Kendrick Lamar disses Drake & J Cole on Metro Boomin & Futures Album/ Rick Ross Responds/ Kanye Responds/Kendrick Responds 4X / Drake Responds 3X

Posting everything but them court updates huh :lol:

Avoiding the fact UMG all of a sudden now team Drake and want to see his success grow after losing motion after motion to dismiss the case and now they have to open them books… UMG like “ok ok cool but can we open the books privately? We don’t need an artist revolt at the company because they will see how much they are gettting fucked 5 ways to Sunday”

UMG is beyond cooked like I said they might as well cut the check and they will :lol:
 

Kendrick Lamar & SZA’s ‘Luther’ Leads Billboard Hot 100 for 12th Week​

The song solely claims the most weeks at No. 1 ever among duets by co-billed lead solo men and women.
By Gary Trust
05/12/2025
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Kendrick Lamar and SZA’s “Luther” rules the Billboard Hot 100 songs chart for a 12th total and consecutive week.
Dating to the Hot 100’s Aug. 4, 1958, start, “Luther” now solely boasts the most weeks spent at No. 1 among duets by co-billed lead solo men and women. It breaks out of a tie with Puff Daddy and Faith Evans’ “I’ll Be Missing You” (featuring vocal group 112), which led for 11 weeks in 1997.
“Luther” is also now solely the longest-leading R&B/hip-hop No. 1 on the Hot 100 this decade, surpassing the 11 weeks on top for Roddy Ricch’s “The Box” in 2020. (R&B/hip-hop songs are defined as those that have hit or are eligible for Billboard’s Hot R&B/Hip-Hop Songs chart.)
“Luther,” whose title is a tribute late R&B luminary Luther Vandross (who is sampled on the song), became Lamar’s sixth Hot 100 No. 1 and SZA’s third. Lamar and SZA each extend their longest career commands on the chart with the song.
Plus, Shaboozey’s “A Bar Song (Tipsy)” spends a record-breaking 44th week in the Hot 100’s top five and Teddy Swims’ “Lose Control” adds a 90th week in the chart overall, moving to within a week of potentially tying for the longest run all-time.
Browse the full rundown of this week’s top 10 below.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated May 17, 2025) will update on Billboard.com tomorrow, May 13. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

‘Luther’ Airplay, Streams & Sales​

“Luther,” on pgLang/Interscope/ICLG, tallied 65.4 million radio airplay audience impressions (down 4% week-over-week), 19.1 million official streams (down 7%) and 2,000 sold (down 12%) in the U.S. May 2-8.
The track leads Radio Songs for a sixth week and rebounds 3-2 following seven weeks atop Streaming Songs.
“Luther” concurrently collects a milestone 20th week at No. 1 on both the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts. It ties Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus (in 2019), for the third-longest command on Hot R&B/Hip-Hop Songs (dating to October 1958, when it became the genre’s singular ranking) – with Lamar’s “Not Like Us” (22 weeks, 2024-25) and SZA’s “Kill Bill” (21 weeks, 2022-23) ahead. On Hot Rap Songs, “Luther” ties “Old Town Road” for the second-longest reign, after “Not Like Us” (26 weeks).

Longest-Leading Male-Female No. 1s​

Kendrick Lamar and SZA

Kendrick Lamar and SZA
Photo : Andre D. Wagner
“Luther” now solely claims the most weeks spent at No. 1 on the Hot 100 among duets by co-billed lead solo men and women. Among all collaborations by co-billed lead male and female artists, only one has dominated longer: Mariah Carey and then-quartet Boyz II Men’s “One Sweet Day” (16 weeks, in 1995-96.)

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The Longest-Leading Billboard Hot 100 No. 1s​

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Here’s a recap of the 10 longest-leading Hot 100 No. 1 duets by co-billed lead male and female acts (not counting acts that have regularly recorded as duos):
  • 16 weeks at No. 1, “One Sweet Day,” Mariah Carey & Boyz II Men, beginning Dec. 2, 1995
  • 12, “Luther,” Kendrick Lamar & SZA, March 1, 2025
  • 11, “I’ll Be Missing You,” Puff Daddy & Faith Evans (feat. 112), June 14, 1997
  • 9, “Endless Love,” Diana Ross & Lionel Richie, Aug. 15, 1981
  • 6, “My Boo,” Usher & Alicia Keys, Oct. 30, 2004
  • 6, “I’m Your Angel,” R. Kelly & Celine Dion, Dec. 5, 1998
  • 5, “Die With a Smile,” Lady Gaga & Bruno Mars, Jan. 11, 2025
  • 5, “Empire State of Mind,” Jay-Z + Alicia Keys, Nov. 28, 2009
  • 4, “Don’t Go Breaking My Heart,” Elton John & Kiki Dee, Aug. 7, 1976
  • 4, “Somethin’ Stupid,” Nancy Sinatra & Frank Sinatra, April 15, 1967

