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Wonder Woman: A Sneak Peek at David E. Kelley's Script
http://www.thedailybeast.com/blogs-...oman-a-sneak-peak-at-david-e-kelleys-script/#
The Daily Beast obtained a draft of the pilot script for David E. Kelley’s Wonder Woman, which, it was announced Wednesday, will star Friday Night Lights' Adrianne Palicki. Jace Lacob picks eight crazy bits from the jaw-dropping script.
When considering DC Comics’ legendary comic book icon Wonder Woman, the name that comes to mind isn’t writer/producer David E. Kelley, known for his television legal dramas such as Ally McBeal, The Practice, Boston Legal, and currently the Kathy Bates-led Harry’s Law.
So it surprised many in the television industry—and Wonder Woman-loving comics readers, too—that Kelley was given the go-ahead by studio Warner Bros. Television to develop a take on the lasso-happy Amazonian warrior. After all, several attempts to adapt Wonder Woman, which had also famously been a successful 1975-1979 ABC and CBS series starring Lynda Carter—including a feature film version from Buffy the Vampire Slayer creator Joss Whedon—had fallen flat. And Kelley’s expertise—talky legal dramas—doesn’t seem at first glance to lend itself to the superhero genre. Reportedly, every major broadcaster passed on Kelley’s Wonder Woman project until NBC reconsidered its position and ordered a pilot late last month.
The Daily Beast has obtained a copy of Kelley’s draft of the Wonder Woman pilot script, dated December 16, 2010—and it’s laughably bizarre. In Kelley’s vision, Wonder Woman is presented as a weepy career woman-slash-superheroine with three identities (Wonder Woman; Diana Themyscira, the chairman of Themyscira Industries; and mousy assistant Diana Prince) to juggle.
The pilot episode, which Kelley notes is designed to run “without commercial interruption,” revolves around Los Angeles-based mega-billionaire Diana—who collects planes and a multitude of transforming aircraft called “Ultimates” (no invisible plane in sight here)—as she attempts to take down an evil pharmaceutical company run by morally corrupt scientist Veronica Cale, who is mass-producing a human-growth hormone that is causing its users, mostly black inner city youth, to die. Along the way, she tackles criminals, a Senate subcommittee, and a broken heart, the latter courtesy of lost love Steve Trevor.
Managing to be both cloying and tragically un-hip, Kelley’s Wonder Woman script seems an about-face for this 70-year-old iconic character. Merchandise meetings and legal jargon jostle uncomfortably with superheroics, pajama parties with saving the world.
The result is a Wonder Woman who is more like Kelley’s Ally McBeal than the feminist superhero who stands side-by-side with her fellow DC icons Superman and Batman. This is a woman whose feelings are hurt by people commenting on her breast size, who is looking for love in all the wrong places, and who wants to have it all! (No sign of a unisex bathroom yet but other Kelley tropes seem liberally scattered throughout the script. Fortunately, there’s no dancing baby.) But the stilted dialogue and bizarre narrative conceits pale in comparison with some of the sacrilege being committed here.
What follows are eight of the most head-scratching moments from the pilot script.
One
Pages 3-6: Buffy this isn’t: Diana’s first appearance, here in her guise as Wonder Woman, is a Hollywood Boulevard-based action sequence set, cringingly, to the outdated tune of Beyoncé’s “Single Ladies,” the first of many musical cues—including tracks by Lady Gaga and Kanye West—in the script, all of which seem to prove that a) Kelley is a few years behind the times, and b) he watches a lot of Glee, since nearly all of these songs have been covered by the show choir. We’re meant to see Diana as a fierce female warrior, lasso of truth at her side, as she takes down a fast-moving suspect, but there’s a weird juxtaposition between attempts at humor and plodding “action.”
Two
Pages 8-14: The first of many lengthy heart-to-hearts between Diana and her press secretary, Myndi [sic], that’s meant to play as though the two are long-lost sisters who gab about boys in between high-powered meetings. Here, there’s the additional opportunity for gratuitous skin, as Diana takes a long, hot shower before she opens up about long-lost love Steve Trevor, now a lawyer in the Justice Department. (Wait, really?) Despite the alleged feminist undertones, Kelley uses the scene as an opportunity to dissect Diana’s love life and engage in some stereotypical banter about much-needed makeovers (alter ego Diana Prince is rather mousy because she has brown eyes, apparently, and doesn’t style her hair well) and Myndi asks her how the women of Themyscira have babies. No surprise that war hero Steve Trevor has been redesigned as a lawyer here. You didn’t really think Kelley would do a show without a single member of the legal profession in the mix, did you?
