On the original version of “Energy,” near the song’s end, Beyoncé sang a variation of the “La-la, la-la, la” that Kelis made famous on “Milkshake” (as shown by the TikToker
@jarredjermaine). In the updated version of “Energy” on streaming platforms, Beyoncé’s series of “las” is absent. Pitchfork has reached out to Beyoncé’s representative for comment and more information.
Despite being interpolated, Kelis was not credited as a writer of “Energy” because she is not officially a writer or producer of “Milkshake.” Her Neptunes collaborators, Pharrell Williams and Chad Hugo, are officially the composers and lyricists of “Milkshake,” and, therefore, are co-writers of the original “Energy.” Beyoncé’s website no longer lists Hugo and Williams as “Energy” composers, and the “Milkshake” interpolation is no longer noted.
The Renaissance song no longer includes an interpolation of “Milkshake” after Kelis claimed Beyoncé did not inform her that she’d be nodding to her music
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Full credits later revealed the song in question was “Milkshake,” with Kelis’ former producers
Pharrell Williams and Chad Hugo credited on the track. Beyoncé’s website also noted the song was interpolated, which takes an existing sound and alters it, whereas sampling takes directly from a song with no changes.
Regardless that the song was used in a minor way or tweaked to fit Beyoncé’s dance track, Kelis wasn’t pleased, saying the entire situation was a “trigger” point for her. “It’s beyond this song at this point,” she wrote in an Instagram caption. “There are bullies and secrets and gangsters in this industry that smile and get away with it until someone says enough is enough. So, I’m saying it today. I’m coming for what’s mine and I want reparations.”
Kelis also called out Williams, a former close friend who worked with her exclusively alongside Chad Hugo on her first two albums. Their relationship went bust after Kelis claimed that Williams and Hugo had “lied and tricked” her into a raw deal. Instead of splitting things “33/33/33,” Kelis told The Guardian in 2020, she was left with no rights to her early music, and ended up only making money from her first albums from touring.
She referred to the contentious relationship in her Instagram video, saying, “Publishing was stolen, people were swindled out of rights. It happens all the time, especially back then. So it’s not about me being mad about Beyoncé.”
“Pharrell knows better,” she added. “This is a direct hit at me [and] he does this stuff all the time. The reason I’m annoyed is because I know it was on purpose.”
On Tuesday, Tidal appears to have removed an interpolation of Kelis’ song "Milkshake" that originally appeared at the end of "Energy."
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