Chaka Khan Says Singers Who Use Auto-Tune 'Need to Get a Job at the Post Office'

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Roy Rochlin/Getty© Provided by People
Chaka Khan may walk "Through the Fire," but you'll never see her walk into a studio where auto-tune is being used.
The legendary vocalist, 69, is opening up about her frustrations with singers who use autotune to alter the pitch of their voices in recordings. In a conversation with the New York Post's Page Six, Khan acknowledged that the music industry has some "very fine young artists" in it, although she's not a fan of those using the pitch corrector.
"There is some great stuff out there and there are some great artists," she said at the Angel Ball in New York City last week. "There's some very fine young artists out there doing great, great work that I am impressed with. But the others, they just need to get them a job at the Post Office — they are always hiring! People are using Auto-Tune. They need to get to the Post Office quick."

Johnny Louis/Getty Images© Provided by People
Auto-Tune was introduced in 1996 by the company Antares Audio Technologies, initially to give artists the ability to correct notes that were off-key or inaccurate, but it's since been repurposed to let artists manipulate and distort vocals.
The effect took on a new life artistically when Cher tapped it for her 1998 single "Believe," and reached new heights in the mid-'00s when T-Pain began to use it as his signature sound on a variety of hit records.
Other artists saw success with the effect around that time, like Kanye West, whose 2008 album 808s & Heartbreak featured him primarily singing with Auto-Tune. A more recent generation of hitmakers in Travis Scott and Playboi Carti have since followed suit.

But the Rock & Roll Hall of Fame inductee, who attended the fundraiser for Gabrielle's Angel Foundation for Cancer Research, isn't co-signing autotune anytime soon. She also told Page Six that she feels there are a number of women vocalists who are insecure in themselves. "I feel very sad. It saddens me deeply that so much… insecurity is present in these girls. They really need to know that they are the gold and that they really are precious."

Khan has been hesitant to accept sampling in the past, too, when it comes to altering voices — more specifically her own. Back in August, she spoke about West's 2003 debut single "Through the Wire," which sampled her classic "Through the Fire," and expressed that she was "upset about sounding like a chipmunk." The song, written about West's near-fatal car accident that left his mouth wired shut, used a sped-up sample of Khan's hit. But while she gave him clearance to sample the song, Khan told Good Day D.C. earlier this year that she didn't expect West to tinker with her voice the way he did.
"I've not heard from him, and I'm not looking to hear from him. That's what he did with his music," she said. "I was upset about sounding like a chipmunk, 'cause he didn't put that when he asked [if he could] sample my song. He didn't mention he was going to speed it up three times its normal speed. Had he, I would've had something to say. But since I didn't think of that, believe me, I think of it now. [When someone asks to sample my music] I ask, 'How are we gonna do this?'"
The singer previously said in a 2020 interview with VladTV that West "warmed" her heart when she found out he listened to the song during his recovery. But despite getting paid for the sample, she said that "it was an insult, period. I'm not doing this for money. Do you understand? I was very upset with that."

In June 2021, on Netflix series This Is Pop, T-Pain opened up about backlash he got from introducing autotune in his songs. As he explained, Usher told him he "kinda f---ed up music" by using the effect. "I didn't understand," T-Pain said at the time. "I thought he was joking at first, but then he was like, 'Yeah man you really f---ed up music for real singers.'"
RELATED: T-Pain Says He's Been 'Accidentally' Ignoring Celebrity DMs for Years: 'I Apologize to Everybody'
T-Pain said at the time that it became "the very moment that started a four-year depression" for him, while Usher later explained that the two had a separate conversation about the comments, and that it was "hurtful to know that he had experienced that kind of hardship in life."
"Private conversations for me have always been intended to uplift. But when or if people get pieces of it, they can always have some other interpretation," Usher said. "But we've spoken since and we're good."
 
Roy Rochlin/Getty© Provided by People
Chaka Khan may walk "Through the Fire," but you'll never see her walk into a studio where auto-tune is being used.
The legendary vocalist, 69, is opening up about her frustrations with singers who use autotune to alter the pitch of their voices in recordings. In a conversation with the New York Post's Page Six, Khan acknowledged that the music industry has some "very fine young artists" in it, although she's not a fan of those using the pitch corrector.
"There is some great stuff out there and there are some great artists," she said at the Angel Ball in New York City last week. "There's some very fine young artists out there doing great, great work that I am impressed with. But the others, they just need to get them a job at the Post Office — they are always hiring! People are using Auto-Tune. They need to get to the Post Office quick."

Johnny Louis/Getty Images© Provided by People
Auto-Tune was introduced in 1996 by the company Antares Audio Technologies, initially to give artists the ability to correct notes that were off-key or inaccurate, but it's since been repurposed to let artists manipulate and distort vocals.
The effect took on a new life artistically when Cher tapped it for her 1998 single "Believe," and reached new heights in the mid-'00s when T-Pain began to use it as his signature sound on a variety of hit records.
Other artists saw success with the effect around that time, like Kanye West, whose 2008 album 808s & Heartbreak featured him primarily singing with Auto-Tune. A more recent generation of hitmakers in Travis Scott and Playboi Carti have since followed suit.

But the Rock & Roll Hall of Fame inductee, who attended the fundraiser for Gabrielle's Angel Foundation for Cancer Research, isn't co-signing autotune anytime soon. She also told Page Six that she feels there are a number of women vocalists who are insecure in themselves. "I feel very sad. It saddens me deeply that so much… insecurity is present in these girls. They really need to know that they are the gold and that they really are precious."