Three
Page 14: The irritating conceit of Diana having three identities gets even more irksome when it appears that she has not one but two places of residence, including a poky West L.A. apartment. But the kicker is that this single lady has a cat named, of all things, Desi, leading Diana to engage in a ridiculously hacky I Love Lucy reference that would cause Lucille Ball to turn over in her grave. If this is what passes for cutting-edge humor and pop culture references these days, television has a serious problem on its hands.
Four
Pages 26-28: One of the most gasp-inducing moments in the script is when Diana has a meeting about the “Asian Wonder Woman” doll that her company is about to go into production on. Yes, Wonder Woman admits to being uncomfortable with the doll’s ample anatomy, leading to a discussion of the size of her breasts and how people are let down when they see her in the flesh. But she seems to understand that the merchandise division helps pay for crime-fighting. “Big tits save lives!” she says, joking, I think. (Yes, read that bit again for good measure.) But the image-conscious Diana draws the line at a fat Wonder Woman. Har har. If you thought this laughable script was missing fat jokes, well, now you’ve got them.
Five
Pages 29-31: Themyscira Industries employs an in-house evidence team known as “The Animals” who work in an area called “The Dungeon.” The twentysomethings here—including Austy, Jennie, and Ryan—dance around to Kanye West’s “Golddigger” when they’re not making sexually provocative comments toward their employer. A comment about boning up on Diana’s rival Veronica Cale results in Austy making a comment about how he’d “Bone you up right now, boss.” (A page later, he admits to having “Chlamydia” when asked if the group has “anything else.”)
But the worst has got to be the way Diana addresses the group, saying, “OK, class, we got ‘bidness.’” Just ick. Wonder Woman as a woman trying to understand “man’s world” from her vantage point as an outsider is one thing, but the way that Kelley is painting her, alternately vain, self-absorbed, weepy, and so desperately trying to be cool is a major turn-off on every page. Let’s not forget that she is one of the world’s pre-eminent superheroes, not a middle-aged white man out of touch with pop culture. The only thing missing from this cringe-worthy portrait is for her to break into a freestyle rap.
Six
Pages 38-47: In the script’s most painful sequence, Diana is subpoenaed by the Senate Judiciary Committee and forced to give testimony about the events in Hollywood. She ends up filibustering about everything under the sun for several pages: the politics of the LAPD (name checking ex-police chiefs Daryl Gates and William Bratton), the economy, stimulus funds, pharmaceutical companies, Roger Clemens, the FDA and the FCC, and how networks will air commercials about erectile dysfunction but not for condoms. It’s clearly meant to be a showcase scene for the actress playing Diana, a calculated bid at awards and social relevance. Congratulations, David E. Kelley, the transformation of Wonder Woman from superhero to personal mouthpiece is now complete. Adding further insult to injury: real-life California Senator Dianne Feinstein is described as giving Diana a thumbs-up.
Seven
Pages 47-50: Diana goes weak in the knees when Steve Trevor turns up in D.C., proving stereotypically that she’s not invulnerable, after all, when it comes to—ugh—matters of the heart. Despite the fact that both have moved on, there is obvious unresolved history here, after four years apart. The fact that they meet cute outside her Senate hearing is somewhat icky, but the forced nostalgia here, supposedly buoyed by the numerous flashbacks to their time together, fails to hit the mark. Cloying and predictable, this storyline seems to belong in another show altogether.
Eight
Pages 61-66: Diana and Myndi have a “sleepover,” complete with ice cream (“It’s been a three-scoop day”) as they watch Katy Perry’s sexually suggestive Wonder Woman homage music video and “scream like schoolgirls.” Later, Diana glimpses her original costume in the closet (the Lynda Carter one!) and sadly stares at a picture of herself and Steve in happier times, before crying herself to sleep.
It’s meant to paint Diana as remarkably human, but it again serves to undercut the character, making her appear weak and weepy. It’s overkill as we already see how much Diana is affected by the lack of romance in her life, but turning her into a single girl with a Mr. Big complex seems a step way too far. We want our superheroes to be strong but human, but seeing Diana like this so early on, potentially destroys any appeal the viewer might have for her. It is another monumental misstep by Kelley, as well as a complete disconnect with the legacy and strength of this enduring character.
Jace Lacob is The Daily Beast's TV Columnist. As a freelance writer, he has written for the Los Angeles Times, TV Week, and others. Jace is the founder of television criticism and analysis website Televisionary and can be found on Twitter. He is a member of the Television Critics Association.
Wonder Woman: A Sneak Peek at David E. Kelley's Script
http://www.thedailybeast.com/blogs-...oman-a-sneak-peak-at-david-e-kelleys-script/#
The Daily Beast obtained a draft of the pilot script for David E. Kelley’s Wonder Woman, which, it was announced Wednesday, will star Friday Night Lights' Adrianne Palicki. Jace Lacob picks eight crazy bits from the jaw-dropping script.