New High ‘Bar’: Shaboozey Breaks Top 5 Weeks Record​

Shaboozey at Clive Davis’ and the Recording Academy’s Pre-GRAMMY Gala at The Beverly Hilton on Feb. 1, 2025 in Los Angeles, California.

Shaboozey at Clive Davis’ and the Recording Academy’s Pre-Grammy Gala at The Beverly Hilton on Feb. 1, 2025, in Los Angeles.
Photo : Gilbert Flores
Shaboozey’s “A Bar Song (Tipsy)” rises 5-4 on the Hot 100, following its record-tying 19 weeks at No. 1 beginning last July, and notches a 44th week in the top five – surpassing The Weeknd’s “Blinding Lights” for the most weeks ever spent in the tier.
Most Weeks in Hot 100’s Top 5:
  • 44, “A Bar Song (Tipsy),” Shaboozey, No. 1 peak (19 weeks), beginning July 13, 2024
  • 43, “Blinding Lights,” The Weeknd, No. 1 (four), April 4 ,2020
  • 34, “Stay,” The Kid LAROI & Justin Bieber, No. 1 (seven), Aug. 14, 2021
  • 31, “Last Night,” Morgan Wallen, No. 1 (16), March 18, 2023
  • 31, “As It Was,” Harry Styles, No. 1 (15), April 16, 2022
  • 30, “Die With a Smile,” Lady Gaga & Bruno Mars, No. 1 (five), Jan. 11, 2025
  • 30, “All I Want for Christmas Is You,” Mariah Carey, No. 1 (18), Dec. 21, 2019
“A Bar Song (Tipsy)” also adds a 44th week at No. 1 on the multimetric Hot Country Songs chart. It’s second only to Bebe Rexha and Florida Georgia Line’s “Meant To Be,” which ruled for 50 weeks in 2017-18.

‘Lose Control’ Logs 90th Week on Hot 100​

Teddy Swims at the Warner Music Group Pre-Grammy Party 2024 held at Citizen News on February 1, 2024 in Los Angeles, California.

Teddy Swims at the Warner Music Group Pre-Grammy Party 2024 held at Citizen News on Feb. 1, 2024, in Los Angeles.
Photo : Gregg Deguire for Billboard
Teddy Swims’ “Lose Control,” which led the Hot 100 for a week in March 2024, and became the year’s No. 1 song, repeats at No. 7, as it logs a record-extending 61st week in the top 10. It posts a 90th week on the Hot 100 overall, tying The Weeknd’s “Blinding Lights” (in 2019-22) for the second-longest stay in the chart’s history. It’s one week from potentially tying the longest: Glass Animals’ “Heat Waves” ran up 91 weeks in 2021-22.

Rest of Top 10: ‘Ordinary’ & More​

Alex Warren’s “Ordinary” holds at its No. 2 Hot 100 high. It tops Streaming Songs (21.6 million streams, up less than 1%) and Digital Song Sales (6,000 sold, down 11%) for a third week each, while sporting a 24% surge to 24.5 million in radio audience.
Lady Gaga and Bruno Mars’ “Die With a Smile” keeps at No. 3, following five nonconsecutive weeks atop the Hot 100 beginning in January.

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Drake’s “Nokia” slips 4-5 on the Hot 100, after reaching No. 2, and Chappell Roan’s “Pink Pony Club” is steady at No. 6, after hitting No. 4.
Benson Boone’s “Beautiful Things” rises 9-8 on the Hot 100, after peaking at No. 2; Doechii’s “Anxiety” ascends 10-9 for a new best; and, rounding out the top 10, Morgan Wallen’s “I’m the Problem” drops 8-10, after reaching No. 2.
 
I went last night. It's a perfect mix but my section was way more hyped when Kendrick performed. Overall the energy for Kendrick was just different, seems like everyone was on their feet when he performed. But they both did an excellent job. One of the best shows I've been to.
 
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