Cacing: Jane Campion Faces Criticism for Comment About Venus & Serena Williams During Critics Choice Awards Speech

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Jane Campion Faces Criticism for Comment About Venus and Serena Williams During Critics Choice Awards Speech

By Angelique Jackson
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Campion: Gilbert Flores for Variety / Venus and Serena Williams: Michael Buckner for Variety

UPDATE: On Monday morning, Jane Campion apologized for her comments about Venus and Serena Williams at the Critics Choice Awards, saying “I made a thoughtless comment equating what I do in the film world with all that Serena Williams and Venus Williams have achieved. I did not intend to devalue these two legendary Black women and world-class athletes.”

Along the road to the Oscars, becoming an internet hero can be a fleeting accomplishment. That’s what happened to Campion, director of “The Power of the Dog,” over the weekend as she went from being championed on Twitter one night to being criticized the next.
On Saturday, Twitter crowned Campion its queen for responding to Sam Elliott’s crude criticism of “The Power of the Dog” on the red carpet ahead of the DGA Awards.



“I’m sorry, he was being a little bit of a B-I-T-C-H. He’s not a cowboy; he’s an actor,” she told Variety’s Marc Malkin. “The West is a mythic space and there’s a lot of room on the range. I think it’s a little bit sexist.”



Campion’s comments — and the way she delivered them — became instant internet fodder, to the extent that “Saturday Night Live” star Bowen Yang accepted the challenge to possibly portray her on an upcoming “Weekend Update” while walking the Critics Choice Awards carpet the next day.
However, while accepting the award for best director during Sunday’s ceremony, Campion’s speech turned controversial when she commented on sports legends Venus and Serena Williams’ tennis prowess.
The remarks began innocently enough, with the filmmaker thanking her presenter, fellow New Zealander Taika Waititi and the Critics Choice Association.
“It’s absolutely stunning to be here tonight among so many incredible women,” Campion said, holding her first of the Netflix movie’s four trophies, while the audience clapped and cheered.
“Halle Berry, you have already done my speech … and really killed it. I loved it. You’re absolutely brilliant,” she continued, praising the evening’s SeeHer Award winner before turning her attention to “King Richard” subjects Venus and Serena Williams.
“What an honor to be in the room with you,” Campion said with a hearty laugh, adding, “I’ve taken up tennis — I truly have — and Will [Smith], if you want to come over and give me lessons, I would truly love it. I actually had to stop playing because I’ve got tennis elbow.”
Campion then saluted her “fellow, fellow, fellow” nominees — or “the guys,” as she called them — referring to the male directors in her category: Paul Thomas Anderson (“Licorice Pizza”), Kenneth Branagh (“Belfast”), Guillermo del Toro (“Nightmare Alley”), Steven Spielberg (“West Side Story”) and Denis Villeneuve (“Dune”).
“Venus and Serena, you’re such marvels,” she said, circling back to her earlier talking point. “However, you don’t play against the guys, like I have to.”
The comment received loud cheers in the ballroom, but perhaps louder critique on social media, where it was viewed as “cringey” at best and “arrogant and ignorant” at its most offensive.



It wasn’t so much Campion’s tone, which was light and joking like the rest of her speech, but the content of her words that felt disrespectful. Some noted that Venus and Serena Williams could not only play against, but most likely beat, the men in their sport, as Campion had just done. But most commenters simply questioned her decision to bring the Williams sisters and their tennis prowess into that conversation at all. One clip frequently used to express their displeasure came in the of former “Real Housewives of Atlanta” star NeNe Leakes’ classic line, asking, “Now why am I in it?”
Campion did not immediately respond to a request for comment, but following the Critics Choice Awards broadcast, the filmmaker and Venus Williams were seen together at Netflix’s afterparty. It’s unclear if the women discussed the moment, but they did pose for some photographs together and were spotted among the contingent of dancing partygoers, which also included Lin-Manuel Miranda, Maggie Gyllenhaal and the streamer’s CEO Ted Sarandos.
Either way, the awkward about-face comes just 24 hours after Campion went viral for responding to Sam Elliott’s crude criticism of “The Power of the Dog.”
During a recent guest appearance on Marc Maron’s “WTF” podcast, the actor — who most recently starred in the “Yellowstone”-prequel series “1883” and is known for his work in Westerns — criticized aspects of the Western thriller. During the interview, he called out the film for its “allusions of homosexuality” and questioned Campion’s knowledge of the genre.
“What the fuck does this woman from down there know about the American West?” Elliott remarked. “Why the fuck did she shoot this movie in New Zealand and call it Montana? And say this is the way it was? That fucking rubbed me the wrong way.”
Campion told Variety that she takes a more expansive view of the Western genre, and shared that she views Elliott’s take as a slight against her as a female artist.
“When you think about the number of amazing Westerns made in Spain by [director] Sergio Leone,” she explained. “I consider myself a creator. I think he thinks of me as a woman or something lesser first, and I don’t appreciate that.”

