GOLDIE said:
She was a whore, who became an OK dancer, who became a horrible actor, who became one of the worse singers on earth. And she's still a whore.
I fuck doe.
J-LO Cries ........
- Thread starter THA ILLEST
- Start date
She was a whore, who became an OK dancer, who became a horrible actor, who became one of the worse singers on earth. And she's still a whore.
I fuck doe.
FUCK THAT NO TALENT BITCH...
Errrrrrrr...they don't boo good movies
She's an actress, she can cry at the "drop of a hat", plus i'm sure it will help to promote the film by showing it to be highly emotional.... A good PR stunt.
shanebp1978 said:
i think she has fucked on camera..both nick nolte and sean penn ran up in her in
Time to show off that booty in the nude! Gotta save her career. 
oh well. i'm sure keenan ivory wayans will hire her as a background dancer again.
Leroy Soup Nutz said:
shanebp1978 said:
you fucking assholes, you made me spit my cereal all over my keyboard
Ok, lets be fair to the woman, she has been good in a few movies.
The Cell (2000) ....
Out of Sight (1998) .... This was her peak.
U Turn (1997)
Anaconda (1997) ....
Selena (1997) ....
Blood and Wine (1996) .... Very sexy in this movie!!!
Money Train ............. Looks damn good in this one.
The Cell (2000) ....
Out of Sight (1998) .... This was her peak.
U Turn (1997)
Anaconda (1997) ....
Selena (1997) ....
Blood and Wine (1996) .... Very sexy in this movie!!!
Money Train ............. Looks damn good in this one.
frankrizzo1980 said:LOL..THATS WHAT SHE GETS...SHE SHOULD HAVE NEVER STOPPED SHOWING OFF HER ASS......THAT'S WHY SHES POPULAR.
BITCH GO BACK TO YOUR ROOTS "YOUR ASS"
NOW DANCE HOE LIKE YOU WHERE ON "IN LIVING COLOR"
Ice cold but so true.
shanebp1978 said:
That seems to be the way it goes most of the time.
It i so easy for hos fuck thier way into to a big career all they gotta do is let the right dude and his friends hit.
tanks1 said:
Out of Sight was a nice movie. That and Money Train is all i can watch from this list.
Maximumtrini said:
The thing with Out of Sight was that any attractive female lead could have played the part. The movie has some good talent in it from the likes of Don Cheadle, George Clooney and director Steven Soderberg.
Mama Lopez and shit... old ass muthafucka!
i think she is aging well, its just that one specific pic that's ugly
Who fucking cares if she's crying.
basically just show her ass.Dan The Man said:
This bitch is soooo 1999
What a bunch of gullible, hate-obsessed fools.
She was "crying" when she received the Artists for Amnesty humanitarian award for producing this film, which highlights the (underreported) serial killing, assaults and rapes of some 400 Mexican women.
As if J-Lo gives a shit about getting booed. She'd only care if her mentor, the great Mexican director/writer Gregory Nava (of El Norte, Selena, La Bamba, Mi Familia/My Family fame), would be hurt by it and the important cause would be further disrespected (by typical brain-dead assholes like those in this thread).
She was "crying" when she received the Artists for Amnesty humanitarian award for producing this film, which highlights the (underreported) serial killing, assaults and rapes of some 400 Mexican women.
As if J-Lo gives a shit about getting booed. She'd only care if her mentor, the great Mexican director/writer Gregory Nava (of El Norte, Selena, La Bamba, Mi Familia/My Family fame), would be hurt by it and the important cause would be further disrespected (by typical brain-dead assholes like those in this thread).
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Kirk Honeycutt from The Hollywood Reported said of Bordertown:
It wants to be a thriller, a piece of investigative journalism, a political soapbox and a vehicle for Jennifer Lopez. It serves none of these masters well.
There also is something disingenuous about a movie that claims that the media on both sides of the U.S.-Mexico border are too afraid or corrupt to expose the hundreds of rapes and murders of Latina factory workers in Ciudad Juarez and Chihuahua, Mexico, in recent years when the filmmaker no doubt learned about this tragic situation from countless media stories.
