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How did u beat em 1 - 2 days? Howz Diego? Kayne voice
brah thats how long it take for me to beat a game.the longest i been on a game was the new zelda and it took me 3 1/2 days.when i play a game puts the hours into it.im a true gamer.when i get up to head to work im running on 2 maybe 3 hrs of sleep.
Two short (loooooooong) Weeks. I hope Amazon don't fuck up my order.
Two short (loooooooong) Weeks. I hope Amazon don't fuck up my order.
Updated my shipping to one day.![]()
Are you prime? I think its guaranteed release day delivery.
Yeah I’m a prime member. I did not see same day as an option. Only one day and two day for prime.
Called Amazon two weeks ago about lasership losing / not delivering my packages. Maybe that’s why I don’t have same day anymore.
About Release-Date Delivery
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yeah i think its implied for prime members
from an amazon help page :
https://www.amazon.com/gp/help/customer/display.html?tag=vp314-20
Man these AC Origins reviews have me rethinking my decision to wait lol
Assassin’s Creed Origins is the best iteration of a decade-old formula
In essence, Assassin’s Creed Origins is much the same game as the original Assassin’s Creed, which came out a decade ago. It’s a formula that people like to play, and it’s certainly been honed and improved over the years. Origins is, then, undoubtedly the best iteration of this formula yet. But I yearn for a fresh approach and new ideas, something that astounds the senses as much as the wondrous world this game inhabits.
Assassin's Creed remains a wonderfully foolhardy game in terms of its ambition and its generosity, even if it it is no longer quite as distinct as it once was.
Origins doesn’t completely rebuild Assassin’s Creed, but makes a number of smart, significant changes to a formula that, despite yearly updates, was showing its age. The increased freedom in how you approach targets, the more active combat, and alluring world not only make exploring Egypt a rewarding experience, but also offer a strong direction for the series going forward while still remembering what made it unique in the first place.
Assassin's Creed Origins is continued improvement for the series. Unity was a misstep, but Syndicate recovered from that and Origins stands as an improvement. There are still a few issues here and there: combat is better, but could stand for some tightening and assassination needs a dedicated, consistent button. But overall, this is a very good game and stands near the top of the series. Bayek's story is an excellent one and as a soft reboot for the franchise, Origins does its job. I'm looking forward to seeing where they go from here.
Assassin’s Creed Origins improves from its past few installments in almost every way, yet it never quite reaches the heights of the games it tries to emulate. Its combat isn’t Dark Souls level. Its quests aren’t The Witcher 3 level. Its open world isn’t…well honestly, this might actually be one of the most impressive virtual spaces I’ve ever seen, so credit where it’s due there. I do have to imagine that if you ever have loved a game in the Assassin’s Creed series that you’ll enjoy what Origins does here, but also if you don’t have 60+ hours to sink into a game as absolutely massive as this one, I don’t blame you either. But I enjoyed my time with it, more so than I was even expecting, having thought I had burned out on this franchise for good.
Assassin’s Creed: Origins may not be as revolutionary of a release in the open-world, action adventure RPG genre as The Witcher 3: Wild Hunt or The Legend of Zelda: Breath of the Wild, but it does provide an expansive single-player experience, filled with hours of memorable content without having to purchase anything extra. Assassin’s Creed: Origins is the most memorable entry in the series in years, answering age-old questions like “why are assassins missing their ring fingers?” and is an excellent game to start with if you’re a newcomer. While the story wasn’t consistent in quality throughout the entire game — and I didn’t know what was going on or what the stakes were at times — it culminates in a payoff that any fan of the Assassin’s Creed franchise will nerd out about for a long time.
Assassin’s Creed Origins is ungainly and uneven, beautiful and frustrating, expansive and unexpectedly conservative. It won’t challenge the palate; rather, it is a prime example of video-game comfort food. It’s here to be slowly enjoyed, offering a seemingly endless supply of gorgeous locales and steadily-filling progress bars. If Ubisoft is a digital travel agency, Origins provides one of the most sweeping, enveloping destinations they’ve yet offered. Come for the beautiful recreation of ancient Egypt, stay for the beautiful recreation of ancient Egypt.
