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Movie Debate: Fandango 2025 Most Anticipated Movies & Box Office Predictions

playahaitian said:
First don't believe that test screening stuff its bullsh*t 99% of the time.

And re shoots DOES NOT MEAN the movie is bad especially MCU movies that's the style they use there are ALWAYS re shoots it's scheduled and budgetted in from jump. And now many big budgets movies are following suit.

I can name Oscar award winning movies and billion dollar movies that had reported numerous re shoots.

I wouldn't use any of that as a reason to worry.

But I think I know what you are specifically referring to... Feige got permission to scrap the movie when it was damn near DONE.

Now THAT is a real reason to worry.

But to me? I'm NOT worried because they went back to FIX IT. They ain't say f**k it like Sony and drop it as is.

They invested MORE money to fix it

That doesn't worry me.

Re shoot, re edits, re casting, etc etc...

I don't care. Let me see the final product.

THAT is what matters.
Click to expand...
Again...I hope it's good
 
playahaitian said:
I was a LITTLE worried incels post election would try to trash this.

I like that it's dropping during black history and Anthony always knows his responsibilities to PROMOTE.
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from the trailers it looks solid; im not worried about the reshoots; i was thinking that they would push the movie back to give them more time but they didnt; i think it will be fine; i dont think it will do a billy do unless its great; which it could be but i predict it to do like about 700-800 mill which would be very solid!!
 
playahaitian said:
www.fandango.com

2025's Most Anticipated Movies

“Captain America: Brave New World” is 2025’s top pick in Fandango’s annual Most Anticipated Movies survey of over 9,000 ticket-buyers.
www.fandango.com www.fandango.com

2025's Most Anticipated Movies​


1. Captain America: Brave New World
2. Mission: Impossible – The Final Reckoning
3. Jurassic World Rebirth
4. From the World of John Wick: Ballerina
5. The Fantastic Four: First Steps
6. Avatar: Fire and Ash
7. Wicked: Part Two
8. The Accountant 2
9. Superman
10. 28 Years Later
Click to expand...
I would say Jurassic and Avatar definitely a billy; Four and Captain probably about 700-800; Superman im not sure, could go up but go nowhere..
 
Day_Carver said:
from the trailers it looks solid; im not worried about the reshoots; i was thinking that they would push the movie back to give them more time but they didnt; i think it will be fine; i dont think it will do a billy do unless its great; which it could be but i predict it to do like about 700-800 mill which would be very solid!!
Click to expand...

Agreed

Sidebar... I really wish we didn't know about budgets and re shoots until AFTER the movie was released
 
Day_Carver said:
if i was betting i would not bet on it...
Click to expand...

Damn. I'm worried a little bit

I'm a Gunn fan forever but this movie can't have any of that frat boy humor. That ain't Supes. But he knows how to deliver "heart" even suicide squad we saw that. Guardians was filled with it.

To me I don't care about box office at all.

I want a GOOD MOVIE .

First and foremost. Let's start there.

Good luck to them.
 
playahaitian said:
Damn. I'm worried a little bit

I'm a Gunn fan forever but this movie can't have any of that frat boy humor. That ain't Supes. But he knows how to deliver "heart" even suicide squad we saw that. Guardians was filled with it.

To me I don't care about box office at all.

I want a GOOD MOVIE .

First and foremost. Let's start there.

Good luck to them.
Click to expand...
I agree but if it ain’t Batman then they don’t deliver!! I don’t trust any comic book movie unless it’s coming from marvel studios…
 
Day_Carver said:
I agree but if it ain’t Batman then they don’t deliver!! I don’t trust any comic book movie unless it’s coming from marvel studios…
Click to expand...

Movie wise?

Suicide Squad was okay.

Blue Beetle was actually good family flick that needed some editing

Black Adam was not good but not horrible

I never watched either Joker but folk loved the first one.

First wonder woman first aquaman was good

Even that flash was okay Keaton killed it l.

