Game Of Thrones: The Sopranos with swords or Dynasty in chainmail?

darth frosty

Dark Lord of the Sith
BGOL Investor

sEASON 1, EPISODE 1 — “WINTER IS COMING”
Key takeaways: The prologue, Ned and Robert in the crypt, the character introductions

To appreciate an ending, you have to remember how things started. While the events of Thrones have changed some characters and calcified others, the pilot — infamously shot, scrapped, then reshot — is a great refresher on where each of them started. But there are other reasons to go back this far as well: In the lead up to season 8, the creators teased that the first episode is likely to mirror the first of the show, so this will help you catch up on the references that are sure to pop up. Finally, the first episode also gives us our mysterious introduction to the White Walkers, the force that poses the most immediate threat to Westeros in the final season.

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The Night King raising the dead
HBO
SEASON 5, EPISODE 8 — “HARDHOME”
Key takeaway: Learning how the dead fight and what a war against them might look like

The war between the living and the dead is the primary focus of Game of Thrones’ final season — at least in the beginning — so it’s important to remember what exactly the stakes are. This is the only episode that we get to see what a battle against the White Walkers and the Night King himself may look like and it’s not pretty. The White Walkers themselves — the ice people, not the zombies — can only be killed by dragonglass and Valyrian steel. And even with the right weapons some of the best fighters won’t make it out. The single most important part of the episode, though, is the moment after Jon and the few surviving wildlings escape, when the Night King raises every wight that’s been killed so far back from the (un)dead so they can each fight again. It’s a stark reminder that the odds are already nearly insurmountable and the wight army grows with every battle they win.

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The Night King’s origin
Helen Sloane/HBO
SEASON 6, EPISODE 5 — “THE DOOR”
Key takeaways: The Night King origin story and how he finds Bran

This is quite the episode, but for now we’re going to skip past it’s memorable hold-the-door character death and talk about Bran’s visions. As a brief reminder, the Three-Eyed Raven, the man in the tree, seems to stand guard between the living and the dead, and Bran is training to replace him. The Three-Eyed Raven takes Bran to see the birth of the Night King, who would later spawn the army of undead that continue to threaten the world.

It’s here that we find out that the children of the forest — Westeros’s earliest inhabitants —created the White Walkers in hopes of driving the first men out of the country. Instead, the dead swept across Westeros like a plague and destroyed everything, including almost all the children of the forest themselves. The episode’s tragic conclusion often distracts from the fact that the Night King joins Bran in his visions. The two even meet, with the Night King marking Bran in a way that allows him to track Bran, even as the boy sits in Winterfell at the beginning of season 8.

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Jon Snow’s birth
Helen Sloane/HBO
SEASON 6, EPISODE 10 — “THE WINDS OF WINTER”
Key takeaways: Cersei becoming fully unhinged, Dany setting sail, the confirmation of Jon’s parents

“The Winds of Winter” — a sly nod by series creators David Benioff and D.B. Weiss to George R.R. Martin’s long awaited sixth book — is the payoff after six years of build up. After watching Cersei’s slow descent into madness we finally see it culminate in the destruction of her own city, and possibly her own child. Across the Narrow Sea, Tyrion convinces Daenerys to set sail for Westeros. Whatever other purposes Tyrion has in the upcoming season, or whatever mistakes he made in season 7, convincing Dany to leave Essos and set out for Dragonstone is likely to be what saves the world from the army of the dead.

Speaking of payoff, this is also the episode where R+L=J, a long-running theory that Jon’s parents are actually Lyanna Stark and Rhaegar Targaryen, was finally confirmed almost 20 years after it was hinted at in Martin’s original text.

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The Wall
HBO
SEASON 7, EPISODE 7 — “THE DRAGON AND THE WOLF”
Key takeaways: The meeting and drawing of sides, the wall coming down, the revelation of Jon’s parents

Continuing the theme of shedding light on Jon’s true parentage, this episode reveals that Lyanna and Rhaegar were actually married before Jon was born, making him a true Targaryen with the strongest living claim to the throne — even compared to Dany. Before this reveal we are treated to a meeting between Cersei and the allied front of Jon and Dany who compel her to help them fight the army of the dead, who have taken down the wall and are now marching into Westeros.

This tenuous peace between the living factions could prove to be one of the upcoming season’s most important points as Cersei has never exactly been trustworthy when it came to promises. And when the dead are vanquished there’s still a war for the crown to be fought. Game of Thrones gonna Game of Thrones.
 

tajshan

Rising Star
BGOL Investor
I guess no chance of an early S8 ep1 leak like that one year where the episode was out like a week before it was scheduled.
 