When considering DC Comics’ legendary comic book icon Wonder Woman, the name that comes to mind isn’t writer/producer David E. Kelley, known for his television legal dramas such as Ally McBeal, The Practice, Boston Legal, and currently the Kathy Bates-led Harry’s Law.
So it surprised many in the television industry—and Wonder Woman-loving comics readers, too—that Kelley was given the go-ahead by studio Warner Bros. Television to develop a take on the lasso-happy Amazonian warrior. After all, several attempts to adapt Wonder Woman, which had also famously been a successful 1975-1979 ABC and CBS series starring Lynda Carter—including a feature film version from Buffy the Vampire Slayer creator Joss Whedon—had fallen flat. And Kelley’s expertise—talky legal dramas—doesn’t seem at first glance to lend itself to the superhero genre. Reportedly, every major broadcaster passed on Kelley’s Wonder Woman project until NBC reconsidered its position and ordered a pilot late last month.
The Daily Beast has obtained a copy of Kelley’s draft of the Wonder Woman pilot script, dated December 16, 2010—and it’s laughably bizarre. In Kelley’s vision, Wonder Woman is presented as a weepy career woman-slash-superheroine with three identities (Wonder Woman; Diana Themyscira, the chairman of Themyscira Industries; and mousy assistant Diana Prince) to juggle.
The pilot episode, which Kelley notes is designed to run “without commercial interruption,” revolves around Los Angeles-based mega-billionaire Diana—who collects planes and a multitude of transforming aircraft called “Ultimates” (no invisible plane in sight here)—as she attempts to take down an evil pharmaceutical company run by morally corrupt scientist Veronica Cale, who is mass-producing a human-growth hormone that is causing its users, mostly black inner city youth, to die. Along the way, she tackles criminals, a Senate subcommittee, and a broken heart, the latter courtesy of lost love Steve Trevor.
Managing to be both cloying and tragically un-hip, Kelley’s Wonder Woman script seems an about-face for this 70-year-old iconic character. Merchandise meetings and legal jargon jostle uncomfortably with superheroics, pajama parties with saving the world.
The result is a Wonder Woman who is more like Kelley’s Ally McBeal than the feminist superhero who stands side-by-side with her fellow DC icons Superman and Batman. This is a woman whose feelings are hurt by people commenting on her breast size, who is looking for love in all the wrong places, and who wants to have it all! (No sign of a unisex bathroom yet but other Kelley tropes seem liberally scattered throughout the script. Fortunately, there’s no dancing baby.) But the stilted dialogue and bizarre narrative conceits pale in comparison with some of the sacrilege being committed here.
What follows are eight of the most head-scratching moments from the pilot script.
One
Pages 3-6: Buffy this isn’t: Diana’s first appearance, here in her guise as Wonder Woman, is a Hollywood Boulevard-based action sequence set, cringingly, to the outdated tune of Beyoncé’s “Single Ladies,” the first of many musical cues—including tracks by Lady Gaga and Kanye West—in the script, all of which seem to prove that a) Kelley is a few years behind the times, and b) he watches a lot of Glee, since nearly all of these songs have been covered by the show choir. We’re meant to see Diana as a fierce female warrior, lasso of truth at her side, as she takes down a fast-moving suspect, but there’s a weird juxtaposition between attempts at humor and plodding “action.”
Two
Pages 8-14: The first of many lengthy heart-to-hearts between Diana and her press secretary, Myndi [sic], that’s meant to play as though the two are long-lost sisters who gab about boys in between high-powered meetings. Here, there’s the additional opportunity for gratuitous skin, as Diana takes a long, hot shower before she opens up about long-lost love Steve Trevor, now a lawyer in the Justice Department. (Wait, really?) Despite the alleged feminist undertones, Kelley uses the scene as an opportunity to dissect Diana’s love life and engage in some stereotypical banter about much-needed makeovers (alter ego Diana Prince is rather mousy because she has brown eyes, apparently, and doesn’t style her hair well) and Myndi asks her how the women of Themyscira have babies. No surprise that war hero Steve Trevor has been redesigned as a lawyer here. You didn’t really think Kelley would do a show without a single member of the legal profession in the mix, did you?
Three
Page 14: The irritating conceit of Diana having three identities gets even more irksome when it appears that she has not one but two places of residence, including a poky West L.A. apartment. But the kicker is that this single lady has a cat named, of all things, Desi, leading Diana to engage in a ridiculously hacky I Love Lucy reference that would cause Lucille Ball to turn over in her grave. If this is what passes for cutting-edge humor and pop culture references these days, television has a serious problem on its hands.
