Stan Lee Passes Away. Excelsior!

Stan Lee's Spider-Man: Into the Spider-Verse cameo is a poignant tribute to the late icon

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Sony Pictures Animation; Inset: Jun Sato/WireImage

DEVAN COGGAN
December 14, 2018 at 04:51 PM EST
Spider-Man: Into the Spider-Verse is a love letter to all things Spider-Man, uniting the various webslingers who’ve taken up the mantle since Stan Lee and Steve Ditko first introduced Peter Parker back in 1962. And one of the film’s most touching moments comes with the customary cameo appearance from Lee — a moment that took on an added meaning after he died last month at the age of 95.

The film follows Afro-Latino teenager Miles Morales (voiced by Shameik Moore) as he gets a superhero crash course from other Spider-People, including the original Peter Parker (Jake Johnson). It’s an ambitious adventure, packed with quippy one-liners and sinister villains that feel like they’re straight out of a Lee story, and the filmmakers wanted to make sure Lee’s appearance honored everything he brought to the Marvel universe.

WARNING: Spoilers for Lee’s cameo in Spider-Man: Into the Spider-Verse follow.

Directors Bob Persichetti, Rodney Rothman, and Peter Ramsey have revealed that Lee pops up in a few different ways throughout Spider-Verse, especially in crowd scenes around New York. But his main appearance comes as the owner of a costume shop who sells Miles a cheap Spider-Man suit.

In Miles’ universe, Peter Parker’s Spider-Man has passed away, and the teenager takes it upon himself to try to fill his shoes. When he brings the Spider-Man costume to the counter, Lee’s shop owner tells Miles, “I’m going to miss him. We were friends, you know.”

Miles isn’t sure the costume will fit, and it looks like more of a baggy Halloween costume than a proper superhero outfit. But Lee’s character winks and tells him, “It always fits eventually,” before pointedly gesturing to a “no refunds” sign.


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Sony Pictures Animation
“We always wanted to honor his legacy and Steve Ditko’s legacy as the godparents of this character,” producer Chris Miller told EW. “The movie itself was supposed to feel like an extension of what they were doing in the ’60s, when they made an ordinary nerdy teenager from a lower-middle-class family in Queens a superhero, who wasn’t a god or an alien or a billionaire. That felt very welcoming and inclusive, and that message resonated with us as kids, like, ‘It could be me.’ And we were just trying to pass that on.”


And although Lee’s cameo is sweet, Miller and writer-producer Phil Lord wanted to make sure it properly captured Lee’s sense of humor and huckster charm, too.

“In the beginning, we wanted to give him a real place in the movie and not just a moment — something that was exciting and could honor his legacy and also be funny at the same time,” Miller said. “Obviously it took on a whole added poignancy after his passing, but the spirit of it remains exactly the same.”

For Johnson, who voices Peter, it’s a fitting tribute to the man who helped create one of the most beloved superheroes of all time.

“As somebody who likes to write and create himself, I can’t even say what he brought to the character because he brought everything,” Johnson told EW. “We are all still playing in his imagination.”

Spider-Man: Into the Spider-Verse is in theaters now.
 
See a new behind-the-scenes image of Stan Lee's Avengers: Endgame cameo

Directors Joe and Anthony Russo released a new image of the comic book icon's retro guest spot

By Anthony Breznican
May 06, 2019 at 01:34 PM EDT
It has been months since the world said goodbye to Stan Lee, but he still has a habit of turning up unexpectedly.

As the Avengers: Endgame spoiler embargo lifts, the filmmakers shared a new behind-the-scenes image of Lee shooting his final cameo.

Gathered around the comic book icon, who died at age 95 last November, are (from the left) screenwriters Christopher Markus and Stephen McFeely, directors Joe and Anthony Russo, and executive producer Trinh Tran.

Here’s the story behind Lee’s hippy-dippy curtain call in Endgame

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RUSSO BROTHERS/TWITTER
“Make love, not war!”
It comes just as Tony Stark (Robert Downey Jr.) and Steve Rogers (Chris Evans) venture back in time to the year 1970 for one more chance at nabbing the Tesseract and the Space Stone contained therein.

You hear the opening bars of Steppenwolf’s “Hey Lawdy Mama,” released that year, and see a white muscle car with a psychedelic bumper sticker declaring: ’Nuff said.

That was just one of Stan the Man’s catchphrases from his messages to readers of Marvel Comics.

We see Lee not as the spry old-timer, but as a grinning, bushy-haired hippie rambler, with a beautiful lady by his side and the gas pedal pressed to the floor.

Welcome to 49 years ago.

“It’s sort of the hippie era, and Stan’s cameoing as a hippie and it’s the free-love era,” Joe Russo explains. “He’s saying, ‘Make love, not war!’”

Visual-effects artists used the same technology they deployed to de-age Michael Douglas in 2015’s Ant-Man, strip decades off Kurt Russell in 2016’s Guardians of the Galaxy Vol. 2, and briefly turn Downey into a teenager in 2016’s Captain America: Civil War.

They didn’t get into the specifics of this particular technique, but by scanning Lee’s face, they could Photoshop away the years and make him look half his age.

“It seemed like fun when we originally had the idea, before Stan passed,” Joe says. “Oh, what did Stan look like in the ’70s?”

As archival photos can tell you, he looks pretty much the same as the movie — like this:

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SANTI VISALLI/GETTY IMAGES
“It’s the last Stan Lee cameo that made it to film,” Joe says.

“Can you believe it?” Anthony adds, shaking his head.

That’s very specific phrasing, however, leaving the door open to hear Lee’s voice or see photos of him in future movies.

It’s likely Marvel Studios will continue to honor to the comic book scribe who helped create so much of its universe.
 


Prospect park or somewhere around the Brooklyn museum.


Or Richmond Hill Queens where Spider-Man is from.

Hell's Kitchen or Harlem (DD and Luke Cage)....there are options.

It needs to be in a more frequented area of the City, as much as I hate to Say it.
 
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