Any Screenwriters On The Board??
- Thread starter LeftyLuchini
- Start date
The X-Factor: What Happens When the Interview Breaks Down?
I am writing this post in reflection on an incident I encountered during fieldwork in post-conflict Sierra Leone. This has to do with an occasion when the interview process got stalled. As oral his…
ohla.info
The writer-director of Godless, The Queen's Gambit, Monsieur Spade, and more ...
www.theringer.com
en.wikipedia.org
Scott Frank on ‘Monsieur Spade’ and Lessons Learned From Over 25 Years of Screenwriting
Scott also gets into his shift from primarily script doctoring to running his own shows, as well as how he feels about the shifting ways in which people consume TV and movies
www.theringer.com
Scott Frank - Wikipedia
The For Us By Us (FUBU) brand is branching out into Hollywood.
Pantheum Studios, a pioneering subsidiary of Euldora Financial, recently announced a staggering $450 million, 30-picture partnership, over the next three years with For Us By Us Studios, the production shop launched by FUBU clothing brand co-founder J. Alexander Martin.
Per a new release, the joint venture aims to howcase diverse voices and perspectives, push creative boundaries, and inspire audiences worldwide.
“Partnering with Euldora Financial and Pantheum Studios is a tremendous opportunity for For Us By Us Studios,” Martin said in a statement. “We are thrilled to bring our diverse perspectives and unwavering commitment to authenticity to this collaborative venture. Collectively, we will create groundbreaking content that celebrates inclusivity and resonates with audiences worldwide.”
As previously reported by ESSENCE, in 2023, For Us By Us Studios partnered with streaming company Cinedigm to launch the For Us By Us Network, a nod to their famed moniker. The recent film deal builds on the company’s mission to create content that amplifies diverse voices and reaches a wide range of audiences.
The recent venture harkens to the original mission set by FUBU founders in the 1990s, to celebrate authenticity and empower urban culture.
“I am honored to join forces with such esteemed colleagues in this cutting-edge production studio,” said Jeremy L. Christensen, one of the key partners in the deal. “Together, we will redefine the industry landscape and create impactful content that resonates with audiences globally.” With a shared commitment to creativity, diversity, and excellence, both parties look forward to shaping the future of entertainment production and inspiring audiences around the world.”
I'm working on one of my pieces right now, and the depth of some of the content in the first act is powerful. Talking about PTSD, avoidance, intentional confrontation that's necessary
I mean, have you ever read some shit you wrote and was like God damn. I did that? I did that shit? God damn.
This is special.
Although I know I shouldn't be writing and editing simultaneously, this is really really good
I mean, have you ever read some shit you wrote and was like God damn. I did that? I did that shit? God damn.
This is special.
Although I know I shouldn't be writing and editing simultaneously, this is really really good
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12 Literary Plagiarism Scandals, Ranked
From Hellen Keller to Jonah Lehrer, some more legitimate than others.
I don't know if this request was made already but is the Juice screenplay around anywhere?
Im only able to find the transcript.
Im only able to find the transcript.
https://www.msn.com/en-us/movies/ne...pt-after-20-year-development-hell/ar-BB1pqaA0
Beall's connection to the franchise runs deep. He fondly recalls seeing the original 1984 film when he was 12, describing it as "one of those experiences at the movie theaters I've never forgotten. I went to see the movie with my granddad and walked out of it feeling like I've been to a party with the whole audience."
"I feel like there's a very limited number of perfect movies were not a single thing I would change about them and the original 'Beverly Hills Cop' is certainly one of them," Beall said. "So I'm coming to it first as a huge fan of the original and I think that's the part of it. Axel is a truly iconic character, one of not too many that are still left kicking around in American cinema."
The key, according to Beall, was balancing respect for the franchise and the legacy characters with the need to meet and subvert audience expectations. He explained, "You have to come to this thing with respect for the franchise and the characters and respect for the fans."
Beall emphasized the importance of including certain "compulsories" - elements fans expect to see - while finding ways to surprise viewers. "There are certain compulsories right, like figure skating, there's a Double Axel, there's certain things you have to have and certain things that the audience expects and demands," Beall said.
"The trick is to figure out a way to fulfill their expectations, and also some places to subvert them. So that was sort of the assignment," Beall added.
Beall cited recent legacy sequels like 2018's "Halloween" and "Top Gun: Maverick" as examples of how to successfully revive a beloved property.
"I think the 2018 'Halloween' is a shining example of how to deliver a legacy sequel and then I feel like 'Top Gun: Maverick' is the best film to come out in 20 years," Beall added.
He also stressed the necessity of including legacy characters like Judge Reinhold's Rosewood and John Ashton's Taggart, revealing that "there was no way Eddie, Jerry, no one had any interest in making this movie without Rosewood and Taggart."