Four
Pages 26-28: One of the most gasp-inducing moments in the script is when Diana has a meeting about the “Asian Wonder Woman” doll that her company is about to go into production on. Yes, Wonder Woman admits to being uncomfortable with the doll’s ample anatomy, leading to a discussion of the size of her breasts and how people are let down when they see her in the flesh. But she seems to understand that the merchandise division helps pay for crime-fighting. “Big tits save lives!” she says, joking, I think. (Yes, read that bit again for good measure.) But the image-conscious Diana draws the line at a fat Wonder Woman. Har har. If you thought this laughable script was missing fat jokes, well, now you’ve got them.
Five
Pages 29-31: Themyscira Industries employs an in-house evidence team known as “The Animals” who work in an area called “The Dungeon.” The twentysomethings here—including Austy, Jennie, and Ryan—dance around to Kanye West’s “Golddigger” when they’re not making sexually provocative comments toward their employer. A comment about boning up on Diana’s rival Veronica Cale results in Austy making a comment about how he’d “Bone you up right now, boss.” (A page later, he admits to having “Chlamydia” when asked if the group has “anything else.”)
But the worst has got to be the way Diana addresses the group, saying, “OK, class, we got ‘bidness.’” Just ick. Wonder Woman as a woman trying to understand “man’s world” from her vantage point as an outsider is one thing, but the way that Kelley is painting her, alternately vain, self-absorbed, weepy, and so desperately trying to be cool is a major turn-off on every page. Let’s not forget that she is one of the world’s pre-eminent superheroes, not a middle-aged white man out of touch with pop culture. The only thing missing from this cringe-worthy portrait is for her to break into a freestyle rap.
Six
Pages 38-47: In the script’s most painful sequence, Diana is subpoenaed by the Senate Judiciary Committee and forced to give testimony about the events in Hollywood. She ends up filibustering about everything under the sun for several pages: the politics of the LAPD (name checking ex-police chiefs Daryl Gates and William Bratton), the economy, stimulus funds, pharmaceutical companies, Roger Clemens, the FDA and the FCC, and how networks will air commercials about erectile dysfunction but not for condoms. It’s clearly meant to be a showcase scene for the actress playing Diana, a calculated bid at awards and social relevance. Congratulations, David E. Kelley, the transformation of Wonder Woman from superhero to personal mouthpiece is now complete. Adding further insult to injury: real-life California Senator Dianne Feinstein is described as giving Diana a thumbs-up.
Seven
Pages 47-50: Diana goes weak in the knees when Steve Trevor turns up in D.C., proving stereotypically that she’s not invulnerable, after all, when it comes to—ugh—matters of the heart. Despite the fact that both have moved on, there is obvious unresolved history here, after four years apart. The fact that they meet cute outside her Senate hearing is somewhat icky, but the forced nostalgia here, supposedly buoyed by the numerous flashbacks to their time together, fails to hit the mark. Cloying and predictable, this storyline seems to belong in another show altogether.
Eight
Pages 61-66: Diana and Myndi have a “sleepover,” complete with ice cream (“It’s been a three-scoop day”) as they watch Katy Perry’s sexually suggestive Wonder Woman homage music video and “scream like schoolgirls.” Later, Diana glimpses her original costume in the closet (the Lynda Carter one!) and sadly stares at a picture of herself and Steve in happier times, before crying herself to sleep.
It’s meant to paint Diana as remarkably human, but it again serves to undercut the character, making her appear weak and weepy. It’s overkill as we already see how much Diana is affected by the lack of romance in her life, but turning her into a single girl with a Mr. Big complex seems a step way too far. We want our superheroes to be strong but human, but seeing Diana like this so early on, potentially destroys any appeal the viewer might have for her. It is another monumental misstep by Kelley, as well as a complete disconnect with the legacy and strength of this enduring character.
Jace Lacob is The Daily Beast's TV Columnist. As a freelance writer, he has written for the Los Angeles Times, TV Week, and others. Jace is the founder of television criticism and analysis website Televisionary and can be found on Twitter. He is a member of the Television Critics Association.
^^^^^
wouldve been much better off on the CW (even though they passed on it)
wouldve been much better off on the CW (even though they passed on it)Brightest Day #22 MINUTEMEN
Feeding Ground #1
Feeding Ground #2
Feeding Ground #3
Feeding Ground #4
THUNDER Agents #5
Avengers Thor & Captain America - Official Index to the Marvel Universe #7
Hack Slash #2
Bomb Queen vs Hack Slash MINUTEMEN
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Shit sounds sadly stupid. Which means a lot of people may tune in.
Tragic how they can not do this material justic while still being sexy and forward.
2 of girls that are WW fans...are super tight about this. Super tight.
Shit sounds sadly stupid. Which means a lot of people may tune in.
Tragic how they can not do this material justic while still being sexy and forward.
2 of girls that are WW fans...are super tight about this. Super tight.
