Nothing else to say. Put on your headphones...
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A bit of competition for the brotha (Jamal Hartwell/Neo-Soul Keys), I see.You need Omnisphere 2+ to load it though....
It's a couple years old, but for me it puts things in context to hear the famous songs they came from being played with the library.So this is the newest simulator out? Haven't heard of it.
Thanks. I don't keep up with all of em so I never heard of this.It's a couple years old, but for me it puts things in context to hear the famous songs they came from being played with the library.
Mike did him 4thousand and 80 on that. To his face said he had writer cred then snatched it away on release.Extremely talented dude that never got to shine on his own.
He threw some serious shade at Stevie tho. LOL
(He should've played the b section in Don't Stop Til You Get Enough and shaded Mike for not sharing the publishing.)
Mike did him 4thousand and 80 on that. To his face said he had writer cred then snatched it away on release.


Yup. But the shade was legit.Extremely talented dude that never got to shine on his own.
He threw some serious shade at Stevie tho. LOL
(He should've played the b section in Don't Stop Til You Get Enough and shaded Mike for not sharing the publishing.)
Yup. People act like only labels do shady shit. Nope, your heroes tooMike did him 4thousand and 80 on that. To his face said he had writer cred then snatched it away on release.
Losing writer pub on a michael record is like losing a winning lottery ticket.
Why do you say that?Yup. But the shade was legit.
I forgot what he said on the podcast but it was mostly praise , except for the parts where he got jerked. I remember the Quincy Jones and Michael Jackson parts the most, but shit. Stevie ain't perfect. Anyone in business long enough has SOMEBODY they didn't do all the way right. I slightly remember one part where he said Stevie couldn't play singing that he could. That happens. It ain't a bad thingWhy do you say that?
I forgot what he said on the podcast but it was mostly praise , except for the parts where he got jerked. I remember the Quincy Jones and Michael Jackson parts the most, but shit. Stevie ain't perfect. Anyone in business long enough has SOMEBODY they didn't do all the way right. I slightly remember one part where he said Stevie couldn't play singing that he could. That happens. It ain't a bad thing

I feel what you're saying . When I was looking at him speak it, though, I didn't take it as a disrespect since he was laughing as he said it. Keys are Greg's specialization. That's why people hire him. I really thought Greg meant his comment lightheartedly. Personally, I thought it was cool to be reminded that my lifelong hero Stevie isn't actually superhuman but merely human.To me, the way he said it was real snarky; as if to minimize Stevie. Again, that's just the way it came off to me.
Stevie came up with the structure of the song, Michael Sembello came up with the riff on guitar. Greg followed him on keys cause he was better than Stevie. Fine.
But to tell it like that 40 years later like, "I played that......cause Stevie COULDN'T!"
C'mon, that's wack shit that's said for old foes, not friends.
It wouldn't have been hard to just end the sentence with, "I actually played the key riffs on Contusion."
Again, just my take on it.
We KNOW Mike did him dirty. Saying Stevie did the same is just speculation under the rule of "well, he must of done something."
All that aside, he's a really talented musician. I enjoyed this video a lot.
I feel what you're saying . When I was looking at him speak it, though, I didn't take it as a disrespect since he was laughing as he said it. Keys are Greg's specialization. That's why people hire him. I really thought Greg meant his comment lightheartedly. Personally, I thought it was cool to be reminded that my lifelong hero Stevie isn't actually superhuman but merely human.
...Albeit it, an IMMENSELY GIFTED human.
Sounds fine to me. Stevie is a human. It's more of a style thing then skill when some can't play something. He gave Stevie tons of props before and after that. Dude is Stevie's age. He put in work. He's just talking how he talks and we're hearing it lol. Trust, none of us can possibly love stevie more than him.To me, the way he said it was real snarky; as if to minimize Stevie. Again, that's just the way it came off to me.
Stevie came up with the structure of the song, Michael Sembello came up with the riff on guitar. Greg followed him on keys cause he was better than Stevie. Fine.
But to tell it 40 years later like, "I played that......cause Stevie COULDN'T!"
C'mon, that's wack shit that's said for old foes, not friends.
It wouldn't have been hard to just end the sentence with, "I actually played the key riffs on Contusion."
Again, just my take on it.
We KNOW Mike did him dirty. Saying Stevie did the same is just speculation under the rule of "well, he must've done something."
All that aside, he's a really talented musician. I enjoyed this video a lot.
Exactly. He doesn't have to play AND sing like Stevie , make beats, and write lyrics. I'm. Sure he does all that but , not like Stevie. But when it comes to sitting down on them keys and making them sing, that's HIS THING. Nobody can fuck with him on that, and part of what drives him is wanting to be the best. And what comes with being the best at something? Sometimes shitting on even your friend a lil bit. Stevie knows what's up. Competition.I feel what you're saying . When I was looking at him speak it, though, I didn't take it as a disrespect since he was laughing as he said it. Keys are Greg's specialization. That's why people hire him. I really thought Greg meant his comment lightheartedly. Personally, I thought it was cool to be reminded that my lifelong hero Stevie isn't actually superhuman but merely human.
...Albeit it, an IMMENSELY GIFTED human.
A bit of competition for the brotha (Jamal Hartwell/Neo-Soul Keys), I see.
I want that collection though. I'm gonna go on and get a portable solid state HD.
I hear you about Jamal.Yes and no, in my opinion.
Jamal's VSTs are are made with musicians like me in mind.
I'm primarily a gospel/neo-soul/R&B/etc. keyboardist - and when I heard what Jamal had, I forgot about Omnisphere, KeySpace, etc.
Doobie Powell also got some fire, too.
I hear you about Jamal.
I don't have Keyscape. But I'm assuming that it doesn't have the same degree of edibility that NSK or Pure Synth does.
You and I are similar, stylistically. When I've played for church, NSK, MK Sensations, Pure Synth and FM Tines stayed in the rotation.
Facts.To be fair to Keyscape, PianoTeq, etc, etc., they can probably do a lot more - but, if I'm just looking to pull it out the box, plug and play - nothing is going to give me what I'm looking for like Jamal's products.
Never heard of it.Facts.
Jamal has also been very responsive when I had an issue. I’m more on the production/songwriting side and dabble in sound design. In that, I tend to look more for ‘just that right sound’ for particular songs. So Jamal’s stuff has been great for that.
V-Tines has a great Rhodes sound. Have you checked that out?
Yep. It makes less and less sense to buy a workstation synth these days, when you can get so much out of a computer, software and a decent keyboard controller. I'll check out Phase Plant. Here's V-Tines:Never heard of it.
I just came across a VST called 'Phase Plant' that's about to fuck shit up.
I was a HUGE hardware synth dude, but outside of the fact that hardware will likely never be able to keep up with a desktop or a laptop in terms of how much it can store, and ultimately the capability that extra storage and 'horsepower' allows for - there is also a matter of, a new VST/plugin could cost me 500 dollars - but to buy any new flagship workstation is running me AT LEAST 3500, in most cases.