Don't you know?? Miley Cyrus got dem BANGERZ!!!

I never thought I would see the day that the BGOL would be discussing fucking Hannah Montana!!

Anyhow, Flav was hilarious about this gravel voiced broad.... :lol:

He thought that cunt was Gwen Stefani...lol.
Peep the fake ass posing she does...

 
:hmm:
Miley ain't making anything close to what's considered "black" music (if that's where you're going with this). She's making saturated pop music and techno-esque club music...that ain't exactly "our" music. And she ain't talking like black folks either, she talks like a kid. It's embarrassing to see what some of you consider "Black" or a part of "Black Culture" sometimes. Everything she's doing is more on a childish level than a black level. It frustrates me that some of you brothas are basically equating childish shit with Blackness & our culture...:smh:...and if you are associating her twerking as apart of culture vulturing then you simply have a warped sense of what our culture really is (the little that we do have in the USA still).

Nothing more to say.
 
:lol::lol: youre in every thread defending her bullshit and saying she's not doing black shit..that is until you see a quote from her ordering up black pop music like she was in Applebys from these two guys
vibe-vixen-rock-city-miley-rihanna.png

“We originally wrote ["We Can't Stop"] for Rihanna and we wounded up giving it to Miley,” Timothy reveals. ”We felt like this could be somebody’s first single. We knew it wasn’t going to be Rihanna’s because at the time she already had “Diamonds.” We didn’t know who to give it to and Mike WILL was like ‘I’m in with Miley. I want to play it for her because I think this will be dope for her.’ We said okay let’s do.”

Miley was like: "I'll have the Pop Music..BLACKENED..with a side of Twerk and some golden Grillz please".:lol::lol:

The reason I post this shit is because its so fucking calculated and manufactured its not even funny. There are white people who are down and genuinely appreciate anothers style and ways of doing things then there are those who are only in it when it suits them. 5 years ago miley was doing corporate pop produced by some eastern european dudes doing cover song of cyndi lauper and 80s hairs bands..and today this bitch can't take enough pics with black rappers and producers and hanging out with black girls like shes ALWAYS been doing that shit..:rolleyes:

I'm just calling that shit out..you wanna give her a pass on that bullshit:rolleyes::rolleyes:
They not hearing you sir...

<blockquote class="twitter-tweet"><p><a href="https://twitter.com/search?q=%23SolidarityIsForWhiteWomen&amp;src=hash">#SolidarityIsForWhiteWomen</a> means Rihanna has a responsibility but Miley is just experimenting</p>&mdash; Sydette (@Blackamazon) <a href="https://twitter.com/Blackamazon/statuses/366959656062554113">August 12, 2013</a></blockquote>
<script async src="//platform.twitter.com/widgets.js" charset="utf-8"></script>
this...

fuck miley cyrus and all the blacks that she uses as accessories. :hmm:
 
Well, she didn't say "Black" but whatever. But it means black producers are getting paid off her name and I'm not sure if you know this but the producer makes more than the artist typically. Now you know you'd be mad as fuck if she was making this so-called "Black" music with white producers, don't even try to tell me that wouldn't be fuct up lol and she's working with some of those guys on their own albums as well from what I've heard. But as soon as you realize I don't look at music as "Black music" or "White music", the better probably...I label music by it's genre and sometimes I even hate doing that cuz I listen to some wild shit. It also might help if you realized how little I recognize Pop music in the 21st century as real music as well. I could really care less about a Rihanna, Beyonce, Bieber or Miley and what they do or who they steal from since thats just what pop artist do now. Pop music is the biggest tool in democracy, I'm not exactly up in arms or shocked by anything that happens in the realm of pop.
Timothy said. "She was like, 'I want urban, I just want something that just feels Black.'” c'mon dude.:rolleyes::rolleyes: why deny it?? YOU may not think what she's doing is black but SHE does:rolleyes:

"If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars." Sam Phillips just before discovering Elvis.

And homie you live in an enlightened state that 99.9% of the country doesn't live in cuz if it did elvis wouldn't have had a career and Little Richard would be called the King of Rock and Roll..There would have never been "****** music" and "race music" that morphed into the code word "urban market". But it is what it is.

