob and Scrap, Leg 1, Leg 2, IOU, or them Queen Latifah Chicks were called "Hip-Hop Dancers", not B-Boys or B-Girls. Or But BIG DADDY KANE was "REAL"? Come on... RUN-DMC was REAL...

Fast Forward to 2009 and we got all these so called "REAL HEADS" trying to recreate an era they Missed out on so they fabricate a History to make it seem as if THEY THE REAL HEADS and EVERYONE ELSE IS A SELL OUT. When Backpackers eventually became a Bunch of WHITE KIDS trying to be HARD... And these are the CATS who claim to be REAL HEADS... They missed out.

KRS in his new Documentary on Youtube sad (and im paraphrasing) that - Hip-hop is about finding the Creative power from within and using that ability to get out of your current situation... That's TRUE SCHOOL..

RAP does not = HIPHOP... Not even in the Technical sense..
RAP is just a PART of HIPHOP... a PIECE is not = to the WHOLE...
RAP is OLDER then HIP-HOP.
 
The Media Called it "Rap Music"?
Interesting... Because I remember calling it that since the 1980's.

The So- Called "Real Heads" are not even Purist in the truest scene of the word, They are Nostalgic to era's .When it comes to Raps, they are into they lyricism 86-93. When it comes to dress, they are into what was hot around 82-88.

Think about it. You see how so-called "real heads" bitch and moan about the elements not being represented like it was back in the day. Well, When KRS, Rakim and Kane were at their prime, Breakin' was out of style. Fat Laces were out of style. When we speak of the "GOLDEN AGE of HIPHOP", Breakin' and Poppin' was not in style during those years. All the Trains were clean because they put the Fences around the Train Yards... So even during the so called "Golden Age", all the so-called "Elements" were not represented in their PURIST FORM.

Scoob and Scrap, Leg 1, Leg 2, IOU, or them Queen Latifah Chicks were called "Hip-Hop Dancers", not B-Boys or B-Girls. Or But BIG DADDY KANE was "REAL"? Come on... RUN-DMC was REAL...

Fast Forward to 2009 and we got all these so called "REAL HEADS" trying to recreate an era they Missed out on so they fabricate a History to make it seem as if THEY THE REAL HEADS and EVERYONE ELSE IS A SELL OUT. When Backpackers eventually became a Bunch of WHITE KIDS trying to be HARD... And these are the CATS who claim to be REAL HEADS... They missed out.

KRS in his new Documentary on Youtube sad (and im paraphrasing) that - Hip-hop is about finding the Creative power from within and using that ability to get out of your current situation... That's TRUE SCHOOL..

RAP does not = HIPHOP... Not even in the Technical sense..
RAP is just a PART of HIPHOP... a PIECE is not = to the WHOLE...
RAP is OLDER then HIP-HOP.

I'm not saying the media invented the term Rap Music, I'm saying that the media did what they always did which is try to define somebody else's culture. The media tried to make it seem like Rap was defined by what was popular at that time, which was Vanilla Ice, MC Hammer, Young MC, and even people like NWA and Ice-T. What a lot of "heads" didn't like was that people made it seem like they were TRUE "rap" and that dudes who didn't rap like Hammer and Vanilla Ice, or who weren't gangsters weren't considered "real" because they weren't A: selling records or B: doing "gangsta rap". It's like today. Souljah Boy, 50 Cent, and Kanye West are considered by the media the faces of "Rap" music.

Those "heads" got frustrated and ceased describing their music as "RAP", because that term was then co-opted by the press and presented as one way, Rap's either violent gang music or it's mainstream pop, so everybody who didn't want to be involved in those two schools of thought started calling themselves "real" Hip-Hop or saying things like, "Fuck Rap, I'm Hip-Hop" and shit like that as a way to differentiate themselves from the people who were being called "rap".

Once again, you seem to keep looking at it from a technical sense. Everybody knows that Rap is just ONE of the FOUR elements, but when people are talking about real "Hip-Hop" vs. "Rap", they're not getting that technical. They're talking about the essence.

B-boying was definitely NOT out of style during the mid to late '80s. It just changed forms. You used to be able to see rappers dancing all over videos. Even 2pac got his start DANCING for Digital Undergroud, which in a way was his way to pay DUES, which is another important part of Hip-Hop.

Graffiti has never gone away. I leave my house and see graffiti all the time. It just was pushed to the background, not by Hip-Hop, but by the media and record companies who wanted to emphasized and package rappers as the lone representatives of Hip-Hop. This is another reason you don't see groups together like you used to.

DJ's are the same. DJ's were pushed out, not by Hip-Hop, but by the media and record companies, who didn't want to have to pay for all those samples that DJ's use to scratch(which is another reason that no rappers use the layered samples that you used to hear back during the "golden age". Even Kanye only has 1 or 2 samples per song as opposed to the 20 per song on Public Enemy records).