Such wacky thinking pervades a movie that exaggerates and overplays the elements that ripen the melodrama while ignoring a far worse reason for police and institutional failures on the border -- indifference. You can't make a thriller about indifference, of course, so everyone from cops to millionaires are black with evil, while Lopez strides through this hellhole of the western world as the only journalist brave enough to write the truth.
Just as "Trade," which debuted last month at the Sundance Film Festival, turned the global sex slave trade into an excuse for a thriller with Kevin Kline coming to the rescue of a single girl, "Bordertown" trivializes a very real issue in a hokey, unconvincing and ludicrous suspensor with Lopez as the rescuer.
It wants to be a thriller, a piece of investigative journalism, a political soapbox and a vehicle for Jennifer Lopez. It serves none of these masters well.
There also is something disingenuous about a movie that claims that the media on both sides of the U.S.-Mexico border are too afraid or corrupt to expose the hundreds of rapes and murders of Latina factory workers in Ciudad Juarez and Chihuahua, Mexico, in recent years when the filmmaker no doubt learned about this tragic situation from countless media stories.
Such wacky thinking pervades a movie that exaggerates and overplays the elements that ripen the melodrama while ignoring a far worse reason for police and institutional failures on the border -- indifference. You can't make a thriller about indifference, of course, so everyone from cops to millionaires are black with evil, while Lopez strides through this hellhole of the western world as the only journalist brave enough to write the truth.
Just as "Trade," which debuted last month at the Sundance Film Festival, turned the global sex slave trade into an excuse for a thriller with Kevin Kline coming to the rescue of a single girl, "Bordertown" trivializes a very real issue in a hokey, unconvincing and ludicrous suspensor with Lopez as the rescuer.
Gigli is probably a big hit...in Hell. Torture.?????? said:
you be the judge:
When a Chicago newspaper editor (Martin Sheen) assigns his most ambitious reporter, Lauren (Lopez), to report on the dead and missing women in Juarez, Lauren complains, "Who gives a s--- about Mexico?" At that moment, you just know the story will capture her heart and get her back to her roots. But who knew that getting back to her roots meant dying her blonde hair black?
Supposedly speaking little Spanish, Lauren tries to hook up with ex-lover and colleague Diaz (Banderas), now the editor of a Juarez rag. He tells her to get lost but, wouldn't you know it, Lauren walks out his door and immediately spots the one girl every cop, criminal and reporter is looking for -- Eva (Maya Zapata), a factory worker, who survived a rape and murder attempt. Lauren's got a source! But before she and Diaz can interview Eva, the police cart Diaz off, leaving Lauren to hide Eva.
There's virtually nowhere to hide because screenwriter-director Nava has decided these killings go all the way up to the heads of multinational corporations and scions of the richest families in Juarez. So everyone is out to get Eva. Even the head of a women's rights group, Teresa (Sonia Braga), who does shelter Eva, isn't too sympathetic to her plight.
Nava then confuses journalists with movie private eyes. In the course of her "reporting," Lauren makes herself the target for the next attack, seduces a CEO and gets into two fights to the death. At one point, her lover-boy CEO brags that he buys politicians on both sides of the border. Wouldn't you think an experienced reporter would love to use that quote? Not our girl Lauren.
When she finally does file a story, it contains not one quote, fact or piece of evidence; it's simply an editorial. When her editor kills the story -- not for sloppy journalism, as he should, but because of cowardice -- she flies back to Mexico a born-again crusading reporter.
The story is replete with plot holes, but the most egregious is the central issue of whether little Eva can and will testify against her attacker. If she doesn't, he walks free. No one in the movie seems to have noticed the guy attacked Lauren, too. What prevents her from testifying?
Cinematographer Reynaldo Villalobos does get the grit of the bordertown scene in his jumpy camera lens. Nighttime shots blare a riot of vibrant colors as the dusty town turns into a giant sex emporium. Good thing a Latino made this movie, though: A white director would stand accused of the worst sort of stereotypes about Mexican males, rich or poor.
