‘Black Widow’ snags $80 million from its theatrical debut, $60 million from Disney+

What you give Justice League?
Hahahahahhaha
Both versions were C- movies.
The fake Whedon cut gets a negative "Z" thats a real grading they usex to give z's in kindergarten. I give the Snyder cut a solid B only because of its length and the slight lack of color saturation. Rounded off to the nearest 10 id give it An A- .inus for doing ever thing right lole improving goofy characters like the flash , having a much better script all the additional stuff like darkside and cyborgs origin and improved visuals especially Steppenwolf. Also better acti9n scenes and cinematography. If i was to compare it to a marvel film I'd say its right up there with the first two avengers films.
 
Stop the Whedon cut wasn't a negative "Z" when it was released. Don't go recreating history. DC people loved it. But it was SHIT.

The Snyder Cut was a long boring jerk off session with no cum shot.

You like watching Snyder showing you out of focus slow motion shots with dumb dialogue? Ok.

The fake Whedon cut gets a negative "Z" thats a real grading they usex to give z's in kindergarten. I give the Snyder cut a solid B only because of its length and the slight lack of color saturation. Rounded off to the nearest 10 id give it An A- .inus for doing ever thing right lole improving goofy characters like the flash , having a much better script all the additional stuff like darkside and cyborgs origin and improved visuals especially Steppenwolf. Also better acti9n scenes and cinematography. If i was to compare it to a marvel film I'd say its right up there with the first two avengers films.
 
I’m glad I didn’t pay to see this. MCU has spoiled my expectations so this was a let down. Should have been made before infinity war. Added pretty much nothing to phase 4.
not bad.......not bad at all......
it was a good movie......with too many depressing scenes.
Pretty much just her sister

besides that it was a stand alone movie
Action wise it looks good.... but I've never quite took to the Black widow as a stand alone character



.
 
and according to BGOL I thought movies were over and nobody was going to the movies ever again :dunno:
That $60M that they keep may be more than the $80M they split with theaters. The pandemic accelerated what was going to happen eventually anyway. Theaters will be around as more of a niche thing just like vinyl is today.

The writing is on the wall:

 
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Stop the Whedon cut wasn't a negative "Z" when it was released. Don't go recreating history. DC people loved it. But it was SHIT.

The Snyder Cut was a long boring jerk off session with no cum shot.

You like watching Snyder showing you out of focus slow motion shots with dumb dialogue? Ok.
Z is a.bad grade if i under stwnd correctly
Whedon cut was ass water. I watched that sht in the theatre afterndowing a couple of beers and it didn't feel good. That part when slash and Snyder was digging up Superman's body thst shit was so dumb a family sitting in feont of me got u and walked out. I guess dad must be figured that this movie wasnt worth his money. I have the Whedon cut digitally in my DVR and i regret it because i cant delete it no matter how much I try. If you think the whedon cut is better than the Snyder cut you are trolling or you have bad judgement when it comes to movies. Dumb dialogue for the snydercut? Nah man that was the whedon cut all over. The Whedon cut was an unintentional unfunny comedy. The shit was a joke. Stop it I lnow what movies I saw and I know snydercut. Was a definite improvement over that cinematic car accident.
 

Wow! So she's projecting a loss of $50 million!! :eek2: But I also think she's suing because its under-performance at the box-office fucks up her brand and star-power as an actress. It's set to become the lowest-grossing Marvel movie ever after the original Captain America in 2011.

For the paywall people:

Scarlett Johansson Sues Disney Over ‘Black Widow’ Streaming Release
Star alleges simultaneous release of the latest Marvel movie in theaters and on Disney+ service was a breach of contract

Scarlett Johansson, in ‘Black Widow,’ is fighting Disney over the financial fallout from releasing the 2021 movie on Disney+ at the same time as in theaters.

Black Widow has a new enemy: the Walt Disney Co. DIS +0.11%
Scarlett Johansson, star of the latest Marvel movie “Black Widow,” filed a lawsuit Thursday in Los Angeles Superior Court against Disney, alleging her contract was breached when the media giant released the film on its Disney+ streaming service at the same time as its theatrical debut.​
Ms. Johansson said in the suit that her agreement with Disney’s Marvel Entertainment guaranteed an exclusive theatrical release, and her salary was based in large part on the box-office performance of the film.​
“Disney intentionally induced Marvel’s breach of the agreement, without justification, in order to prevent Ms. Johansson from realizing the full benefit of her bargain with Marvel,” the suit said.​