What us "heads" mean by "real" and "fake" and "Hip-HOp" vs. "Rap" is essentially, we like what WE created, not what Madison Ave. has told people is Hip-Hop. We want to be in control of our culture and respect people who don't care about what MTV or BET or radio think, because those corporations are only out to exploit the culture to make money.

Rappers who participate in HELPING those corporations do that are the ones described as "rap"(meaning fake). It's a poetic term, not a literal one.
 
You guys can't be that STUPID

The writer and myself ASSUMED that YOU are smart enough to know the difference between hyperbole and literal speech. We're smart enough to know that the Souljah Boy is a rapper and Rap is one of the 4 tenets of Hip-Hop culture, therefore making him a part of Hip-Hop culture. We're talking about Hip-Hop in a FIGURATIVE, or poetic sense. Only dumb asses come into every thread like this talking about "y'all don't know what Hip-Hop is", because you're not smart enough to know that nobody's talking about the "technical" definition of Hip-Hop.

It would be like a rock head saying, "Fall Out Boy" isn't rock, Led Zeppelin is". You could go on any forum on the WWW and see that sentiment. Now, common sense would tell that both play guitar based music in a band making them both TECHNICALLY rock bands, but what they mean by that is that Led Zeppelin encompassed the spirit and authenticity of what Rock-N-Roll is, meaning the talent, balls, originality, and most importantly, the respect of those who LOVE THE CULTURE, not just passing fans or people who aren't well versed in Rock N Roll music.

That is what "real" means in the sense of what's "real" and "fake" in Hip-Hop. Rodney Dangerfield had a rap hit in the early '80s with "Rappin' Rodney". Is he an MC? Is he to be considered Hip-Hop now? Of course not, because he was just cashing in on a trend and isn't part of what is considered relevant in Hip-Hop culture. It was a "novelty" and not to be taken seriously by people who actually love the culture and participate in the tenets of the music and culture.

Somebody like say. . . Rakim is seen as "real" Hip-Hop because he practiced his craft of MCin' enough to become great at it, meaning he had to CARE enough about Hip-Hop to want to be great at it, and then he influenced others to be great at it, not just because he wanted to ONLY get paid, but because he had respect for all the MC's before him enough to want to be good at it and not just do some bullshit that only appeals to teenage White girls and dumb niggaz like y'all, because they're the ones who buy all the records. He wanted to be respected by people who loved Hip-Hop before him and people who loved Hip-Hop after him. That is why he is considered "real" and guys who only do Hip-Hop to get paid or sugar coat their rhymes to sell to people who don't love the culture aren't.

Eric B & Rakim, Ice Cube, KRS-One, Public Enemy and a lot of others all had enough LOVE for the culture to try to be GREAT at it, which is why they are respected. Also, they all had enough love for their people that they made music FOR US, even if it meant that they wouldn't sell as many records as MC Hammer and Vanilla Ice. They also talked about what it was like to be Black in Amerikkka and have issues with the police, with drugs, with gangs, with violence, and were smart enough to make people understand what it was like to have those things to deal with

It's sad to see how naive you guys really are. You're not educating anybody with your whole "Everything's TECHNICALLY Hip-Hop" spiel, you're only making yourselves look stupid.

I know exactly what the article meant because I use to think the same way, but as I got older I noticed something.

The very same guys I liked other "real heads" use to put down and now looking back those same people are saying they were real hip hop/rap.

An example would be Biggie Smalls. Some proclaim him to be the G.O.A.T., but I can clearly remember when he had his critics. I won't even use rap fans, but the artists themselves like Boot Camp who many won't disagree is vintage hip hop. They went at at Biggie saying he was not pure NY rap. Today? I don't hear that. What I hear is Biggie was the shit.

People use to say the West Coast was not real rap because of the actual music the rappers use to rap on. Hell, there was even singing on it which was a no no. The funny thing about the debates I use to hear was that one side would say they are not real rap and someone claimed that the actual music was east coast music, but from old school music from the 70's. The traditionalists were saying the music was too funky or too much r and b.

Another example would be someone like Luke. At the time many didn't consider what he did was really rap and had not real skills because of the vulgarity to his words. Next thing I know people were saying he was the blueprint for future music like Snoop's first album(nastiest rap album ever some say). Someone always cribs from someone and somewhere that may not even be traditional hip hop/rap and make it their own flavor.

I remember liking Outkast from the start and Andre did not get all this love he is getting now imo because he came from the south. I do remember Scarface always getting props, but we know he was not promoted as deep down south as Outkast was.

All I'm saying is that times change, tastes change, revisionist history, personal preference, and generational changes all play into what someone may feel is hip hop and rap. Different levels of good to great rap changes to some people. That is what I really meant about putting things into a box.