TheBigOne

Master Tittay Poster
Platinum Member
Been rewatching, Just finished 6, should be done wit 7 by Sunday!

Yeah, HBO’s starting to run a season a day. Today (Tuesday) was S2. Took us through the Battle of Blackwater, Daeny teaches us about “Dracarys”, introduction of the White Walkers and the biggest error ever, Robb marrying for love. S3 tomorrow and on up to S7 on Sunday before S8 starts.
 

AllUniverse17

Rising Star
Registered
The saying that goes "wouldnt wish this on my worst enemy" doesnt apply to the following characters. If they dont suffer a long and agonizing death, i will be severely disappointed.

Clegane (one death was not enough)
Cersei (no explanation needed)
Jaime (how did ya'll forgive him for throwing Bran out the window? Nahhh)
Sansa (her dumbass betrayed her family and got her father killed)
 

TENT

Rising Star
BGOL Investor
Cersei and Jaime are the best things to ever happen to the show. I wish they could survive. I doubt it though.

The saying that goes "wouldnt wish this on my worst enemy" doesnt apply to the following characters. If they dont suffer a long and agonizing death, i will be severely disappointed.

Clegane (one death was not enough)
Cersei (no explanation needed)
Jaime (how did ya'll forgive him for throwing Bran out the window? Nahhh)
Sansa (her dumbass betrayed her family and got her father killed)
 

AllUniverse17

Rising Star
Registered
Cersei and Jaime are the best things to ever happen to the show. I wish they could survive. I doubt it though.

They are great for the show.

I know the show aint about happy endings for the good guys.

But dammit dont make the show about the worst people getting the best endings.
 

Dirtylakerie

Rising Star
Platinum Member
Will the premiere drop saturday nite on HBO app or on sunday evening across all HBO platforms?
Most likely Sunday evening. It would be cool if people who are watching through the HBO Now app. Can watch it earlier though. I kind of have a concern that, a lot of new people. May be tuning in, and the damn thing might overload.
 

Amajorfucup

Rising Star
Platinum Member
Most likely Sunday evening. It would be cool if people who are watching through the HBO Now app. Can watch it earlier though. I kind of have a concern that, a lot of new people. May be tuning in, and the damn thing might overload.
Yea.. id be surprised if the app doesnt crash actually. They should release it saturday to spread out the traffic a bit.
 

BlkStrength

Rising Star
BGOL Investor
Will the premiere drop saturday nite on HBO app or on sunday evening across all HBO platforms?
They saying they gonna drop it at the same time, 9 eastern. All time zones, all around the world to limit spoilers.

Expecting over a billy people to be watching at the same time.





I got a bad feeling about this...
 
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p5ych3

Curry Is My God
BGOL Patreon Investor
They saying they gonna drop it at the same time, 9 eastern. All time zones, all around the world to limit spoilers.

Expecting over a billy people to be watching at the same time.





I got a bad feeling about this...

Damn, was hoping it would come thru on demand early.
 

Gemini

Rising Star
BGOL Investor
10 Best ‘Game of Thrones’ Moments So Far
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The structure of Game of Thrones makes a best episodes list feel beside the point, even if there are a few clear standouts like “Blackwater.” It’s a show where the nostalgically inclined may be better served skimming highlights on YouTube than rewatching whole hours on HBOGO. These 10 sequences capture the many different things Thrones has done so well over the years.

1. Cersei Bombs the Sept (“The Winds of Winter,” Season Six)
Narratively, this is the show killing off a bunch of cannon-fodder characters like the High Sparrow and most of the Tyrell family. But in terms of technique, it’s the best GoT has ever been between the editing, Miguel Sapochik’s direction and the unnerving inclusion of a piano (an instrument never employed on the show before) in Ramin Djawadi’s score. It’s The Godfather’s famous baptism/murder sequence by way of Hitchcock, illustrating just how cold and vengeful Cersei has become after years of loss and humiliation. Perfect in every way, down to the locked framing of Tommen’s suicide after he realizes what his mother is capable of doing.



2. Off With Ned’s Head (“Baelor,” Season One)
The moment when Game of Thrones fully became Game of Thrones.

3. Hodor Holds the Door (“The Door,” Season Six)
For years, the Starks’ sweet servant had been a figure of gentle comic relief, spun around his singleminded use of the nonsense word, “hodor,” which became the name everyone called him. But Bran Stark’s mental powers reach back to reveal that Hodor’s entire life had been a cruel, cosmic joke: Here was the once talkative stable boy named Wylis, sacrificing himself to prevent an army of monsters from getting to Bran, impressing the command “Hold the door!” so deeply and painfully that he became incapable of saying anything but a condensed version of that phrase. Wylis became Hodor because he was always going to hold the door, and in the process became a devastating symbol for all the lowly characters who become collateral damage in this war among nobility.