Khan has been hesitant to accept sampling in the past, too, when it comes to altering voices — more specifically her own. Back in August, she spoke about West's 2003 debut single "Through the Wire," which sampled her classic "Through the Fire," and expressed that she was "upset about sounding like a chipmunk." The song, written about West's near-fatal car accident that left his mouth wired shut, used a sped-up sample of Khan's hit. But while she gave him clearance to sample the song, Khan told Good Day D.C. earlier this year that she didn't expect West to tinker with her voice the way he did.
"I've not heard from him, and I'm not looking to hear from him. That's what he did with his music," she said. "I was upset about sounding like a chipmunk, 'cause he didn't put that when he asked [if he could] sample my song. He didn't mention he was going to speed it up three times its normal speed. Had he, I would've had something to say. But since I didn't think of that, believe me, I think of it now. [When someone asks to sample my music] I ask, 'How are we gonna do this?'"
The singer previously said in a 2020 interview with VladTV that West "warmed" her heart when she found out he listened to the song during his recovery. But despite getting paid for the sample, she said that "it was an insult, period. I'm not doing this for money. Do you understand? I was very upset with that."

In June 2021, on Netflix series This Is Pop, T-Pain opened up about backlash he got from introducing autotune in his songs. As he explained, Usher told him he "kinda f---ed up music" by using the effect. "I didn't understand," T-Pain said at the time. "I thought he was joking at first, but then he was like, 'Yeah man you really f---ed up music for real singers.'"
RELATED: T-Pain Says He's Been 'Accidentally' Ignoring Celebrity DMs for Years: 'I Apologize to Everybody'
T-Pain said at the time that it became "the very moment that started a four-year depression" for him, while Usher later explained that the two had a separate conversation about the comments, and that it was "hurtful to know that he had experienced that kind of hardship in life."
"Private conversations for me have always been intended to uplift. But when or if people get pieces of it, they can always have some other interpretation," Usher said. "But we've spoken since and we're good."
BGOL says the simp ass mopes that keep making dozens of usernames, half of which get banned, need to get a job at Walmart... as the door greeter

sidebar: this ones been burned

burn-notice-michael-weston.gif
 
fuk yeah.. hell im questioning where you come up with she's in the top 10. Naaaaaw son.. not even close.
Who do you have in your top 10 as singers?

Since you don't believe chaka khan ain't top 10.



(Exclusive) Chaka Khan Revives Mary J. Blige Feud, Dunks on Adele and Mariah Carey
Only Aretha Franklin survived the wrath of Khan after the music legend learned of her (objectively great) placement on a list of all time great singers
By
Andrew Goldman
-
March 1, 2023

It’s a banner year for the so-called Queen of Funk, Chaka Khan, as 2023 marks 50 years in the music business, and on March 23, she’ll celebrate her 70th birthday. Ahead of that, she had some words for the editors at Rolling Stone regarding one Mary J. Blige.

On New Year’s Day, in what seemed an early birthday gift for the “I’m Every Woman” singer, Rolling Stone awarded Khan a high perch on its “The 200 Greatest Singers of All Time” list, putting her at #29—a great neighborhood, it would seem, with David Bowie three positions behind and Paul McCartney just three ahead and Khan leaving such icons as Diana Ross (#87), Janice Joplin (#78), Tina Turner (#55) and Mick Jagger (#52) in the dust. This is not to mention Celine Dion, whose snub caused the Canadian chanteuse’s fans to take to the streets and picket the magazine’s Manhattan offices.

In the latest episode of The Originals, the award-winning podcast from Los Angeles, Khan—who may be entitled to be henceforth also known as the “Queen of Candor”—reveals her personal thoughts on Rolling Stone’s list. Apparently, the very existence of the magazine’s list was unknown to the legendary singer before the podcast’s host, Andrew Goldman, congratulated her on being included.

“I didn’t even know what the hell you were talking about, so obviously this don’t mean a great deal to me,” she told him. “These people don’t quantify or validate me in any way.”

Nevertheless, Khan was curious to hear who else appeared in the top 200. Some of Rolling Stone’s decisions struck her as apt, like granting Aretha Franklin the top spot (“As she fucking should be”) and including Joan Baez on the bubble, at #189 (“let’s be honest, the bitch cannot sing. Now, she was a good writer.”) In granting Mariah Carey the #5 spot, however, Khan suspects the kind of industry chicanery that has long dogged the singer (“That must be payola or some shit like that.”).

It was Adele’s inclusion, a few spaces ahead of Khan at #22, that brought on a momentary existential crisis. (“Okay, I quit.”) However, nothing seemed to prepare Khan for the news that longtime frenemy Mary J. Blige appears on the list just ahead of her, at #25. Khan remarked on Rolling Stone’s editors. “They are blind as a motherfucking bat! They need hearing aids…These must be the children of Helen Keller!”

The history: Though decades ago in concert, Khan had been known to introduce the 1975 Rufus ballad, “Sweet Thing” as “the song Mary J. Blige fucked up” after the “queen of hip-hop soul” covered the song for her 1992 debut album. The pair appeared to have been enjoying a long détente, and Blige even sang on Khan’s 2007 song, “Funk This.” Now thanks to Rolling Stone, that truce may have run its course.

To the Rolling Stone editor who put Blige before Khan: Welcome to Chaka’s special s-list. Here you’ll join Ariana Grande, who failed to appear in in the same studio as Khan to record their duet “Nobody” for the 2019 Charlie’s Angels soundtrack, a snub that still stings. Khan explained: “I would never have somebody come sing on my motherfucking project without me knowing them.”

 
Real talent will outshine auto tune,dancing and stage effects that a lot of them do to get over.

A Mic,a band and that will seperate the talent like the red sea....ask anyone who's been to a live show or concert there's a difference.

You've been fed lies for so long that that's what you look for.
 
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