And if miley did use white producers who copied a black sound it would still be fake..that she's using black producers only means she HAD to go to the source of that magic sound that she couldn't get for her last two albums..but the persona she put on to do that sound is fake as fuck and thats what people are calling bullshit. Thats the part thats annoying is its not just a change in songs or even direction for the new album its the fake Vanilla Ice way she's going about it. Before she wouldn't have associated with any of those people but NOW that she sees thats thats the only to get the success she getting today she can't associate herself with enough black rappers and dancers to get an "edge" and her "street cred" up. She hasn't come out said it but thats clearly what she's doing.

If we called hammer out on his fake gangsta rapper shit and Vanilla ice on his bullshit why can't we call this bitch out on her fake wannabe shit?
 
Awwww :lol: :lol: :lol: I haven't been keeping up with this shit but I saw some pic on twitter of some white girl copying Rihanna whole style didn't even know it was Miley. :smh:
 
fuck miley cyrus and all the blacks that she uses as accessories. :hmm:
:confused:

That sounds good and all but how is it true? lol Nobody's actually telling Rihanna that besides maybe some irrelevant bloggers. She can smoke weed, take naked photos, cuss out her fans and guess what...she still gets invited to daytime and night TV shows, she still gets to promote her music like nothing happened. She hasn't faced any scrutiny or been blacklisted off anything.

Timothy said. "She was like, 'I want urban, I just want something that just feels Black.'” c'mon dude.:rolleyes::rolleyes: why deny it?? YOU may not think what she's doing is black but SHE does:rolleyes:

"If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars." Sam Phillips just before discovering Elvis.

And homie you live in an enlightened state that 99.9% of the country doesn't live in cuz if it did elvis wouldn't have had a career and Little Richard would be called the King of Rock and Roll..There would have never been "****** music" and "race music" that morphed into the code word "urban market". But it is what it is.

And if miley did use white producers who copied a black sound it would still be fake..that she's using black producers only means she HAD to go to the source of that magic sound that she couldn't get for her last two albums..but the persona she put on to do that sound is fake as fuck and thats what people are calling bullshit. Thats the part thats annoying is its not just a change in songs or even direction for the new album its the fake Vanilla Ice way she's going about it. Before she wouldn't have associated with any of those people but NOW that she sees thats thats the only to get the success she getting today she can't associate herself with enough black rappers and dancers to get an "edge" and her "street cred" up. She hasn't come out said it but thats clearly what she's doing.

If we called hammer out on his fake gangsta rapper shit and Vanilla ice on his bullshit why can't we call this bitch out on her fake wannabe shit?

So you're taking someone else's quote and saying she said it??? This TIMOTHY guy said that, not even her, it's something called paraphrasing bruh. But again, re-read my last post and tell me exactly why I should care about Miley copying styles when that's the culture of all pop music now anyway. Why does she deserve any extra attention? Esp since her music is pretty irrelevant anyway to adults. Like I said, we'll agree to disagree, just let it go. I don't care what Miley does, I'm just tryna pick y'alls brain cuz it looks more like y'all have a warped sense of Black Culture and don't even know what you're really fighting for...that's my issue. Miley is irrelevant for the most part, she can make all the shitty pop with whoever she wants lol, I'm more concerned with you and others perception of black culture.

It's like some of y'all really want twerking to be taught to our youth in history books...

"...For our Black History lesson today, open books to chapter 6, page 169, today we are going to learn about the beginning of twerking."
lol fuck outta here tryna be Malcolm X on some trendy fad shit that does nothing for our people and trying to call it culture and like I said, the shit she's making ain't Black, I don't care what other pop artist she works with implies it.​
 
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Timothy said. "She was like, 'I want urban, I just want something that just feels Black.'” c'mon dude.:rolleyes::rolleyes: why deny it?? YOU may not think what she's doing is black but SHE does:rolleyes:

"If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars." Sam Phillips just before discovering Elvis.

And homie you live in an enlightened state that 99.9% of the country doesn't live in cuz if it did elvis wouldn't have had a career and Little Richard would be called the King of Rock and Roll..There would have never been "****** music" and "race music" that morphed into the code word "urban market". But it is what it is.