4. Jon Snow Meets the Night King (“Hardhome,” Season Five)
The assault of the Night King’s undead forces on the wildling enclave at Hardhome notified every other show on television that it was competing for a distant second place in spectacle. A relentless mix of action and horror (again directed by Sapochnik), the sequence builds gradually until the forces opposing Jon Snow, Tormund and the other wildlings are so overwhelming, the viewer couldn’t be blamed for forgetting to breathe after a while. The Night King’s raised-arm taunt of Jon may have launched more memes than any other moment in the series’ run, but it’s also a chilling demonstration of how impossible humanity’s task against the White Walkers will be in the final season.



5. The Red Wedding (“The Rains of Castamere,” Season Three)
The even bloodier sequel to Ned’s execution, and a confirmation that the series would not be following a comfortable narrative tradition where the heroic characters suffer but inevitably prevail.

6. The Kingslayer Takes a Bath (“Kissed By Fire,” Season Three)
Of the series’ many sets of unlikely traveling companions, the most complex and appealing duo may be Jaime Lannister and Brienne of Tarth, who develop a startlingly deep bond as she endeavors to fulfill a promise to return him to his sister. Though Jaime was often presented as the show’s smuggest character in the early seasons, his pained recounting to Brienne of how he got the nickname “The Kingslayer,” and what it cost him emotionally, revealed him to be much more than a preening villain — a lonely man who begs to be called by his first name after he collapses in his statuesque protector’s arms.

7. The Mother of Dragons Speaks Her Mother Tongue (“And Now His Watch Is Ended,” Season Three)
Daenerys’ travels through the continent of Essos often moved at a maddeningly slow pace, the better to delay her arrival in Westeros and the obvious military superiority of her dragons to anything the Lannisters could offer. But every time it seemed that her tale was meandering in circles, the series would go back to its most successful formula: Daenerys screaming plus villains burning equals awesomeness. In this sequence, she flaunts not only the might of her young dragons, but her deceptive cleverness (she turns out to speak the language that her opponents have been using to mock her) and her devotion to fairness (moments after buying the services of the Unsullied slave army, she sets her charges free, believing, correctly, that they will fight for her anyway). Tremendous visuals and characterization all at once.

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8. Tyrion Confesses (“The Laws of Gods and Men,” Season Four)
Though Ned was the closest thing the show had to a main character in Season One, Peter Dinklage’s work as the clever, bitter imp Tyrion Lannister was the clear breakout performance from the beginning. The writers and Dinklage have tended to walk a knife-edge between Tyrion’s quick wit and the lifetime of pain his jokes disguise. Every now and then, though, the full anger comes out, never more forcefully than during the trial where he’s wrongfully accused of murdering his heinous nephew. “I did not kill Joffrey, but I wish I had!” he thunders at his father, sister and everyone else who has judged him for the way he looks rather than the man he has tried to be. “I wish I was the monster you think I am!”



9. An Eye-Popping Defeat (“The Mountain and the Viper,” Season Four)
The series has introduced so many characters who have a claim to being the greatest fighter in all of Westeros that it’s a wonder an entire season wasn’t devoted to a round-robin tournament. Still, we’ve been given plenty of sensational championship bouts over the years, whether Brienne punching the Hound off a cliff or this trial-by-combat between the aptly-nicknamed Mountain and the wily Oberyn Martell. Martell’s flashy style makes surprisingly quick work of his massive opponent, but he’s so focused on getting the Mountain to confess to the murder of Oberyn’s sister that he waits too long to deliver the killing blow. The Mountain’s close-quarters victory is so swift, brutal and memorable that it became the centerpiece of this year’s best Super Bowl commercial.

10. An Oath to Fight a Giant (“The Watchers on the Wall,” Season Four)
Like Hodor’s demise, this is a noble sacrifice of a minor character (Jon Snow’s buddy Grenn, who at best was his third-closest friend in the Night’s Watch), and another instance where the death matters much less than the lead-up to it. As a half-dozen rangers brace themselves to repel a literal giant from breaching the inner wall of Castle Black, they know they’re already dead, and some want to run. Instead, Grenn rallies the troops by reciting the Night’s Watch oath, which had become such a familiar ritual on the series by that point that many in the audience probably said it aloud too. The episode smartly cuts away as the charging giant approaches, only returning to the spot much later for a bittersweet coda where Jon discovers the corpses not only of Grenn and the others, but of the giant they found just enough courage and guile to stop. We don’t need to see the fight itself; the oath is what makes it special.

https://www.rollingstone.com/tv/tv-features/game-of-thrones-best-moments-817323/
 
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