Disney couldn’t be reached immediately for comment.​
The suit could be a bellwether for the entertainment industry. Major media companies are prioritizing their streaming services in pursuit of growth, and are increasingly putting their high-value content on those platforms. Those changes have significant financial implications for actors and producers, who want to ensure that growth in streaming doesn’t come at their expense.​
“This will surely not be the last case where Hollywood talent stands up to Disney and makes it clear that, whatever the company may pretend, it has a legal obligation to honor its contracts,” said John Berlinski, an attorney at Kasowitz Benson Torres LLP who represents Ms. Johansson.​
Disney began releasing movies simultaneously on Disney+ and in theaters partly because of the Covid-19 pandemic, when theaters were closed or at limited capacity, and partly to boost its nascent service. AT&T Inc.’s WarnerMedia, which operates the HBO Max streaming service, is following a similar strategy for its entire 2021 slate of Warner Bros. movies. Comcast Corp.’s NBCUniversal has since followed suit, with the release of “The Boss Baby: Family Business” both in theaters and on its Peacock streaming service.​
WarnerMedia chose to renegotiate many of its talent contracts that, like Ms. Johansson’s deal with Marvel, were tied to box-office performance. Warner Bros. paid more than $200 million to talent as part of the amended agreements.​

According to the complaint, Ms. Johansson’s representatives sought to renegotiate her contract after learning of the dual-release strategy for “Black Widow,” which she has said is her ninth and last Marvel movie. Disney and Marvel were unresponsive, the suit said.​
The decision to put the movie on Disney+ is projected to cost Ms. Johansson more than $50 million, a person familiar with details of her contract claimed.
Even before the pandemic, Ms. Johansson was concerned that “Black Window” could end up on Disney+ as part of its wide release. In 2019, Ms. Johansson’s representatives reached out to Marvel seeking assurance that “Black Widow” would have a theatrical-only release, according to the complaint.​
In a March 2019 email included in the suit, Marvel Chief Counsel Dave Galluzzi said the release would be according to a traditional theatrical model, adding, “We understand that should the plan change, we would need to discuss this with you and come to an understanding as the deal is based on a series of (very large) box office bonuses.”​
During its July 9 opening weekend, “Black Widow” grossed $80 million at the domestic box office and $78 million overseas, and generated another $60 million from $30 at-home purchases on Disney+. It was the first time Disney broke out a film’s streaming performance in such detail. Disney shares ticked upward on the news that Monday.​
The movie’s theatrical performance fell in the subsequent days more sharply than most Marvel films. Some analysts and executives in Hollywood questioned whether making the movie easy to watch at home was hurting box-office results. The National Association of Theatre Owners, a lobbying group for exhibitors, called the performance “disappointing and anomalous,” and proof that exclusive theatrical releases were the most profitable approach.​
Internally, some executives at Disney worried that an at-home release would tarnish the overall appeal of the Marvel brand, which has produced the biggest offerings in Hollywood over the past several years.​
Disney’s Marvel Studios has had unprecedented success in modern-day Hollywood, releasing 24 titles that regularly collect more than $1 billion in global ticket sales.​
The movies in turn activate a cycle of revenue from toy sales to theme-park attractions. As the franchise has grown, it has become a magnet for big stars, who sign up to portray the heroes and villains of Marvel movies and shows.​
 
Burning the bridge once she has enough boats and planes i see. Bitch shoulda took a hard salary and not cut of profits. Her loss is her loss.
 
Damn burn it down on the way out. The movie sucked and her marketing was wack, trying to run that anti sexualization angle. Bad move on fucking up any long term future cameos or MCU touring and marketing:smh:
 
Damn! Why the vitriol?
They slaves to eisney. Given Disney's racist past you would think they would no better but nope lets ride for the evil souless greedy corporation that didnt honor the contract they had with her and fuckex up her money. "All HAIL MASSA MIKCEY!"
 
Scarlett Johansson Sues Disney Over ‘Black Widow’ Streaming Release
Star alleges simultaneous release of the latest Marvel movie in theaters and on Disney+ service was a breach of contract

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Scarlett Johansson, in ‘Black Widow,’ is fighting Disney over the financial fallout from releasing the 2021 movie on Disney+ at the same time as in theaters.

Black Widow has a new enemy: the Walt Disney Co.

Scarlett Johansson, star of the latest Marvel movie “Black Widow,” filed a lawsuit Thursday in Los Angeles Superior Court against Disney, alleging her contract was breached when the media giant released the film on its Disney+ streaming service at the same time as its theatrical debut.

Ms. Johansson said in the suit that her agreement with Disney’s Marvel Entertainment guaranteed an exclusive theatrical release, and her salary was based in large part on the box-office performance of the film.
“Disney intentionally induced Marvel’s breach of the agreement, without justification, in order to prevent Ms. Johansson from realizing the full benefit of her bargain with Marvel,” the suit said.