And if miley did use white producers who copied a black sound it would still be fake..that she's using black producers only means she HAD to go to the source of that magic sound that she couldn't get for her last two albums..but the persona she put on to do that sound is fake as fuck and thats what people are calling bullshit. Thats the part thats annoying is its not just a change in songs or even direction for the new album its the fake Vanilla Ice way she's going about it. Before she wouldn't have associated with any of those people but NOW that she sees thats thats the only to get the success she getting today she can't associate herself with enough black rappers and dancers to get an "edge" and her "street cred" up. She hasn't come out said it but thats clearly what she's doing.

If we called hammer out on his fake gangsta rapper shit and Vanilla ice on his bullshit why can't we call this bitch out on her fake wannabe shit?

Damn that white girl said that? :smh:

See they know hip-hop is black music they know urban = black music.
 
:confused:

That sounds good and all but how is it true? lol Nobody's actually telling Rihanna that besides maybe some irrelevant bloggers. She can smoke weed, take naked photos, cuss out her fans and guess what...she still gets invited to daytime and night TV shows, she still gets to promote her music like nothing happened. She hasn't faced any scrutiny or been blacklisted off anything.




So you're taking someone else's quote and saying she said it??? This TIMOTHY guy said that, not even her, it's something called paraphrasing bruh. But again, re-read my last post and tell me exactly why I should care about Miley copying styles when that's the culture of all pop music now anyway. Why does she deserve any extra attention? Esp since her music is pretty irrelevant anyway to adults. Like I said, we'll agree to disagree, just let it go. I don't care what Miley does, I'm just tryna pick y'alls brain cuz it looks more like y'all have a warped sense of Black Culture and don't even know what you're really fighting for...that's my issue. Miley is irrelevant for the most part, she can make all the shitty pop with whoever she wants lol, I'm more concerned with you and others perception of black culture.

It's like some of y'all really want twerking to be taught to our youth in history books...

"...For our Black History lesson today, open books to chapter 6, page 169, today we are going to learn about the beginning of twerking."
lol fuck outta here tryna be Malcolm X on some trendy fad shit that does nothing for our people and trying to call it culture and like I said, the shit she's making ain't Black, I don't care what other pop artist she works with implies it.​


why would he lie or make that up?? Especially when its pretty obvious. And to paraphrase doesn't change the overall point. Miley wanted a BLACK sound to her music and he understood thats what she meant.

Also stop acting like pop music is equally influenced by all cultures and peoples..in AMERICA pop music is and always been driven by a black sense of cool and rhythm. You wanna know whats hot and happening go to the black part of town and see what theyre doing...you wanna know what the new dances are go to the black part of town and see what theyre doing..you wanna know what the new hip slang is go to the black part of town and see what theyre doing..you KNOW this so I don't even know why you keep acting like its not like that.:smh:

Thats how the music industry has been promoting and packaging pop music since creating elvis, pat boone etc.

And the slang and dances and attitude comes from black culture..an african american sense of rhythm and movement and unique yet casual way of expression that literally EVERYONE AROUND THE FUCKING WORLD IS FASCINATED WITH AND EMULATES but you deny is even originated by blacks. Nobody is saying that twerking or slang is the end all and be all of black culture but it IS born out of it. It might be vulgar and immature to you that doesn't mean its not a part of it.

I posted it before and no one answered:

when were white girls poppin their hips and shaking their ass in a very specific way thats known as "twerking" before black girls?

When was suburban or trailer park white youth speaking slang in the specific way black youth does BEFORE they did it??

When was white youth displaying the sense of cool and swagger that black youth displays BEFORE black youth was doing it?

It s horrible that we characterize that stuff in negative terms like ghetto, ratchet, thuggish but the things in and of themselves that every non black youth emulates...who was doing that shit BEFORE black kids??
 
why would he lie or make that up?? Especially when its pretty obvious. And to paraphrase doesn't change the overall point. Miley wanted a BLACK sound to her music and he understood thats what she meant.

Also stop acting like pop music is equally influenced by all cultures and peoples..in AMERICA pop music is and always been driven by a black sense of cool and rhythm. You wanna know whats hot and happening go to the black part of town and see what theyre doing...you wanna know what the new dances are go to the black part of town and see what theyre doing..you wanna know what the new hip slang is go to the black part of town and see what theyre doing..you KNOW this so I don't even know why you keep acting like its not like that.:smh:

Thats how the music industry has been promoting and packaging pop music since creating elvis, pat boone etc.