Amazing how they completely ignore source material. Wonder woman is strong , athletic, curvy, and gorgeous. This chick is thin waify, fake tata's, and no hips or ass. Epic fail.. I'll give it 4 eps.
You're too generous.
The only people who are going to enjoy this bullshit are individuals who've been co-opted into the homo media agenda.
Korrigans T03
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adrienne palicki as the new Wonder Woman on NBC..
I just fucking knew that when they changed her comic outfit it was gonna make it easier for them to have a paper thin chick play her.
Ultimate Avengers vs New Ultimates #2 CPS
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Shit sounds sadly stupid. Which means a lot of people may tune in.
Tragic how they can not do this material justic while still being sexy and forward.
2 of girls that are WW fans...are super tight about this. Super tight.
I SEE WHAT U DID THERE!
they r real for your info
, her hair is fake and she is also an average actress and looks absolutely NOTHING like WW but besides that she is perfect...damn shame that development hell made all the perfect casting choices to old now
that WW looks terrible
Twilight Guardian #3
Xombi #1
PS238 #49
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http://www.fileserve.com/file/yzpsBAc/Twilight_Guardian_03_(of_04)_(2011)_(Minutemen-DTs).cbzXombi #1
Code:
http://hotfile.com/dl/110959111/553039c/Xombi_01_(2011)_(Minutemen-TewSaxony).cbr.html
Code:
http://www.filesonic.com/file/290603351/Xombi_01_(2011)_(Minutemen-TewSaxony).cbr
Code:
http://www.fileserve.com/file/96Hch8E/Xombi_01_(2011)_(Minutemen-TewSaxony).cbrPS238 #49
Code:
http://hotfile.com/dl/110959045/c915927/PS238_49_(2011)_(c2c)_(Minutemen-DTs).cbz.html
Code:
http://www.filesonic.com/file/290600231/PS238_49_(2011)_(c2c)_(Minutemen-DTs).cbz
Code:
http://www.fileserve.com/file/q4nnnze/PS238_49_(2011)_(c2c)_(Minutemen-DTs).cbzFear Itself Book of the Skull #1
Code:
http://hotfile.com/dl/110993429/061ae16/Fear_Itself_-_Book_of_the_Skull_01_(2011)_(noads)_(Archangel-CPS).cbr.html
Code:
http://www.filesonic.com/file/292483531/Fear_Itself_-_Book_of_the_Skull_01_(2011)_(noads)_(Archangel-CPS).cbr
Code:
http://www.fileserve.com/file/CPyf364/Fear_Itself_-_Book_of_the_Skull_01_(2011)_(noads)_(Archangel-CPS).cbr
Code:
http://hotfile.com/dl/110993432/f64b367/Fear_Itself_-_Book_of_the_Skull_01_(2011)_(c2c)_(Archangel-CPS).cbr.html
Code:
http://www.filesonic.com/file/292483511/Fear_Itself_-_Book_of_the_Skull_01_(2011)_(c2c)_(Archangel-CPS).cbr
Code:
http://www.fileserve.com/file/EHbXmx2/Fear_Itself_-_Book_of_the_Skull_01_(2011)_(c2c)_(Archangel-CPS).cbrLife and Times of Scrooge McDuck HC
Young Justice #2
Code:
http://hotfile.com/dl/110995596/25e1dc1/Life_and_Times_of_Scrooge_McDuck_vol_1_HC_c2c__2009___Jojo_.cbr.html
Code:
http://www.filesonic.com/file/292546371/Life_and_Times_of_Scrooge_McDuck_vol_1_HC_c2c__2009___Jojo_.cbr
Code:
http://hotfile.com/dl/110995620/e1c033a/Life_and_Times_of_Scrooge_McDuck_vol_2_HC_c2c_(2010)_(Jojo).cbr.html
Code:
http://www.filesonic.com/file/292472741/Life_and_Times_of_Scrooge_McDuck_vol_2_HC_(2010)_(c2c)_(Jojo).cbrYoung Justice #2
Code:
http://hotfile.com/dl/110996671/45dc5f4/Young_Justice_002_(2011)_(Minutemen-DrSouse).cbz.html
Code:
http://www.filesonic.com/file/292836361/Young_Justice_002_(2011)_(Minutemen-DrSouse).cbz
Code:
http://www.fileserve.com/file/9n6nCeH/Young_Justice_002_(2011)_(Minutemen-DrSouse).cbzAvengers Academy #11 MINUTEMEN
Adventure Comics #524 MINUTEMEN
Fear Itself Book of the Skull #1
Captain America and Crossbones #1
Code:
http://hotfile.com/dl/111027389/099f812/Avengers_Academy_11_(2011)_(Minutemen-Sha-Hic).cbz.html
Code:
http://www.filesonic.com/file/295285541/Avengers_Academy_11_(2011)_(Minutemen-Sha-Hic!).cbzAdventure Comics #524 MINUTEMEN
Code:
http://hotfile.com/dl/111027385/b4b9110/Adventure_Comics_524_(2011)_(Minutemen-Hawaiian_Punch).cbz.html
Code:
http://www.filesonic.com/file/295285501/Adventure_Comics_524_(2011)_(Minutemen-Hawaiian_Punch).cbzFear Itself Book of the Skull #1
Code:
http://hotfile.com/dl/111034450/a8db654/Fear_Itself_-_Book_of_The_Skull_01_(2011)_(2_covers)_(Minutemen-TerminatedTewns).cbr.html
Code:
http://www.filesonic.com/file/295624181/Fear_Itself_-_Book_of_The_Skull_01_(2011)_(2_covers)_(Minutemen-TerminatedTewns).cbrCaptain America and Crossbones #1
Code:
http://hotfile.com/dl/111034868/aa63360/Captain_America_and_Crossbones_(2011)_(Minutemen-DTermined).cbr.html
Code:
http://www.filesonic.com/file/295624191/Captain_America_and_Crossbones_(2011)_(Minutemen-DTermined).cbrTime Lincoln Cuba Commander One Shot
Code:
http://hotfile.com/dl/111054920/644abc1/Time_Lincoln_-_Cuba_Commander_2011_.cbr.html
Code:
http://www.filesonic.com/file/296867321/Time_Lincoln_-_Cuba_Commander_2011.cbr
Code:
http://www.fileserve.com/file/933zSgR/Time_Lincoln_-_Cuba_Commander_2011_.cbr
Vampirella #4
Mice Templar Vol III A Midwinter Night's Dream #3
Invaders Now! #5 MINUTEMEN
Code:
http://hotfile.com/dl/111127796/5035a44/Vampirella_004_(2011)_(noads)_(4_covers)_(Archangel-CPS).cbr.html
Code:
http://www.filesonic.com/file/300032743/Vampirella_004_(2011)_(noads)_(4 covers)_(Archangel-CPS).cbr
Code:
http://www.fileserve.com/file/H4fPuqh/Vampirella_004_(2011)_(noads)_(4 covers)_(Archangel-CPS).cbrMice Templar Vol III A Midwinter Night's Dream #3
Code:
http://hotfile.com/dl/111127816/cd04d9b/The_Mice_Templar__Volume_III_-_A_Midwinter_Nights_Dream_03_(of_06)_(2011)_(two_covers)_(c2c)_(Minutemen-Sha-Hic_).cbz.html
Code:
http://www.filesonic.com/file/300032753/The Mice Templar, Volume III - A Midwinter Night's Dream 03 (of 06) (2011) (two covers) (c2c) (Minutemen-Sha-Hic!).cbz
Code:
http://www.fileserve.com/file/QJsGuxb/The Mice Templar, Volume III - A Midwinter Night's Dream 03 (of 06) (2011) (two covers) (c2c) (Minutemen-Sha-Hic!).cbzInvaders Now! #5 MINUTEMEN
Code:
http://hotfile.com/dl/111127786/daaf661/Invaders_Now__05_(of_05)_(2011)_(2_covers)_(Minutemen-DTermined).cbr.html
Code:
http://www.filesonic.com/file/300032733/Invaders_Now!_05_(of_05)_(2011)_(2_covers)_(Minutemen-DTermined).cbr
Code:
http://www.fileserve.com/file/dbjVUPJ/Invaders_Now!_05_(of_05)_(2011)_(2_covers)_(Minutemen-DTermined).cbr
"Restless Sword"
**mile marker**
I love fuckin restless sword
So are they still going to do the cartoon on adult swim? CAN'T WAIT!!!
Listen up, jive turkeys! Black Dynamite hits the printed page March 30th and you'd best be ordering a copy if you don't want a big, black boot planted up your ass.
I've had a chance to see the upcoming graphic novel continuation of Black Dynamite's adventures and it's pretty much exactly what you'd expect from such a thing. Which, in my book, means awesome. It's available for order now.