A Disney spokesman said Ms. Johansson’s suit had no merit and is “especially sad and distressing in its callous disregard for the horrific and prolonged global effects of the Covid-19 pandemic.” The company said it “fully complied with Ms. Johansson’s contract and furthermore, the release of Black Widow on Disney+ with Premier Access has significantly enhanced her ability to earn additional compensation on top of the $20 million she has received to date.”

The suit could be a bellwether for the entertainment industry. Major media companies are giving priority to their streaming services in pursuit of growth, and are increasingly putting their high-value content on those platforms. Those changes have significant financial implications for actors and producers, who want to ensure that growth in streaming doesn’t come at their expense.

“This will surely not be the last case where Hollywood talent stands up to Disney and makes it clear that, whatever the company may pretend, it has a legal obligation to honor its contracts,” said John Berlinski, an attorney at Kasowitz Benson Torres LLP who represents Ms. Johansson.

The suit also notes that annual bonuses for Disney Chairman Robert Iger and Chief Executive Bob Chapek are tied to the performance of Disney+ and cites that as further motivation for putting “Black Widow” on the service. Disney disclosed in its 2021 proxy that Messrs Iger and Chapek both received bonuses for the success of Disney+. “In short, the message to—and from— Disney’s top management was clear: increase Disney+ subscribers, never mind your contractual promises, and you will be rewarded,” the suit said.

Disney began releasing movies simultaneously on Disney+ and in theaters partly because of the Covid-19 pandemic, when theaters were closed or at limited capacity, and partly to boost its nascent service. AT&T Inc.’s WarnerMedia, which operates the HBO Max streaming service, is following a similar strategy for its entire 2021 slate of Warner Bros. movies. Comcast Corp.’s NBCUniversal has since followed suit, with the release of “The Boss Baby: Family Business” both in theaters and on its Peacock streaming service.

WarnerMedia chose to renegotiate many of its talent contracts that, like Ms. Johansson’s deal with Marvel, were tied to box-office performance. Warner Bros. paid more than $200 million to talent as part of the amended agreements.

Ms. Johansson has been an integral part of the Marvel universe since appearing as Black Widow in 2010’s “Iron Man 2.” Her presence has grown significantly since then as a member of the Avengers squad of heroes, alongside Captain America and the Incredible Hulk. Her character died in the 2019 blockbuster “Avengers: Endgame,” and the spinoff film in theaters now takes place before the events of that movie.

According to the complaint, Ms. Johansson’s representatives sought to renegotiate her contract after learning of the dual-release strategy for “Black Widow,” which she has said is her ninth and last Marvel movie. Disney and Marvel were unresponsive, the suit said.

The decision to put the movie on Disney+ is projected to cost Ms. Johansson more than $50 million, a person familiar with details of her contract claimed.

Even before the pandemic, Ms. Johansson was concerned that “Black Widow” could end up on Disney+ as part of its wide release. In 2019, Ms. Johansson’s representatives reached out to Marvel seeking assurance that “Black Widow” would have a theatrical-only release, according to the complaint. In a March 2019 email included in the suit, Marvel Chief Counsel Dave Galluzzi said the release would be according to a traditional theatrical model, adding, “We understand that should the plan change, we would need to discuss this with you and come to an understanding as the deal is based on a series of (very large) box office bonuses.”

During its July 9 opening weekend, “Black Widow” grossed $80 million at the domestic box office and $78 million overseas, and generated another $60 million from $30 at-home purchases on Disney+. It was the first time Disney broke out a film’s streaming performance in such detail. Disney shares ticked upward on the news that Monday.

The movie’s theatrical performance fell in the subsequent days more sharply than most Marvel films. Some analysts and executives in Hollywood questioned whether making the movie easy to watch at home was hurting box-office results. The National Association of Theatre Owners, a lobbying group for exhibitors, called the performance “disappointing and anomalous,” and proof that exclusive theatrical releases were the most profitable approach.


Internally, some executives at Disney worried that an at-home release would tarnish the overall appeal of the Marvel brand, which has produced the biggest offerings in Hollywood over the past several years.

Disney’s Marvel Studios has had unprecedented success in modern-day Hollywood, releasing 24 titles that regularly collect more than $1 billion in global ticket sales.

The movies in turn activate a cycle of revenue from toy sales to theme-park attractions. As the franchise has grown, it has become a magnet for big stars, who sign up to portray the heroes and villains of Marvel movies and shows.


Scarlett Johansson Sues Disney Over ‘Black Widow’ Streaming Release - WSJ
 
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