When a Chicago newspaper editor (Martin Sheen) assigns his most ambitious reporter, Lauren (Lopez), to report on the dead and missing women in Juarez, Lauren complains, "Who gives a s--- about Mexico?" At that moment, you just know the story will capture her heart and get her back to her roots. But who knew that getting back to her roots meant dying her blonde hair black?
Supposedly speaking little Spanish, Lauren tries to hook up with ex-lover and colleague Diaz (Banderas), now the editor of a Juarez rag. He tells her to get lost but, wouldn't you know it, Lauren walks out his door and immediately spots the one girl every cop, criminal and reporter is looking for -- Eva (Maya Zapata), a factory worker, who survived a rape and murder attempt. Lauren's got a source! But before she and Diaz can interview Eva, the police cart Diaz off, leaving Lauren to hide Eva.
There's virtually nowhere to hide because screenwriter-director Nava has decided these killings go all the way up to the heads of multinational corporations and scions of the richest families in Juarez. So everyone is out to get Eva. Even the head of a women's rights group, Teresa (Sonia Braga), who does shelter Eva, isn't too sympathetic to her plight.
Nava then confuses journalists with movie private eyes. In the course of her "reporting," Lauren makes herself the target for the next attack, seduces a CEO and gets into two fights to the death. At one point, her lover-boy CEO brags that he buys politicians on both sides of the border. Wouldn't you think an experienced reporter would love to use that quote? Not our girl Lauren.
When she finally does file a story, it contains not one quote, fact or piece of evidence; it's simply an editorial. When her editor kills the story -- not for sloppy journalism, as he should, but because of cowardice -- she flies back to Mexico a born-again crusading reporter.
The story is replete with plot holes, but the most egregious is the central issue of whether little Eva can and will testify against her attacker. If she doesn't, he walks free. No one in the movie seems to have noticed the guy attacked Lauren, too. What prevents her from testifying?
Cinematographer Reynaldo Villalobos does get the grit of the bordertown scene in his jumpy camera lens. Nighttime shots blare a riot of vibrant colors as the dusty town turns into a giant sex emporium. Good thing a Latino made this movie, though: A white director would stand accused of the worst sort of stereotypes about Mexican males, rich or poor.
ThaBurgerPimp said:i think she has fucked on camera..both nick nolte and sean penn ran up in her in
I watched that movie just to see her naked the rest of it was straight BASURA !!!!
Blunt said:
Where was I? Oh yeah....Fuck that hoe she wasnt
shit since she left her man puffy when trouble came.
I knew from that day the bitch wasnt shit.
People tried to act like Puffy was hurt by the bitch
leaving. I don't think he gave a fuck. Other dudes
have run through the bitch and passed her along like
a blunt.
This bitch is now a plane spiraling downward with
smoke coming from the tail.
Karma is a bitch.
When I clicked on this thread, I totally saw this reply coming.Blunt said:
No really, I did!!!
Agent69 said:[/IMG]
I TRULY BELIEVE THIS PHOTO QUALIFIES FOR AN "OWNED" CAPTION. FELLAS??
It's about time she got booed for one of her crappy movies!!
THA ILLEST said:how ya niggaz gon' laugh at someones misfortune .....
because half of BGOL is bitch-made. they love criticizing women ("Beyonce ain't that fine...she fat too"), gossiping, and talking shit like some hoes. am i the only one that's noticed a severe decrease in the amount of porn posted here and a huge increase in these hollywood, bitch ass related threads????
Cousin Ray Ray said:
Good for you. You must be interested in THE TRUTH.
She wasn't "crying' over being booed (but over receiving her humanitarian award). Only a dumbass like you (and the other retarded children in this thread) would actually believe that fake-ass gossip linking unrelated pics to a separate "booing" story (and be thrilled over it).
Save your foolishness for something legit.
She is aging bad, that's why black women are the best, no one ages better than them
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