http://twitchfilm.com/news/2011/03/black-dynamite-slave-island-hits-shelves-march-30th.php
Gears of War #16
Thunderbolts #155 MINUTEMEN
Code:
http://hotfile.com/dl/111139627/05733bd/Gears_of_War_016_(2011)_(noads)_(Legion-CPS).cbr.html
Code:
http://www.filesonic.com/file/301226531/Gears_of_War_016_(2011)_(noads)_(Legion-CPS).cbr
Code:
http://www.fileserve.com/file/ENB37ZS/Gears_of_War_016_(2011)_(noads)_(Legion-CPS).cbr
Code:
http://hotfile.com/dl/111139631/3076e03/Gears_of_War_016_(2011)_(c2c)_(Legion-CPS).cbr.html
Code:
http://www.filesonic.com/file/301226591/Gears_of_War_016_(2011)_(c2c)_(Legion-CPS).cbr
Code:
http://www.fileserve.com/file/PafFuMr/Gears_of_War_016_(2011)_(c2c)_(Legion-CPS).cbrThunderbolts #155 MINUTEMEN
Code:
http://hotfile.com/dl/111139632/21b1a92/Thunderbolts_155_(2011)_(2_covers)_(Minutemen-ThosTew).cbz.html
Code:
http://www.filesonic.com/file/301226374/Thunderbolts_155_(2011)_(2_covers)_(Minutemen-ThosTew).cbz
Code:
http://www.fileserve.com/file/q2CWHWX/Thunderbolts_155_(2011)_(2_covers)_(Minutemen-ThosTew).cbzTransformers Foundation #2
GI Joe Infestation #2 DCP
Power Girl #20 DCP
Code:
http://hotfile.com/dl/111145844/8f061f5/Transformers-Foundation02(of04)(2011)_(GiantGreenGoat-DCP).cbr.html
Code:
http://www.filesonic.com/file/301860541/Transformers*-*Foundation*02*(of*04)*(2011)_(GiantGreenGoat-DCP).cbrGI Joe Infestation #2 DCP
Code:
http://hotfile.com/dl/111145842/6fd0739/G.I.Joe-Infestation02(of_02)_(2011)(2covers)_(GiantGreenGoat-DCP).cbr.html
Code:
http://www.filesonic.com/file/301860551/G.I.*Joe*-*Infestation*02*(of_02)_(2011)*(2*covers)_(GiantGreenGoat-DCP).cbr
Code:
http://www.fileserve.com/file/Qqsv7Tw/G.I.*Joe*-*Infestation*02*(of_02)_(2011)*(2*covers)_(GiantGreenGoat-DCP).cbrPower Girl #20 DCP
Code:
http://hotfile.com/dl/111145846/46046a8/Power_Girl_020_(2011)_(GreenGiant-DCP).cbr.html
Code:
http://www.filesonic.com/file/301860531/Power_Girl_020_(2011)_(GreenGiant-DCP).cbr
Code:
http://www.fileserve.com/file/sy99dHJ/Power_Girl_020_(2011)_(GreenGiant-DCP).cbr
Xombi #1
Code:http://hotfile.com/dl/110959111/553039c/Xombi_01_(2011)_(Minutemen-TewSaxony).cbr.html
Code:http://www.filesonic.com/file/290603351/Xombi_01_(2011)_(Minutemen-TewSaxony).cbr
Code:http://www.fileserve.com/file/96Hch8E/Xombi_01_(2011)_(Minutemen-TewSaxony).cbr
OH FUCK YEAH!!!
One of my favorite MILESTONE titles is back!!!
Marvel Holiday Magazine 2010
Code:
http://hotfile.com/dl/111181580/973f5f6/Marvel_Holiday_Magazine_2010_(2010)(c2c)(PeteThePIPster).cbz.html
Code:
http://www.filesonic.com/file/310073254/Marvel_Holiday_Magazine_2010_(2010)(c2c)(PeteThePIPster).cbz
Code:
http://www.fileserve.com/file/UuXZ4yx/Marvel_Holiday_Magazine_2010_(2010)(c2c)(PeteThePIPster).cbzTransformers Foundation #2
Code:http://hotfile.com/dl/111145844/8f061f5/Transformers-Foundation02(of04)(2011)_(GiantGreenGoat-DCP).cbr.html
Code:http://www.filesonic.com/file/301860541/Transformers*-*Foundation*02*(of*04)*(2011)_(GiantGreenGoat-DCP).cbr
I wish the people that wrote this wrote the movies. Damn good writing in here, makes me respect the movieverse. the art is kick ass also.
