Don’t know what that show is or movie
Venom 2: Let There Be Carnage Trailer
- Thread starter Allister
- Start date
Black Lightning superhero show on the WB got a spin-off with a black lead who is basically Upgrade / Venom / John Wick / limitless mix.
Oh ok
Still seems like too much shitty comedy and CGI blobs fighting each other at night or in buildings where the owner forgot to pay the light bill.
Eh. I'll check it out.
Venom 2 electric boogaloo' awwrite!!!
Marvel get those rights back ASAP!
I'll never understand why they feel da need to inject some comedy in all of these movies. The Dark Knight Trilogy was great and didn't have NO unnecessary slapstick comedic bullshit. Like, stop.
Yeen miss n'un.
Ok u was right. That is how the symbiote should be. And is throughout the canon
Yep..very underrated movie.. would love to see if they pushed for a sequel
Tom Holland's Spider-man is shown.
This will not up long... but it's real
In the post credits, Venom and Eddie are in a house at a beach after having to hide from authorities after just defeating Carnage. Venom says he can show Eddie 1 second of what his kind have been through and does. Suddenly, everything changes and a tv turns on. Tom Holland’s Spider-Man is on screen and features the same audio we saw at the end of FFH post credit scene and the NWH trailer with Mysterio and JJJ. Venom says “I hate that guy” and “he looks tasty, Eddie” and aggressively licks the tv screen, then cuts to black.
This will not up long... but it's real
In the post credits, Venom and Eddie are in a house at a beach after having to hide from authorities after just defeating Carnage. Venom says he can show Eddie 1 second of what his kind have been through and does. Suddenly, everything changes and a tv turns on. Tom Holland’s Spider-Man is on screen and features the same audio we saw at the end of FFH post credit scene and the NWH trailer with Mysterio and JJJ. Venom says “I hate that guy” and “he looks tasty, Eddie” and aggressively licks the tv screen, then cuts to black.
I am ready 
I’m Sorry, But We Must Talk About ‘I’m Sorry About Venom’
By Jackson McHenry@McHenryJD
She’s sorry about Venom. Photo: Frank Masi/Sony Pictures Releasing
Hollywood love stories are so cliché: Boy meets girl. Boy and girl fall in love. Boy uses girl’s access to the files of a corrupt tech billionaire to try to launch an exposé. Boy gets fired. Girl also gets fired. Girl breaks up with boy. Boy gets body taken over by an aggressive alien parasite. Girl briefly also hosts the parasite. Girl kisses boy while possessed by said parasite. Boy stops another evil parasite’s plot. Boy realizes he’s found his true love with an alien parasite. Boy and girl get coffee and reconcile. Girl says that she’s sorry about Venom.
That’s the plot of 2018’s Venom, which, as many people (including Sony’s marketing department) have noted, feels like a studio rom-com with a superhero movie erupting out of its body, like, well, an alien parasite. The movie sets things up with a rough-and-tumble video journalist named Eddie Brock (Tom Hardy, entirely mumbling), who loves breaking stories about corporate malfeasance almost as much as he loves wearing bracelets, and his fiancée Anne Weyling (Emmy winner and four-time Oscar nominee Michelle Williams), a lawyer for a big firm with many evil clients who loves white wine and a rigid middle part. Everyone in the movie has pleasantly generic upper-middle-class professions, including Anne’s new guy, played by Veep’s Reid Scott, who’s a doctor. But once the parasite crashes down into the picture, things get ridiculous. Tom Hardy develops a hunger for flesh and climbs into a lobster tank. Riz Ahmed’s tech billionaire reveals his plan to take off into space and use a parasite to survive. Anne briefly has to turn into Lady Venom to save Eddie from a random goon and then exclaims “I just bit that guy’s head off?!”
The movie’s crowning moment comes not with the plot’s explosive climax, in which Eddie and Anne blow up the ship Riz Ahmed is trying to ride into space and Venom falls from the explosion back to Earth, seemingly dead, but in the denouement, when everything collapses back into rom-com mode. On a random sunny day, Eddie and Anne sit down for unlabeled takeaway coffee on a stoop somewhere in San Francisco, making awkward conversation as exes. She talks about her new job as a public defender. He reveals he’s going back to print journalism (good luck, man). Then Michelle Williams turns and gets serious and delivers the immortal line: “Hey, I’m sorry about Venom.”
“Hey, I’m sorry about X” is the kind of bland thing you might say to an ex after hearing about the end of their relationship with someone else, but what makes it click is that Anne is talking about Venom. It’s a funny word, and it’s funny because, you know, alien parasite. Williams delivers the line as if it’s all part of a perfectly normal conversation, which makes it funnier, as if “ask about new job” and “give your condolences for the seeming loss of the being that granted him superpowers” are of equal importance on the “catching up with your ex” checklist. Why is she sorry about Venom? It’s not her fault, but she cares enough about Eddie to sympathize with his loss of another partner. They carry on with the conversation, making awkward banter about the time she kissed him out of the blue — “that was your buddy’s idea,” she claims. Venom, as it turns out, is still in Eddie’s body, so the scene ends as Tom Hardy growls as the parasite in voiceover about how much it likes Anne and how she “has no idea we’re going to get her back!”