"The fact that you find them, finally the three of them in the car framed, Mark Molloy does a fantastic job of framing it exactly as Martin Breast 40 years ago, is like one of the great pleasures of the movies to see those guys back together again," Beall said.
Beall described the daunting task of pitching ideas to Eddie Murphy himself, calling it "Probably the most intimidating... moment of my professional life." Murphy encouraged Beall to focus on writing a "real cop story" rather than trying to craft specific jokes for the star.
"He was great and encouraging and supportive and one of the first things that he said was, 'Hey, man, just write me a cool cop story," Beall said. "You don't need to write jokes for me, you don't need to make don't make a goofy, write me of a real cool cop story."
Beall also spoke highly of his collaboration with legendary producer Jerry Bruckheimer, who has been a driving force behind the "Beverly Hills Cop," "Bad Boys" and "Top Gun" franchises. "Jerry loves movies. He loves to make movies," Beall said.
"All of these legacy sequels, there's sort of a question that hangs over, not just the story, but the project," Beall added. "Is Maverick still relevant today? Can Maverick still do it? Does Maverick still matter? Does he belong in the Navy? And the movie answers that question."
"Axel F is the same way. Axel is kind of an analog cop. Can he hack it in the digital world? He's a 60 year old guy, can he still be Axel Foley and save the day?" Beall said.
"Jerry's the living answer to that question," Beall concluded. "Jerry is more relevant now than he's ever been, in my opinion. He's one of the people that's keeping the theatrical experience alive and making super entertaining movies for a broad audience."
In his review of the film, The Wrap's William Bibbiani wrote, "Murphy's natural charm has anchored this series for decades, but his performance as Axel Foley has always been mutating. In the first film he was an affable trickster, in the second he cranked down the humor to match Tony Scott's intensity, and in the third he just kinda stood there saying his lines. Murphy once again seems fully engaged, thank goodness, and he does his level best to shine through this material."
"Beverly Hills Cop: Axel F" is streaming now on Netflix.
How Will Beall Cracked the 'Beverly Hills Cop: Axel F' Script After 20 Year Development Hell
After going through at least a half dozen big-name script writers and languishing in development hell for more than two decades, Will Beall finally cracked the story that would become "Beverly Hills Cop: Axel F," which Netflix released worldwide last week.Beall's connection to the franchise runs deep. He fondly recalls seeing the original 1984 film when he was 12, describing it as "one of those experiences at the movie theaters I've never forgotten. I went to see the movie with my granddad and walked out of it feeling like I've been to a party with the whole audience."
"I feel like there's a very limited number of perfect movies were not a single thing I would change about them and the original 'Beverly Hills Cop' is certainly one of them," Beall said. "So I'm coming to it first as a huge fan of the original and I think that's the part of it. Axel is a truly iconic character, one of not too many that are still left kicking around in American cinema."
The key, according to Beall, was balancing respect for the franchise and the legacy characters with the need to meet and subvert audience expectations. He explained, "You have to come to this thing with respect for the franchise and the characters and respect for the fans."
Beall emphasized the importance of including certain "compulsories" - elements fans expect to see - while finding ways to surprise viewers. "There are certain compulsories right, like figure skating, there's a Double Axel, there's certain things you have to have and certain things that the audience expects and demands," Beall said.
"The trick is to figure out a way to fulfill their expectations, and also some places to subvert them. So that was sort of the assignment," Beall added.
Beall cited recent legacy sequels like 2018's "Halloween" and "Top Gun: Maverick" as examples of how to successfully revive a beloved property.
"I think the 2018 'Halloween' is a shining example of how to deliver a legacy sequel and then I feel like 'Top Gun: Maverick' is the best film to come out in 20 years," Beall added.
He also stressed the necessity of including legacy characters like Judge Reinhold's Rosewood and John Ashton's Taggart, revealing that "there was no way Eddie, Jerry, no one had any interest in making this movie without Rosewood and Taggart."
"The fact that you find them, finally the three of them in the car framed, Mark Molloy does a fantastic job of framing it exactly as Martin Breast 40 years ago, is like one of the great pleasures of the movies to see those guys back together again," Beall said.
Beall described the daunting task of pitching ideas to Eddie Murphy himself, calling it "Probably the most intimidating... moment of my professional life." Murphy encouraged Beall to focus on writing a "real cop story" rather than trying to craft specific jokes for the star.
"He was great and encouraging and supportive and one of the first things that he said was, 'Hey, man, just write me a cool cop story," Beall said. "You don't need to write jokes for me, you don't need to make don't make a goofy, write me of a real cool cop story."
Beall also spoke highly of his collaboration with legendary producer Jerry Bruckheimer, who has been a driving force behind the "Beverly Hills Cop," "Bad Boys" and "Top Gun" franchises. "Jerry loves movies. He loves to make movies," Beall said.