I don't know wtf DC kept doing wrong except too much Snyder and trying to copy marvel in the worst sense
 
playahaitian said:
Movie wise?

Suicide Squad was okay.

Blue Beetle was actually good family flick that needed some editing

Black Adam was not good but not horrible

I never watched either Joker but folk loved the first one.

First wonder woman first aquaman was good

Even that flash was okay Keaton killed it l.

I don't know wtf DC kept doing wrong except too much Snyder and trying to copy marvel in the worst sense
Click to expand...
First wonder and aquaman was ok; I wouldn’t call them good lol; just had hyped behind them; both 2nd were terrible!! Flash and Adam were blah! Squad was ok also; beetle just wasn’t ; I’m not going back to any dc movies except Batman during these last few years! Nothing worth rewatching
 
playahaitian said:
Movie wise?

Suicide Squad was okay.

Blue Beetle was actually good family flick that needed some editing

Black Adam was not good but not horrible

I never watched either Joker but folk loved the first one.

First wonder woman first aquaman was good

Even that flash was okay Keaton killed it l.

I don't know wtf DC kept doing wrong except too much Snyder and trying to copy marvel in the worst sense
Click to expand...
I feel like dc plays better as animations as oppose to movies. I’ve always thought dc characters just ain’t relatable as marvel characters; that’s just me though; marvel just seem more human and more diverse than dc; just my opinion and it seems like that plays out in their movies also…
 
Day_Carver said:
First wonder and aquaman was ok; I wouldn’t call them good lol; just had hyped behind them; both 2nd were terrible!! Flash and Adam were blah! Squad was ok also; beetle just wasn’t ; I’m not going back to any dc movies except Batman during these last few years! Nothing worth rewatching
Click to expand...

see I disagree

I thought blue beetle was solid and should have been supported more by the Latino community and with some little less cursing? Would have been marketed better.

But dc wb was in turmoil and it got lost ignored

Wonder woman and aqua man box office shows that the audience loved those projects and they fumbled those sequels

but superman to me wasn't as good to ME.

AFFLECK deserved his own batman movie

BvS wasn't good honestly I don't remember it or justice league.

but I'm being generous

You know what?

I'm going to re watch BvS and Justice League.
 
playahaitian said:
see I disagree

I thought blue beetle was solid and should have been supported more by the Latino community and with some little less cursing? Would have been marketed better.

But dc wb was in turmoil and it got lost ignored

Wonder woman and aqua man box office shows that the audience loved those projects and they fumbled those sequels

but superman to me wasn't as good to ME.

AFFLECK deserved his own batman movie

BvS wasn't good honestly I don't remember it or justice league.

but I'm being generous

You know what?

I'm going to re watch BvS and Justice League.
Click to expand...
Justice league the second version was better… suicide squad was wack to me.. now suicide squad 2 much funnier and better… man of steel with zod squad was 1 of the better dc movies.. flash was blah..Wonder Woman 2/garbage… bvs niggadamaus told all ya it was gonna suck b4 they even made it, this was the end of dc.
 
Helico-pterFunk said:
Playa’s gonna be maxing out the credit card in 2025, haha!

:cheers:
Click to expand...


:lol:

Now I'm a theatre snob. And they are too. If I pay, I've gotten so many comp tickets from complaining. It's the EXPERIENCE of going out with an audience. Personally I could just stay home 95% of the time. But I gotta see a good super hero movie on the big screen. Same with a GOOD big budget action.

But a BAD MOVIE on the big screen may be the worst.

But these kids actually still enjoy making fun and laughing about it at dinner after.
 
tallblacknyc said:
Justice league the second version was better… suicide squad was wack to me.. now suicide squad 2 much funnier and better… man of steel with zod squad was 1 of the better dc movies.. flash was blah..Wonder Woman 2/garbage… bvs niggadamaus told all ya it was gonna suck b4 they even made it, this was the end of dc.
Click to expand...

yo real talk?

