Watched this shit last night. Tricked da fucc outta me. I recommend seeing it.
best twist ending in a movie u never saw coming
- Thread starter slam
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Based on a great short story by Heinlein called All You Zombies.
Yeah man this movie fucked me all the way up
Agreed! That bitch was fucking certifiable!
Lol if I had a soul I lost it after I watched that shit.
UNTHINKABLE with samuel l jackson. That movie was the shit....the movie was so vile that it left the theaters early. i guess it gave people bad feelings.
Yea AH's ending was crazy..that part during the credits where he in the elevator,then at the very end when he gets out you hear De Niro whispering"Harry..? Johnny..?"
Bump.
Ok, since everyone contributed their movie ideas for the best twist ending u never saw coming in a movie, I'm going to drop some links for some of those movies. Thanx to Slam and other movie contributers...ongoing
Criminal Activities: http://uberupload.net/2ba48131f4ed6b24cb07835e0a8badd6/Criminal_Activities.avi
Sinister http://uberupload.net/396cdb31f344fcf23fe6ffcd87dc71a2/Sinister_BR.mp4
The Gift http://uberupload.net/eff55846002286df189f5777191be1d9/The_Gift_BR.mkv
The Mist http://uberupload.net/465d67d2e99ed48144e22ee3387d367c/The_Mist.mkv
Untraceable http://uberupload.net/4f3d37d607ec4c5fd76a9f739669d2f2/Untraceable.avi
Wild Things http://uberupload.net/66b8424ce6547669dd24ca179d7149df/Wild_Things.mp4
A Perfect Getaway http://uberupload.net/d3b3e84361030de3eee54a94e7c2c58c/A_Perfect_Getaway.avi
A Serbian Film http://uberupload.net/54f2364c183e3350e23e98719d3e3a2b/A_Serbian_Film.mkv
What happened to Monday http://uberupload.net/a0dca6be1f1eaf1da0a3eb58373572e8/What_Happened_to_Monday.mkv
Oldboy http://uberupload.net/b4c15ee99c138b9d7cac2ef4249b4099/Old_Boy.avi
Se7en.mp4
http://uberupload.net/bd851a03125362f52666400aef7c9eca/Se7en.mp4
Shattered.mp4 http://uberupload.net/194045eb2244b2c223a5ed51f4853b00/Shattered.mp4
Frailty.avi http://uberupload.net/c1fa5f1572276cf413da2ec026ae9994/Frailty.avi
The Girl On the Train BR.mkv http://uberupload.net/1f84d4f6124a7616b9a9f1fecff9f8e0/The_Girl_On_the_Train_BR.mkv
Split.mp4 http://uberupload.net/a2ce66c952ddf01743931ee87a4c03c2/Split.mp4
Criminal Activities: http://uberupload.net/2ba48131f4ed6b24cb07835e0a8badd6/Criminal_Activities.avi
Sinister http://uberupload.net/396cdb31f344fcf23fe6ffcd87dc71a2/Sinister_BR.mp4
The Gift http://uberupload.net/eff55846002286df189f5777191be1d9/The_Gift_BR.mkv
The Mist http://uberupload.net/465d67d2e99ed48144e22ee3387d367c/The_Mist.mkv
Untraceable http://uberupload.net/4f3d37d607ec4c5fd76a9f739669d2f2/Untraceable.avi
Wild Things http://uberupload.net/66b8424ce6547669dd24ca179d7149df/Wild_Things.mp4
A Perfect Getaway http://uberupload.net/d3b3e84361030de3eee54a94e7c2c58c/A_Perfect_Getaway.avi
A Serbian Film http://uberupload.net/54f2364c183e3350e23e98719d3e3a2b/A_Serbian_Film.mkv
What happened to Monday http://uberupload.net/a0dca6be1f1eaf1da0a3eb58373572e8/What_Happened_to_Monday.mkv
Oldboy http://uberupload.net/b4c15ee99c138b9d7cac2ef4249b4099/Old_Boy.avi
Se7en.mp4
Shattered.mp4 http://uberupload.net/194045eb2244b2c223a5ed51f4853b00/Shattered.mp4
Frailty.avi http://uberupload.net/c1fa5f1572276cf413da2ec026ae9994/Frailty.avi
The Girl On the Train BR.mkv http://uberupload.net/1f84d4f6124a7616b9a9f1fecff9f8e0/The_Girl_On_the_Train_BR.mkv
Split.mp4 http://uberupload.net/a2ce66c952ddf01743931ee87a4c03c2/Split.mp4
Last edited:
One of the first movies i saw where the villain got away scot free..
"I knew i forgot someone.."
This movie had me fucked up for years.
The most fucked up ending was Stephen King's "The Mist" that shit was so crazy.
One of my favorites was a kinda slept on flick Sam Jackson did called "The Samaritan", crazy twist to it
NOT LISTED!
but
The Crying Game
FUCKED ME UP!!!!
LOL
but
The Crying Game
FUCKED ME UP!!!!
LOL
Oh hell yeah.