BTW
fuck cuphead
Wolfenstein 2: The New Colossus is an action-packed shooter that still finds time for tons of emotion
And that’s the strength of this sequel. It balances a steady stream of suffering and hurt with exuberant humanity. It deals with our darkest impulses and our best, and plays them both up to a ridiculous degree. There’s nothing subtle about Wolfenstein 2, but it’s all affecting in a way that makes the game feel special and coherent. There are moments in the game that made my heart swell, while others were so grisly I had to look away.
B.J. is comfortable killing thousands upon thousands of his enemies if they stand between him and a bit of peace. But killing isn’t all that Wolfenstein 2: The New Colossus offers. It’s the rare first-person shooter that explores the first time its hero pulled a trigger; it’s the rare first-person shooter that is comfortable connecting with the primal, untamed parts of your brain while celebrating just how fucking good it feels to lay out a Nazi.
The New Colossus is the rare sort of shooter that sometimes even shines more when there's no guns involved at all. Especially in the friendships paved with BJ's comrades through the game's sometimes-silly pulp attitude. Especially in scenes with Anya, BJ's take-no-shit partner. A partner he doesn't need to protect, nor save. A woman who's on the front lines with a rifle just like the rest of the resistance—even with a super-pregnant, protruding belly. The New Colossus reminded me why I loved the quietly lifelike romance from the first game so much in the first place.
http://www.usgamer.net/articles/wolfenstein-2-the-new-colossus-review
When I finished my playthrough, I sat watching the credits roll with a huge grin on my face, quite convinced I hadn’t played a better first-person shooter in years. I’ll keep coming back for a long time thanks to bountiful epilogue missions, plus an alternate-timeline playthrough that grants access to another side character, scenes, and weapons. But these things are just gravy. On its own merits the campaign is unbeatable, packed to the gills with unforgettable story moments and fantastic combat sequences. Wolfenstein II: The New Colossus is a bold game that rages and soars, deftly balancing pulp sci-fi with deadly seriousness, and one that should not be missed by anyone interested in the power of storytelling in video games.
http://www.gameinformer.com/games/w...26/a-bloody-and-unforgettable-revolution.aspx
Wolfenstein II: The New Colossus has become the new benchmark for single-player shooter campaigns. The sheer amount of freedom that players have to go along with the excellent gunplay make it one of the best shooters in years on those merits alone. Add in what is one the year’s most compelling, important narratives and you have a recipe for an instant classic on your hands. Wolfenstein II: The New Colossus isn’t just 2017’s best shooter, it’s a game that will be looked back upon as one of the standout titles of this generation when it comes to an end.
https://www.dualshockers.com/wolfenstein-ii-the-new-colossus-2-review-ps4/
I played Wolfenstein: The New Order for the first time earlier this year, and it blew me away with its human characters struggling to resist an impossibly strong Nazi empire. At the end of that game, you’ve dented Hitler’s forces, but that’s it. The New Colossus delivers on upping the stakes by bringing the game to the United States and establishing it as the best potential platform for staging a true fight against the Nazis.
But Wolfenstein II shines whenever you can feel how resistant the people of the United States are to the idea of overthrowing their new emperor. That is effective both dramatically and as a commentary on our current politics.
Developer Machine Games also brought the most amazing characters, quality storytelling, and well-paced gameplay to The New Colossus. You’ll want to spend time with these people and learn their fate — sometimes that will warm your heart, and sometimes it will break it.
https://venturebeat.com/2017/10/26/wolfenstein-ii-review-dear-white-people/
I'm still won over by Wolfenstein 2's variety and gunplay, though, and even if it doesn't feel as fresh to me as The New Order did in 2014, I love the escalating firefights that play out in its various mini sandboxes. I appreciate that you can find singleplayer games like this in 2017, where there's so much attention paid to details like characterisation, sound design and facial animation, on top of how wonderful the guns feel. The New Colossus is fun and funny—a decent successor that's not just more of the same.
http://www.pcgamer.com/wolfenstein-2-the-new-colossus-review/