Tall I FORGOT there were 2 suicide squad movies!!!
 
tallblacknyc said:
Justice league the second version was better… suicide squad was wack to me.. now suicide squad 2 much funnier and better… man of steel with zod squad was 1 of the better dc movies.. flash was blah..Wonder Woman 2/garbage… bvs niggadamaus told all ya it was gonna suck b4 they even made it, this was the end of dc.
Click to expand...

Bro...you realize we agreeing?
 
playahaitian said:
see I disagree

I thought blue beetle was solid and should have been supported more by the Latino community and with some little less cursing? Would have been marketed better.

But dc wb was in turmoil and it got lost ignored

Wonder woman and aqua man box office shows that the audience loved those projects and they fumbled those sequels

but superman to me wasn't as good to ME.

AFFLECK deserved his own batman movie

BvS wasn't good honestly I don't remember it or justice league.

but I'm being generous

You know what?

I'm going to re watch BvS and Justice League.
Click to expand...
You are being generous because you don’t need to rewatch them at all!! Affleck seen the writing on the wall and said I’m out…
 
Day_Carver said:
why do you think that is though? im not sure and im not being sarcastic; genuinely asking...
Click to expand...

There are a few reasons.
1. The studios are playing a recovery game. As the streaming wars kicked up during the early days of covid, they went on a buying spree and bought a shit ton of scripts. Most of which will never be produced. A lot of them are in limbo as the people who bought the scripts aren't even with those companies anymore. There's no benefit to produce those scripts by the new people because it's all risk, no reward. If the project is dope, the credit goes to the person who bought it. If it flops, it goes to the new person who produced it.

2. Since the explosion of the streaming services and now the subsequent contraction, production companies and streamers are looking for safe bets. It takes a lot of money to build, market, and produce new IP. So they've been buying and producing successful existing IP. Most of it will flop like Velma. Despite being part of one of the most successful IP franchises ever, that shit tanked. But then you get hits like Wednesday and it makes these buyers wanna keep producing them.

3. Even if it isn't exact IP, the recent mandate from buyers have been to create something similar. When I was pitching my show, the production companies raved about it but said the were looking for something more like Rick & Morty. To get a show greenlit now the person has to already have talent in place. Which is tricky because talent wants to know who's producing it or who's distributing it before they sign on. Or the other lane is to be the talent producing it (like Kid Cudi's animated show).

Mandates change. It took Squid Games like 10 years to be bought so shit shifts. Hollywood is in a weird place right now and everyone is playing it safe. When I met with an exec at Paramount he said they're going in the direction of finding what popular content creators are already doing and putting money behind that. It's basically the same thing as finding existing IP. So that means if Mr. Beast (pre scandal) or Kai Cenat wrote and pitched a shitty show (not saying they'd write something trash, just using an example) it would get greenlit before someone who doesn't have a big following but has a masterful concept and script but only has 20k followers.

For the record, I'm not a Hollywood insider. All of this is what I've been told by an Emmy award winning showrunner, a few managers, agents, and straight from the mouths of producers and execs (from general meetings I've had over the past three years)
 
TheFuser said:
There are a few reasons.
1. The studios are playing a recovery game. As the streaming wars kicked up during the early days of covid, they went on a buying spree and bought a shit ton of scripts. Most of which will never be produced. A lot of them are in limbo as the people who bought the scripts aren't even with those companies anymore. There's no benefit to produce those scripts by the new people because it's all risk, no reward. If the project is dope, the credit goes to the person who bought it. If it flops, it goes to the new person who produced it.

2. Since the explosion of the streaming services and now the subsequent contraction, production companies and streamers are looking for safe bets. It takes a lot of money to build, market, and produce new IP. So they've been buying and producing successful existing IP. Most of it will flop like Velma. Despite being part of one of the most successful IP franchises ever, that shit tanked. But then you get hits like Wednesday and it makes these buyers wanna keep producing them.

3. Even if it isn't exact IP, the recent mandate from buyers have been to create something similar. When I was pitching my show, the production companies raved about it but said the were looking for something more like Rick & Morty. To get a show greenlit now the person has to already have talent in place. Which is tricky because talent wants to know who's producing it or who's distributing it before they sign on. Or the other lane is to be the talent producing it (like Kid Cudi's animated show).