I really hated that mothafucka john leguizamo. For a while after watching this movie
I watched this again last night. Slightly implausible but the movie still stands as a great decades later.
same i was a kid when this came out......slept with the lights on for a while LOL
Soylent Green 1973
April 27, 1973 | 13
Richard Fleischer’s “Soylent Green” is a good, solid science-fiction movie, and a little more. It tells the story of New York in the year 2022, when the population has swollen to an unbelievable 80 million, and people live in the streets and line up for their rations of water and Soylent Green. That’s a high-protein foodstuff allegedly made from plankton cultivated in the seas. But is it?
Charlton Heston plays a gritty detective who gets called in when a top official of the Soylent Corp. (Joseph Cotten) is murdered. He gets on a trail that leads to a most unappetizing conclusion--but before he gets there, the movie paints a fascinating and scary picture of population growth run wild. The detective story is mostly just an excuse to keep us interested from one end of the movie to the other. “Soylent Green’s” real achievement is to create a 21st Century world that’s convincing as reality; we somehow don’t feel we’re in a s-f picture. What director Fleischer and his technicians have done is to assume a very basic (and depressing) probability: that by the year 2022, New York will look essentially as it does now, only 49 years older and more run-down.
There are futuristic details, of course, but even the lush apartments of the Soylent officials look like something you’ll find in Danish Modern the year after next. No, it’s the society itself that’s changed, as people turn into herds and riots are broken up by garbage scoops that toss people into giant trucks.
In the midst of this barbarism, a few people survive intact. Heston plays the dedicated cop who stubbornly refuses to quit investigating the murder. Edward G. Robinson, in his last movie role, is an ancient scholar who remembers how to read books and whose eyes light up when Heston presents him with the first apple, the first onion and the first slice of beef he’s seen in years. And Paula Kelly is the “furniture” in Joseph Cotten’s apartment: She comes with the key, and with things as grim as they are outside, she’s happy for the air-conditioned splendor of the rich. But she still finds herself able to love, and she loves Heston.
The movie looks good. A lot of money apparently was spent on it (which is nothing new for director Fleischer, whose credits include “Dr. Dolittle” and “Tora! Tora! Tora!” The most impressive scene is one of the last, when Robinson decides the time has come for him to die. He goes to “Home,” a gigantic euthanasia center, where he gets 20 minutes of his favorite color (orange) and wraparound movies of the way life used to be on Earth. His acting here is tremendously dignified, and all the more poignant when we realize this death scene was his last.
- Charlton Heston as Thorn
- Chuck Connors as Tab
- Edward G. Robinson as Sol Roth
- Brock Peters as Hatcher
- Leigh Taylor-Young as Shirl
- Paula Kelly as Tab's Furniture
- Joseph Cotten as Simonsen
April 27, 1973 | 13
Richard Fleischer’s “Soylent Green” is a good, solid science-fiction movie, and a little more. It tells the story of New York in the year 2022, when the population has swollen to an unbelievable 80 million, and people live in the streets and line up for their rations of water and Soylent Green. That’s a high-protein foodstuff allegedly made from plankton cultivated in the seas. But is it?
Charlton Heston plays a gritty detective who gets called in when a top official of the Soylent Corp. (Joseph Cotten) is murdered. He gets on a trail that leads to a most unappetizing conclusion--but before he gets there, the movie paints a fascinating and scary picture of population growth run wild. The detective story is mostly just an excuse to keep us interested from one end of the movie to the other. “Soylent Green’s” real achievement is to create a 21st Century world that’s convincing as reality; we somehow don’t feel we’re in a s-f picture. What director Fleischer and his technicians have done is to assume a very basic (and depressing) probability: that by the year 2022, New York will look essentially as it does now, only 49 years older and more run-down.
There are futuristic details, of course, but even the lush apartments of the Soylent officials look like something you’ll find in Danish Modern the year after next. No, it’s the society itself that’s changed, as people turn into herds and riots are broken up by garbage scoops that toss people into giant trucks.
In the midst of this barbarism, a few people survive intact. Heston plays the dedicated cop who stubbornly refuses to quit investigating the murder. Edward G. Robinson, in his last movie role, is an ancient scholar who remembers how to read books and whose eyes light up when Heston presents him with the first apple, the first onion and the first slice of beef he’s seen in years. And Paula Kelly is the “furniture” in Joseph Cotten’s apartment: She comes with the key, and with things as grim as they are outside, she’s happy for the air-conditioned splendor of the rich. But she still finds herself able to love, and she loves Heston.
The movie looks good. A lot of money apparently was spent on it (which is nothing new for director Fleischer, whose credits include “Dr. Dolittle” and “Tora! Tora! Tora!” The most impressive scene is one of the last, when Robinson decides the time has come for him to die. He goes to “Home,” a gigantic euthanasia center, where he gets 20 minutes of his favorite color (orange) and wraparound movies of the way life used to be on Earth. His acting here is tremendously dignified, and all the more poignant when we realize this death scene was his last.
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