"All of these legacy sequels, there's sort of a question that hangs over, not just the story, but the project," Beall added. "Is Maverick still relevant today? Can Maverick still do it? Does Maverick still matter? Does he belong in the Navy? And the movie answers that question."
"Axel F is the same way. Axel is kind of an analog cop. Can he hack it in the digital world? He's a 60 year old guy, can he still be Axel Foley and save the day?" Beall said.
"Jerry's the living answer to that question," Beall concluded. "Jerry is more relevant now than he's ever been, in my opinion. He's one of the people that's keeping the theatrical experience alive and making super entertaining movies for a broad audience."
In his review of the film, The Wrap's William Bibbiani wrote, "Murphy's natural charm has anchored this series for decades, but his performance as Axel Foley has always been mutating. In the first film he was an affable trickster, in the second he cranked down the humor to match Tony Scott's intensity, and in the third he just kinda stood there saying his lines. Murphy once again seems fully engaged, thank goodness, and he does his level best to shine through this material."
"Beverly Hills Cop: Axel F" is streaming now on Netflix.
A Close Reading of the Best Opening Paragraph of All Time
From Shirley Jackson's ‘We Have Always Lived in the Castle’, of course.
How would wakanda forever have been had they followed the plan I came up with?
I believe Black panther blew a chance with Killmonger and Michael B Jordan. I came up with this idea in 2020 when Chadwick Bozeman passed away one week after my brother died of the same cause, colon cancer.
Killmonger's plea to be buried in the ocean was a plot. He had met with Namor beforehand and brokered a deal just in case he lost. He knew that T'Challa would be too honorable not to fulfill his wish. When buried in the ocean, he would be revived by Namor and in a coma healing throughout Black panther 2. His eyes would open during the post credits.
In Black panther 3 he would awaken, escape to wakanda and apologize for his actions begging for them to accept his apology. He would then turn on Namor causing a war between Atlantis and wakanda.
This battle could be two parts spanning from Black panther 3 to Black panther 4 and installing Michael B Jordan as Black panther as his franchise For years to come. Being both brilliant and charismatic, he will be the perfect fit to be Black panther. At least this was my idea
I believe Black panther blew a chance with Killmonger and Michael B Jordan. I came up with this idea in 2020 when Chadwick Bozeman passed away one week after my brother died of the same cause, colon cancer.
Killmonger's plea to be buried in the ocean was a plot. He had met with Namor beforehand and brokered a deal just in case he lost. He knew that T'Challa would be too honorable not to fulfill his wish. When buried in the ocean, he would be revived by Namor and in a coma healing throughout Black panther 2. His eyes would open during the post credits.
In Black panther 3 he would awaken, escape to wakanda and apologize for his actions begging for them to accept his apology. He would then turn on Namor causing a war between Atlantis and wakanda.
This battle could be two parts spanning from Black panther 3 to Black panther 4 and installing Michael B Jordan as Black panther as his franchise For years to come. Being both brilliant and charismatic, he will be the perfect fit to be Black panther. At least this was my idea
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It's a good idea. Killmonger would need a huge redemption arc though.
Man, listen. That TOTALLY could have worked. Since it would be long and drawn out I would have played it the way they played out the seasons changing and Bella's depression in the second Twilight movie.
The entire second Twilight book was dedicated to Bella's depression and it was teeth grinding to say the least. Rather than make a boring movie, they went through the 4 Seasons of Loneliness in a 2-minute montage That let you see her depression without depressing the fuck out of you in the process.
He would have dropped the name Killmonger and had a ceremony bestowing the name N'Jadaka upon him, his Wakandan name.
Before that, there would be a montage of him going to each and every house of people he harmed, families who were hurt or had someone killed and sit down with him and talk with them. We don't want something drawn out and boring
It could be an as the globe turns montage where there are three standing cylinders on the screen with each one showing N'Jadaka sitting with the families, either with them turning simultaneously or one turning into the other, and into the last one as he goes to different families houses.
Doing that two or three times would be enough to Show an adequate redemption arc culminating in the joy less ceremony where he buried his clothes and Killmonger uniform/attire, including the deactivated necklace.
He would then, kneel before Shuri, begging her forgiveness last and asking for the mantle promising to do right by her and take care of Wakanda as T'Challa would have wanted.
"Ilizwi lam lilizwi lam" or "my word is my promise" in Xhosa.
"Because of my anger, I brought civil war to Wakanda. And now because of my deceit I've brought more war to your home, our home. I need you all to fight with me because Namor will never stop unless we stop him"
As I said, the entire village would gather for the ceremony but it wouldn't be a celebration, but it would be him taking accountability that would endear them to him