Mandates change. It took Squid Games like 10 years to be bought so shit shifts. Hollywood is in a weird place right now and everyone is playing it safe. When I met with an exec at Paramount he said they're going in the direction of finding what popular content creators are already doing and putting money behind that. It's basically the same thing as finding existing IP. So that means if Mr. Beast (pre scandal) or Kai Cenat wrote and pitched a shitty show (not saying they'd write something trash, just using an example) it would get greenlit before someone who doesn't have a big following but has a masterful concept and script but only has 20k followers.

For the record, I'm not a Hollywood insider. All of this is what I've been told by an Emmy award winning showrunner, a few managers, agents, and straight from the mouths of producers and execs (from general meetings I've had over the past three years)
Click to expand...

Delete all this they watching!!!!!

We must protect Fuse at all costs

They shooting!!!
 
TheFuser said:
There are a few reasons.
1. The studios are playing a recovery game. As the streaming wars kicked up during the early days of covid, they went on a buying spree and bought a shit ton of scripts. Most of which will never be produced. A lot of them are in limbo as the people who bought the scripts aren't even with those companies anymore. There's no benefit to produce those scripts by the new people because it's all risk, no reward. If the project is dope, the credit goes to the person who bought it. If it flops, it goes to the new person who produced it.

2. Since the explosion of the streaming services and now the subsequent contraction, production companies and streamers are looking for safe bets. It takes a lot of money to build, market, and produce new IP. So they've been buying and producing successful existing IP. Most of it will flop like Velma. Despite being part of one of the most successful IP franchises ever, that shit tanked. But then you get hits like Wednesday and it makes these buyers wanna keep producing them.

3. Even if it isn't exact IP, the recent mandate from buyers have been to create something similar. When I was pitching my show, the production companies raved about it but said the were looking for something more like Rick & Morty. To get a show greenlit now the person has to already have talent in place. Which is tricky because talent wants to know who's producing it or who's distributing it before they sign on. Or the other lane is to be the talent producing it (like Kid Cudi's animated show).

Mandates change. It took Squid Games like 10 years to be bought so shit shifts. Hollywood is in a weird place right now and everyone is playing it safe. When I met with an exec at Paramount he said they're going in the direction of finding what popular content creators are already doing and putting money behind that. It's basically the same thing as finding existing IP. So that means if Mr. Beast (pre scandal) or Kai Cenat wrote and pitched a shitty show (not saying they'd write something trash, just using an example) it would get greenlit before someone who doesn't have a big following but has a masterful concept and script but only has 20k followers.

For the record, I'm not a Hollywood insider. All of this is what I've been told by an Emmy award winning showrunner, a few managers, agents, and straight from the mouths of producers and execs (from general meetings I've had over the past three years)
Click to expand...
Dam; great breakdown!!
 
Day_Carver said:
Dam; great breakdown!!
Click to expand...

Fam, this shit is wild. I pitched for Max. I was certain it was a yes. They basically told me it was a yes. The following week the people I pitched for got fired. The entire department got eliminated. If they said yes and I signed some shit I have no idea what would've happened to my IP. Would I even be able to upload my series on Youtube? That game is crazy.
 
TheFuser said:
Fam, this shit is wild. I pitched for Max. I was certain it was a yes. They basically told me it was a yes. The following week the people I pitched for got fired. The entire department got eliminated. If they said yes and I signed some shit I have no idea what would've happened to my IP. Would I even be able to upload my series on Youtube? That game is crazy.
Click to expand...
That’s wild!! Seems like whole business of Hollywood is changing
 
Anybody else checkin for "Den Of Thieves 2" ??? :dunno:
Coming out January 2025
I thought the 1st one (with Fiddy & Ice Cube's son) was a solid movie


919STtmJKwL._AC_UF1000,1000_QL80_.jpg
 

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