If things stayed exactly the same as the first hip hop record we would never have received guys like Rakim who did rap/hip hop their own unique way changing the game. Every song and style would be similar to the Grandmaster Flash days.

No LL Cool J who created those rap ballads. Some may not have liked it, but it spurned other rappers to make those kind of songs which may have been their taste or style. It's like a building block.
 
I know exactly what the article meant because I use to think the same way, but as I got older I noticed something.

The very same guys I liked other "real heads" use to put down and now looking back those same people are saying they were real hip hop/rap.

An example would be Biggie Smalls. Some proclaim him to be the G.O.A.T., but I can clearly remember when he had his critics. I won't even use rap fans, but the artists themselves like Boot Camp who many won't disagree is vintage hip hop. They went at at Biggie saying he was not pure NY rap. Today? I don't hear that. What I hear is Biggie was the shit.

People use to say the West Coast was not real rap because of the actual music the rappers use to rap on. Hell, there was even singing on it which was a no no. The funny thing about the debates I use to hear was that one side would say they are not real rap and someone claimed that the actual music was east coast music, but from old school music from the 70's. The traditionalists were saying the music was too funky or too much r and b.

Another example would be someone like Luke. At the time many didn't consider what he did was really rap and had not real skills because of the vulgarity to his words. Next thing I know people were saying he was the blueprint for future music like Snoop's first album(nastiest rap album ever some say). Someone always cribs from someone and somewhere that may not even be traditional hip hop/rap and make it their own flavor.

I remember liking Outkast from the start and Andre did not get all this love he is getting now imo because he came from the south. I do remember Scarface always getting props, but we know he was not promoted as deep down south as Outkast was.

All I'm saying is that times change, tastes change, revisionist history, personal preference, and generational changes all play into what someone may feel is hip hop and rap. Different levels of good to great rap changes to some people. That is what I really meant about putting things into a box.

If things stayed exactly the same as the first hip hop record we would never have received guys like Rakim who did rap/hip hop their own unique way changing the game. Every song and style would be similar to the Grandmaster Flash days.

No LL Cool J who created those rap ballads. Some may not have liked it, but it spurned other rappers to make those kind of songs which may have been their taste or style. It's like a building block.

You're absolutely correct. 2pac and Biggie's deaths are two of the biggest reasons that there are no standards in Hip-Hop. Biggie was not liked . . . IN NEW YORK, by a lot of people. The Wu-Tang Clan dissed him on record(Shark Niggaz) and BCC had a lot of problems with that shit too. Puffy definitely pushed him in a "pop" direction, then everybody else went in that direction after Biggie, which is the reason why Hip-Hop is fucked up now. Biggie's death is the ONLY thing that has absolved him in history. If he had lived, he would've ended up going too pop and faced what LL Cool J and Big Daddy Kane faced eventually, which was charges of selling out. It hurt both of their careers and would've hurt Biggie's eventually.

Now, the West Coast thing. The East Coast have always been haters. That's not the issue. They hated everybody and always have. The problem with that is that they often catch on later to what everybody else already knew.

I think it was Cheo Hedoni Coker(or whatever his name is) that was talking about how when "The Chronic" came out, every body in New Jersey was bumpin' it. And even Chris Rock talks about how when N.W.A.'s "Straight Outta Compton" came out, how much love NWA got from New York heads. Ice Cube's first record was produced in New York by The Bomb Squad, so there was always love with the real heads. It was the "haters" that had issues.

Most of the people who hated on those groups had to eat their words, because it was QUALITY. Nobody's gonna eat their words about Hurricane Chris or Souljah Boy or those other faggots, just like nobody's eating their words about Hammer or Vanilla Ice. Pretty much the whole world sees them as wack now.
 
"Rap is something you do, Hip Hop is something you live"- KRS-one. If you cant distinguish between a rapper and an mc, we got problems. the rapper wants a check, the mc rhymes for the love. Shit any white boy can get on the mic and scream and yell but that dont mean they're guns and roses, led zep. how many mofos u know rap, most of the ninjas you know rap, white boys included. I didnt say they was hot or gonna get deals, but they rap anyway. Not everyone doing this has skills and is true to the art. most ninjas is rappers cause they do it try to get paid. one thing i remember is white boys from stoners to jocks used to be like yo anyone can do that shit. that shit is noise and it takes no music talent. wrong not true, to some extent its true but not everyone is gonna be making quality music. i know i can do the same shit rockers do on stage but i dont have the singing voice that some do, fuck that screaming shit. Rock doesnt have anywhere near the wordplay that hip hop has, neither does rap. i love mcs but damn i hate rappers. im sick of nursery rhyme hooks,bullshit weed and liquor anthems/endorsements, and videos got nothing to do with the song anymore. long live hip hop, fuck rap.(as i spit out my bubble gum)
 
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