not gonna read all that shit...
but i believe it 100%...
This my friends, is whats wrong with you.
not gonna read all that shit...
but i believe it 100%...
The problem isn't the content the problem is lack of diversity.
not gonna read all that shit...
but i believe it 100%...
What kind of man gets TOLD what to do, while being rich, and of sound mind, knowing what he is doing is destroying a culture.
I like short, especially the early records, but blaming the so called industry because he decided garnering money was better than uplifting "SOMETIMES", I'd pretty bitch made. Freaky Tales is all time, but so is the Ghetto. Throwing in a few songs would not have hurt his bottom line.
You made the money, took the Devils pie, now shut the fuck up, whining about someone else made me do it.
Short could have gone indy, bought a small local radio station in Oakland, started a distribution company with E40. Short of all people had a bonafied Customer base, that would have supported anything he did.
no he couldn't have at the time.
he started independent remember? so he knows what he could and couldn't reach at the time with all that shit popping off.
do you remember the song gotta buy dope from us? that is basically how the record industry was.
you can do your 50k records independent. you were not going to control airwaves. you were not going to be on regular radio and there was no internet for your fans to reach you and keep tabs on you.
there's no excuse for it NOW you're right.
then there was only 1 game in town.
people take pride in saying " i haven't listened to the radio in years"
yea if this was pre 2000 yo ass would be listening to the radio and singing bia bia and all that shit that was on the radio too. period.
Leave bia bia out of this fam![]()
I agree with Short. Back in the day it was cool to like a variety of artist. Man, I listened to everything from bruce springstein to Wu-Tang Clan to Curtis Mayfield. These kids were slowly programmed to not have a mind of their own. They are scared to be themselves because they do not want the feel left out. Last week, I had an ice breaker for my students where I wanted them to send me there favorite song and verse and tell me why its their fave. Everybody pretty much had the same shit. Drake this, Drake that. No variety! And I asked them why and they could not give me a solid answer.
it was an oakland anthem. i got no shame in it. but the snobs act like they weren't listening to that shit too.
"nah fam i never listened to the radio, i was at the record store digging in crates listening to the black youth uplifting parliament black awareness family i couldn't stand that lil jon shit"
lying like a motherfucker
Getting It was a positive song. I am trying to keep the conscious hip hop alive with my podcast. It hard to find new artists that really be on it like that tho..
First and foremost I'm an admitted conspiracy head...
Do any of yal believe this was a concentrated pre meditated effort by the FBI in the continuous program of COINTELPRO?
I have to disagree. I grew up listening to everything. NWA, Geto Boys, Two Live Crew, Too Short, UGK......But I also listened to KRS-1, PE, XCLAN, Rakim, PRT and Brand Nubians. Learned a lot of knowledge from those groups, the same way I learned about funky bitches, dope stories and fuck the police from the first set of guys. The difference is there was a balance. Some days I wanted to hear Too Short Spittin game, sometimes I wanted to hear X Clan saying "How could Polar Bears swing on vines with the gorillas". We had options.
no he couldn't have at the time.
he started independent remember? so he knows what he could and couldn't reach at the time with all that shit popping off.
do you remember the song gotta buy dope from us? that is basically how the record industry was.
you can do your 50k records independent. you were not going to control airwaves. you were not going to be on regular radio and there was no internet for your fans to reach you and keep tabs on you.
there's no excuse for it NOW you're right.
then there was only 1 game in town.
[emoji38][emoji38][emoji38][emoji38]
no he couldn't have at the time.
he started independent remember? so he knows what he could and couldn't reach at the time with all that shit popping off.
do you remember the song gotta buy dope from us? that is basically how the record industry was.
you can do your 50k records independent. you were not going to control airwaves. you were not going to be on regular radio and there was no internet for your fans to reach you and keep tabs on you.
there's no excuse for it NOW you're right.
then there was only 1 game in town.
Although I think it's true what Too Short is saying, I believe we give white folks too much power/credit. The fact is, most hip-hop fans want to hear that ignorant shit. Hell, most of the cats on this board would rather listen to that ignorant gangsta shit. Conscious rappers rarely get talked about on this board. Unfortunately, our people CHOOSE to listen to that gangsta garbage.
Execs went with what fucking sells. Although positive hip hop was great, shit wasn't selling like Dopeman back in the 80s. None of the 'negative' shit got radio play yet we craved that shit back then and found ways to have it.
There was an industry-wide plot to make fucking money. Once record execs witnessed that 'negative' hip hop made a mint DESPITE not getting radio play, it was a done deal.
Folks up here in Cleveland weren't trying to hear anything positive Too Short said. A positive CD would have just sat on the fucking shelves.
The shit is like pushing Christian rock when the market demands heavy metal. Heavy metal came up despite white folks trying to shut that shit down. The audience demanded it.
It's funny as fuck. Mid-80s white parents wereabout all the negative music their kids wanted to listen to. The market dictated it. When it happens with rap, folks conveniently forget what the market wanted. What sold. What made the news.
I remember when 2-live Crew, NWA, and the Geto Boys had to fight like hell to say the negative shit they said. They tried to arrest them at shows. They still were the most popular acts and top selling. Who wouldn't want that money?
Short was independent, so was E40, and both were doing way more than 50K indy. even if it was ONLY 50K, that is a tremendous amount of CASH. Even at $5 in profit, that was more than enough during the 80's and 90's to leverage towards a distribution company, pressing plant, cd manufacturing plant, or a small radio station.
Both of those guys had the bay area on LOCK and instead of selling degradation, and never ending hustler stories to make more individual wealth, they could of sold the dope (metaphorically speaking) for a few years and flipped it into control.
coming back after the fact and blaming the so called industry for not betting on themselves, when Black people were holding them down is childish.
tired of grown men, RICH grown men acting like they have no fucking power to enact change.
Good read
Short was independent, so was E40, and both were doing way more than 50K indy. even if it was ONLY 50K, that is a tremendous amount of CASH. Even at $5 in profit, that was more than enough during the 80's and 90's to leverage towards a distribution company, pressing plant, cd manufacturing plant, or a small radio station.
Both of those guys had the bay area on LOCK and instead of selling degradation, and never ending hustler stories to make more individual wealth, they could of sold the dope (metaphorically speaking) for a few years and flipped it into control.
coming back after the fact and blaming the so called industry for not betting on themselves, when Black people were holding them down is childish.
tired of grown men, RICH grown men acting like they have no fucking power to enact change.
Suge, J Prince, and Irv Gotti could not accomplish that in their best years, but you think two independent artist could? The closest guy to that was Luke, and they kept his ass in court until he lost all his bread. "They" would not allow that. If Short never signed with a major he would have been E-40. Short was indie early on, but was signed to street dudes who were taking all his bread. He did not blow up nationwide until he signed with Jive. Short signing with Jive made him as big as he possibly could be.
rap was diverse back then but i'll admit when nwa/the chronic dropped a lot of the older pro black conscious dudes around my block switched their image up, a lot of dudes didn't even know why they were wearing medallions, it was jus the popular thing to do, then when hardcore rap came to be that was the popular thing to do
people take pride in saying " i haven't listened to the radio in years"
yea if this was pre 2000 yo ass would be listening to the radio and singing bia bia and all that shit that was on the radio too. period.