The key to welcoming Venom into your heart, in the same way that Eddie lets Venom take over his vital organs, is to enjoy the film’s discontinuities. It’s both making fun of its own concept, playing Eddie and Venom’s relationship as part of a love triangle, and taking their love seriously. It’s not coherent as much as it is impulse, lumbering from one big swing to the next. When I interviewed Michelle Williams about Fosse/Verdon several years ago, I asked about Venom in passing, and she laughed, more with the movie than at it, and described how fun it was to watch Tom Hardy and screenwriter Kelly Marcel in process, coming up with ideas on the fly. Whether it was improved in the moment or always in the script, “Hey, I’m sorry about Venom” gets some of that energy. It’s a hasty segue that tries to pull together the irreconcilable halves of this movie together in a single sentence. Obviously, it’s not a natural phrase to deliver. Why would you want it to be?
In the years since seeing Venom, I occasionally mutter “Hey, I’m sorry about Venom” while going about my daily life. I recommend it if, for instance, you come up against a minor inconvenience — discovering your Metrocard has run out right as a train is coming or seeing that the grocery store is out of your preferred cottage cheese — and need to put things in perspective. Hey, something’s gone wrong; well, at least I’m not in a complicated relationship with a former journalist turned host of an alien parasite. With the release of Venom: Let There Be Carnage nearly upon us, I hope the story continues on with the same disjointed, delightfully weird spirit — and that it gives Michelle Williams more strange platitudes that she’ll deploy all her best acting skills to deliver. Please, make us not sorry about the sequel to Venom.
By Jackson McHenry@McHenryJD
She’s sorry about Venom. Photo: Frank Masi/Sony Pictures Releasing
Hollywood love stories are so cliché: Boy meets girl. Boy and girl fall in love. Boy uses girl’s access to the files of a corrupt tech billionaire to try to launch an exposé. Boy gets fired. Girl also gets fired. Girl breaks up with boy. Boy gets body taken over by an aggressive alien parasite. Girl briefly also hosts the parasite. Girl kisses boy while possessed by said parasite. Boy stops another evil parasite’s plot. Boy realizes he’s found his true love with an alien parasite. Boy and girl get coffee and reconcile. Girl says that she’s sorry about Venom.
That’s the plot of 2018’s Venom, which, as many people (including Sony’s marketing department) have noted, feels like a studio rom-com with a superhero movie erupting out of its body, like, well, an alien parasite. The movie sets things up with a rough-and-tumble video journalist named Eddie Brock (Tom Hardy, entirely mumbling), who loves breaking stories about corporate malfeasance almost as much as he loves wearing bracelets, and his fiancée Anne Weyling (Emmy winner and four-time Oscar nominee Michelle Williams), a lawyer for a big firm with many evil clients who loves white wine and a rigid middle part. Everyone in the movie has pleasantly generic upper-middle-class professions, including Anne’s new guy, played by Veep’s Reid Scott, who’s a doctor. But once the parasite crashes down into the picture, things get ridiculous. Tom Hardy develops a hunger for flesh and climbs into a lobster tank. Riz Ahmed’s tech billionaire reveals his plan to take off into space and use a parasite to survive. Anne briefly has to turn into Lady Venom to save Eddie from a random goon and then exclaims “I just bit that guy’s head off?!”
The movie’s crowning moment comes not with the plot’s explosive climax, in which Eddie and Anne blow up the ship Riz Ahmed is trying to ride into space and Venom falls from the explosion back to Earth, seemingly dead, but in the denouement, when everything collapses back into rom-com mode. On a random sunny day, Eddie and Anne sit down for unlabeled takeaway coffee on a stoop somewhere in San Francisco, making awkward conversation as exes. She talks about her new job as a public defender. He reveals he’s going back to print journalism (good luck, man). Then Michelle Williams turns and gets serious and delivers the immortal line: “Hey, I’m sorry about Venom.”
“Hey, I’m sorry about X” is the kind of bland thing you might say to an ex after hearing about the end of their relationship with someone else, but what makes it click is that Anne is talking about Venom. It’s a funny word, and it’s funny because, you know, alien parasite. Williams delivers the line as if it’s all part of a perfectly normal conversation, which makes it funnier, as if “ask about new job” and “give your condolences for the seeming loss of the being that granted him superpowers” are of equal importance on the “catching up with your ex” checklist. Why is she sorry about Venom? It’s not her fault, but she cares enough about Eddie to sympathize with his loss of another partner. They carry on with the conversation, making awkward banter about the time she kissed him out of the blue — “that was your buddy’s idea,” she claims. Venom, as it turns out, is still in Eddie’s body, so the scene ends as Tom Hardy growls as the parasite in voiceover about how much it likes Anne and how she “has no idea we’re going to get her back!”