And the slang and dances and attitude comes from black culture..an african american sense of rhythm and movement and unique yet casual way of expression that literally EVERYONE AROUND THE FUCKING WORLD IS FASCINATED WITH AND EMULATES but you deny is even originated by blacks. Nobody is saying that twerking or slang is the end all and be all of black culture but it IS born out of it. It might be vulgar and immature to you that doesn't mean its not a part of it.

I posted it before and no one answered:

when were white girls poppin their hips and shaking their ass in a very specific way thats known as "twerking" before black girls?

When was suburban or trailer park white youth speaking slang in the specific way black youth does BEFORE they did it??

When was white youth displaying the sense of cool and swagger that black youth displays BEFORE black youth was doing it?

It s horrible that we characterize that stuff in negative terms like ghetto, ratchet, thuggish but the things in and of themselves that every non black youth emulates...who was doing that shit BEFORE black kids??

:hmm:
I said it sounds like he's paraphrasing. You know what paraphrasing is right, it's not lying. For the last time, we agree to disagree. You think this is serious business, I don't no need to keep typing out essays on the shit. I've spent too much time on this dumb shit and you're not getting the point at all, carry on with your Miley Cyrus update threads. Peace out.​
 
:hmm:
I said it sounds like he's paraphrasing. You know what paraphrasing is right, it's not lying. For the last time, we agree to disagree. You think this is serious business, I don't no need to keep typing out essays on the shit. I've spent too much time on this dumb shit and you're not getting the point at all, carry on with your Miley Cyrus update threads. Peace out.​

:lol::lol::lol: you see how he backed out and didn't answer any of the questions right..:lol: nor respond to the points of the post..

I don't think its serious I just find it annoying in the same way I found what vanilla ice did was annoying.
 
Man fuck all this...y'all talking bout unanswered questions....

the REAL question being avoided is whether or not this burger pimp character follow Miley Cyrus on twitter....:smh:

Sent from my SPH-D710 using Tapatalk 4
 
Damn that white girl said that? :smh:

See they know hip-hop is black music they know urban = black music.

http://www.vibe.com/article/miley-cyrus-asked-black-sound-single-says-songwriters-rock-city



Consider songwriting brothers Timothy and Theron Thomas the Jay-Z's of penning hits. They don't write anything down and are able to scribe an entire chart-topper before you can even say "Pour it up" (which they wrote for Rihanna, by the way).

Nevertheless, they've taken on stars from nearly every genre of music, including Akon, Jennifer Hudson, Ashlee Simpson and Gwen Stefani. Their most recent project has been breaking actress/singer Miley Cyrus out of her bubblegum Disney shell and into the spunky young woman she has always been. For her forthcoming album, the Thomases crafted the catchy Mike WiLL Made It-produced party bumper "We Can't Stop" and revealed that the mohawked songbird was particular about the sound she was aiming for.

"When you listen to the Miley Cyrus record that we did, it's not ratchet but it definitely has a lot of urban feel to it," Timothy said. "She was like, 'I want urban, I just want something that just feels Black.'”

Some say that Miley has blurred the pop color lines, showing up at Juicy J shows unannounced and twerking what her momma gave her. Even Snoop Lion and French Montana adore her.

Still, the starlet formerly known as Hannah Montana took on the record after Rihanna passed and embraced the gifted brothers for turning a scene from her real life into a lyrical miracle.

"They played it for Miley and she had just come from partying. She was like, 'I was just partying with my friends and everything you just said in this song I seen,'" Theron said about Miley's reaction. "'I was looking at it from standing on a couch with my friends, just chilling in the cut and looking around the club like whoa...I’m hearing the song like that was my weekend. I have to do this song,' [she said] and then we just got connected from there."

Now, the brothers Thomas are grinding in the studio with Omarion, Usher and Jamie Foxx (separately), assuring that their records will have people hashtagging for years to come. "The whole song is a conversation," Theron says about each musical canvas they tackle. "Our goal is, 'Can you say it in sentence?' Our whole thing is what can we say that is just simple and easy for somebody who will want to say 10 years from now?
 
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