Simpsons Comics #176
28 Days Later #21
Uncanny X-Force #5.1 MINUTEMEN
The Amazing Spider-Man #656
Wonder Woman #608 MINUTEMEN
Batman And Robin #21 MINUTEMEN
Emma #1
Captain Swing and The Electrical Pirates of Cindery Island #3
Code:
http://hotfile.com/dl/111252149/2ccde27/Simpsons_Comics_176_c2c_(2011)_(Jojo).cbr.html
Code:
http://www.filesonic.com/file/313952344/Simpsons_Comics_176_c2c_(2011)_(Jojo).cbr
Code:
http://www.fileserve.com/file/XbEC9az/Simpsons_Comics_176_c2c_(2011)_(Jojo).cbr28 Days Later #21
Code:
http://hotfile.com/dl/111251194/287d3b5/28_Days_Later_021_(2011)_(noads)_(Legion-CPS).cbr.html
Code:
http://www.filesonic.com/file/314014371/28 Days_Later_021_(2011)_(noads)_(Legion-CPS).cbr
Code:
http://www.fileserve.com/file/FgAPvDm/28 Days_Later_021_(2011)_(noads)_(Legion-CPS).cbrUncanny X-Force #5.1 MINUTEMEN
Code:
http://hotfile.com/dl/111251712/29ec8bb/Uncanny_X-Force_05.1_(2011)_(Minutemen-Megatonic).cbz.html
Code:
http://www.filesonic.com/file/314075641/Uncanny X-Force 05.1 (2011) (Minutemen-Megatonic).cbz
Code:
http://www.fileserve.com/file/WheVPE3/Uncanny_X-Force_05.1_(2011)_(Minutemen-Megatonic).cbzThe Amazing Spider-Man #656
Code:
http://hotfile.com/dl/111251736/eb54138/The_Amazing_Spider-Man_656_(2011)_(two_covers)_(Minutemen-Megatonic).cbz.html
Code:
http://www.filesonic.com/file/313971841/The Amazing Spider-Man 656 (2011) (two covers) (Minutemen-Megatonic).cbz
Code:
http://www.fileserve.com/file/g3t79xa/The_Amazing_Spider-Man_656_(2011)_(two_covers)_(Minutemen-Megatonic).cbzWonder Woman #608 MINUTEMEN
Code:
http://hotfile.com/dl/111251744/94b0b86/Wonder_Woman_608_(2011)_(two_covers)_(Minutemen-Sha-Hic).cbz.html
Code:
http://www.filesonic.com/file/313971821/Wonder Woman 608 (2011) (two covers) (Minutemen-Sha-Hic!).cbz
Code:
http://www.fileserve.com/file/Q2jsevn/Wonder_Woman_608_(2011)_(two_covers)_(Minutemen-Sha-Hic!).cbzBatman And Robin #21 MINUTEMEN
Code:
http://hotfile.com/dl/111251749/4bada0b/Batman_and_Robin_21_(2011)_(two_covers)_(Minutemen-DTs).cbz.html
Code:
http://www.filesonic.com/file/313971831/Batman_and_Robin_21_(2011)_(two_covers)_(Minutemen-DTs).cbz
Code:
http://www.fileserve.com/file/aNyByCv/Batman_and_Robin_21_(2011)_(two_covers)_(Minutemen-DTs).cbzEmma #1
Code:
http://hotfile.com/dl/111260541/298a64e/Emma_01_(of_05)_(2011)_(Minutemen-Emma).cbr.html
Code:
http://www.filesonic.com/file/314449871/Emma_01_(of_05)_(2011)_(Minutemen-Emma).cbr
Code:
http://www.fileserve.com/file/jPHErXY/Emma_01_(of_05)_(2011)_(Minutemen-Emma).cbrCaptain Swing and The Electrical Pirates of Cindery Island #3
Code:
http://hotfile.com/dl/111268056/c46596a/Captain_Swing_and_The_Electrical_Pirates_of_Cindery_Island_03_(of_04)_(2011)_(3_covers)_(Minutemen-ThosTew).cbz.html
Code:
http://www.filesonic.com/file/314987764/Captain_Swing_and_The_Electrical_Pirates_of_Cindery_Island_03_(of_04)_(2011)_(3_covers)_(Minutemen-ThosTew).cbz
Code:
http://www.fileserve.com/file/fZTu7X4/Captain_Swing_and_The_Electrical_Pirates_of_Cindery_Island_03_(of_04)_(2011)_(3_covers)_(Minutemen-ThosTew).cbz
Marvel Super Special #1
Code:
http://hotfile.com/dl/111331944/890d2b8/Marvel_Super_Special_001_(2010)(c2c)(PeteThePIPster).cbz.html
Code:
http://www.filesonic.com/file/320432771/Marvel_Super_Special_001_(2010)(c2c)(PeteThePIPster).cbz
Code:
http://www.fileserve.com/file/E49z9Nz/Marvel_Super_Special_001_(2010)(c2c)(PeteThePIPster).cbzMarvel Super Special #1
Code:
http://hotfile.com/dl/111331944/890d2b8/Marvel_Super_Special_001_(2010)(c2c)(PeteThePIPster).cbz.html
Code:
http://www.filesonic.com/file/320432771/Marvel_Super_Special_001_(2010)(c2c)(PeteThePIPster).cbz
Code:
http://www.fileserve.com/file/E49z9Nz/Marvel_Super_Special_001_(2010)(c2c)(PeteThePIPster).cbzSimilar threads
