Spike's worked steadily over the years but mostly as a documentarian more than a feature filmmaker. But when he has done movies its been mostly misses than hits...
2016 Michael Jackson's Journey from Motown to Off the Wall (Documentary)
2015 Kevon Carter: We Gotta Do Better (Video short)
2015 Chi-Raq - $2,653,032
2015 NBA 2K16 (Video Game)
2015 Livin' Da Dream (Video Game)
2015 Spike Lee's Lil Joints (TV Mini-Series documentary) (1 episode)
- Ray Allen/AKA- Jesus Shuttlesworth (2015)
2014 Mo'ne Davis: I Throw Like a Girl (Documentary short)
2014 Jerrod Carmichael: Love at the Store (TV Special documentary)
2014 Katt Williams: Priceless: Afterlife (TV Special)
2014 Da Sweet Blood of Jesus (no B.O. info)
2014 Amex Unstaged Pharrell Williams Live at the Apollo (Video)
2013 Oldboy - $4,861,022
2012 Bad 25 (Documentary)
2012 Red Hook Summer $338,803
2011 Da Brick (TV Movie)
2010 If God Is Willing and da Creek Don't Rise (TV Series documentary)
2009 Passing Strange
2009 Kobe Doin' Work (TV Movie documentary)
1998-2009 Great Performances (TV Series) (2 episodes)
- Passing Strange (2009)
- Pavarotti & Friends for the Children of Liberia (1998)
2008 Miracle at St. Anna - Worldwide: $9,323,833
2007 Lovers & Haters (Short)
2007 M.O.N.Y. (TV Movie)
2006 Shark
2006 When the Levees Broke: A Requiem in Four Acts (TV Mini-Series documentary)
2006 Inside Man - Worldwide $185,677,523
His only true hit and most profitable film in the last decade was Inside Man in 2006. Since then Miracle at St. Anna was middling in critic and audience reception, Passing Strange was overlooked, Red Hook Summer a disappointing flop, Oldboy given no studio push and came and went almost unnoticed, Da Sweet Blood of Jesus disregarded (the Kick-Starter campaign got more attention) and the latest Chi-raq flopping hard.
And it's the last film that sparks this discussion Chi-raq not only failed box office wise but drew a backlash from Lee's core audience, Black people. When you start losing your primary support base its time to reflect and look at where things ran off the rails. Spike's never been a huge office blockbuster type filmmaker and I don't think that's something he really cares about too much. Where Spike shined and his strongest suit was his outspokenness and ability to make a point with his films particularly in the socio-political realm. Do The Right Thing and Malcolm X, his two most important and popular films, illustrate this perfectly.
Even when he's just having fun with stories like Mo' Better Blues, He Got Game, 25th Hour and Inside Man, you know, just straight up matinee movie stuff, Spike was at the very least entertaining. But the last four of his films weren't just swings and misses, they really weren't that entertaining either, at least that's the general consensus. So lets talk about where how an important filmmaker could fall off so hard?
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