The key to welcoming Venom into your heart, in the same way that Eddie lets Venom take over his vital organs, is to enjoy the film’s discontinuities. It’s both making fun of its own concept, playing Eddie and Venom’s relationship as part of a love triangle, and taking their love seriously. It’s not coherent as much as it is impulse, lumbering from one big swing to the next. When I interviewed Michelle Williams about Fosse/Verdon several years ago, I asked about Venom in passing, and she laughed, more with the movie than at it, and described how fun it was to watch Tom Hardy and screenwriter Kelly Marcel in process, coming up with ideas on the fly. Whether it was improved in the moment or always in the script, “Hey, I’m sorry about Venom” gets some of that energy. It’s a hasty segue that tries to pull together the irreconcilable halves of this movie together in a single sentence. Obviously, it’s not a natural phrase to deliver. Why would you want it to be?
In the years since seeing Venom, I occasionally mutter “Hey, I’m sorry about Venom” while going about my daily life. I recommend it if, for instance, you come up against a minor inconvenience — discovering your Metrocard has run out right as a train is coming or seeing that the grocery store is out of your preferred cottage cheese — and need to put things in perspective. Hey, something’s gone wrong; well, at least I’m not in a complicated relationship with a former journalist turned host of an alien parasite. With the release of Venom: Let There Be Carnage nearly upon us, I hope the story continues on with the same disjointed, delightfully weird spirit — and that it gives Michelle Williams more strange platitudes that she’ll deploy all her best acting skills to deliver. Please, make us not sorry about the sequel to Venom.
I'll give you the review tomorrow
K. But nobody said shit about the Snake Eyes movie. I’m thinking it sucked. Am I right?
Meh
Trash !!!!
Snake eyes definition: the worst possible result; a complete lack of success.
PRAISE: The movie Snake Eyes is not as bad as the above definition. I thought it had some pretty good moments in its story about An ancient Japanese clan called the Arashikage welcoming tenacious loner Snake Eyes after he saves the life of their heir apparent. Upon arrival in Japan, the Arashikage teach him the ways of the ninja warrior while also providing him something he's been longing for: a home.
Part of the cast really give it their all including Henry Golding,Andrew Koji,Haruka Abe and Peter Mensah I thought the chemistry between Henry E Golding and Haruka Abe was off the charts !!
Most of the action sequences were very well choreographed. I know people were complaining about the shaky camera fighting but it wasn't nearly as bad as it was in the Tyler Perry Alex Cross movie.I liked the use of mysticism in the movie.
PROBLEMS : The actress Samara Weaving who portrays Scarlett in the movie is ABSOLUTELY AWFUL in this.She delivered her lines as if she just finished 3 back to back shifts at McDonald's. The actress Úrsula Corberó who portrays the Baroness fairs a bit better and I do mean a bit.She looked great in those stilettos though.
There are several inconsistencies in the script. The villain was lackluster. They try to connect the G.I Joe and Cobra dots but it didn't really work for me.
After reading and watching everything G.I Joe for many years this felt like a watered down version of the character Snake Eyes.
Scale of 1 to 10 a 6
Snake Eyes wasnt as bad as the reviewers are saying. I hope they continue.....people just weird bro. Everybody liked that dumbass Suicide Squad so i dunno
just saw it. It was ok. Of course the Carnage parts were all hot and done well. I think some of the jokes (too many) fell flat because at times it was hard to hear what venom was saying. They should lighten up on the comedy. And the end credit scene that already leaked was accurate. Looking forward to that
with venom in the MCU he obviously wont be a spiderman villain unless something drastic happens to Eddie. I'm guessing he will probably help spiderman with the sinister six somewhere down the line. Nice nod to Amazing Spiderman #347
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Just got out....Wack
The movie was boring until the final battle.
It reminded me of pre mcu level comic book movies.
Corny attempts at humor. Over acting. Goofy cartoonish action. Bad editing.
I wish marvel would relieve sony of the spider verse.
The movie was boring until the final battle.
It reminded me of pre mcu level comic book movies.
Corny attempts at humor. Over acting. Goofy cartoonish action. Bad editing.
I wish marvel would relieve sony of the spider verse.
did anyone notice the scene early in the movie were Eddie was talking to his ex in the restaurant and everytime the camera cut back to him his hair would look different. Smh that's bad movie making. The carnage tornado in jail was cringe level looney toons shit too.
Yes I noticed that, especially since venom was fixing it for him prior to that.
Just sitting here thinking about how sony fucked this whole franchise up
Instead of waiting to properly introduce venom through spiderman they had to rush it along.
They took the wind out of introducing carnage by having multiple symbiotes in the first venom movie.
Its like they're telling the story backwards
Instead of waiting to properly introduce venom through spiderman they had to rush it along.
They took the wind out of introducing carnage by having multiple symbiotes in the first venom movie.
Its like they're telling the story backwards
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