Watch Campion’s full remarks below:

 

Jane Campion Apologizes for ‘Thoughtless’ Serena and Venus Williams Comment: ‘I Celebrate You’

By Zack Sharf
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AP
Jane Campion is apologizing for a controversial comment she made about Serena and Venus Williams while accepting the best director prize at the 2022 Critics Choice Awards. The filmmaker said in a statement, “I made a thoughtless comment equating what I do in the film world with all that Serena Williams and Venus Williams have achieved. I did not intend to devalue these two legendary Black women and world-class athletes.”
Campion continued, “The fact is the Williams sisters have, actually, squared off against men on the court (and off), and they have both raised the bar and opened doors for what is possible for women in this world. The last thing I would ever want to do is minimize remarkable women. I love Serena and Venus. Their accomplishments are titanic and inspiring. Serena and Venus, I apologize and completely celebrate you.”



While accepting the Critics Choice Award for best director, Campion said she was honored to be in the room with so many great women and singled out tennis superstars Venus and Serena Williams. The sisters were in attendance at the ceremony in support of the film “King Richard,” which won Will Smith the prize for best actor for his portrayal of their father, Richard Williams.
Campion took a moment during her speech to salute her “fellow, fellow, fellow” nominees, or “the guys,” as she called them. Campion was the only female nominee in the best director category, which also included Paul Thomas Anderson (“Licorice Pizza”), Kenneth Branagh (“Belfast”), Guillermo del Toro (“Nightmare Alley”), Steven Spielberg (“West Side Story”) and Denis Villeneuve (“Dune”).
“Venus and Serena, you’re such marvels,” Campion added. “However, you don’t play against the guys, like I have to.”
Campion’s comment generated outrage on social media. As Variety’s Angelique Jackson reported: “It wasn’t so much Campion’s tone, which was light and joking like the rest of her speech, but the content of her words that felt disrespectful. Some noted that Venus and Serena Williams could not only play against, but most likely beat, the men in their sport, as Campion had just done. But most commenters simply questioned her decision to bring the Williams sisters and their tennis prowess into that conversation at all.”
After winning director prizes at the Critics Choice Awards, Golden Globes, Directors Guild of America Awards and BAFTA Film Awards, Campion is viewed as the frontrunner to win the Academy Award. The Oscars will be announced Sunday, March 27.
 
she whack and the movie is boring and unrealistic. the cowboy in the movie would be the bitch like dude at the time and not a cowboy and his brother and the bartender would keep that shit to themselves. their softness would never be displayed.
 

Jane Campion apologizes for 'thoughtless comment' on Venus and Serena Williams at Critics Choice Awards

Power of the Dog director received backlash after saying the tennis icons didn't have to "play against the guys" like she does: "I did not intend to devalue these two legendary Black women."

By Joey NolfiMarch 14, 2022 at 03:07 PM EDT


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The Power of the Dog director Jane Campion has acknowledged the power of choice words following her controversial Critics Choice Awards acceptance speech at Sunday night's ceremony.
In a statement to EW, Campion apologized for comparing her experience as a filmmaker in a male-dominated industry with the sports-focused journey of tennis icons Venus and Serena Williams, which she did while accepting her trophy for Best Director during the joint TBS and CW broadcast.
"I made a thoughtless comment equating what I do in the film world with all that Serena Williams and Venus Williams have achieved. I did not intend to devalue these two legendary Black women and world class athletes," the statement reads, referencing the daughters of the titular Williams family patriarch played by Oscar frontrunner Will Smith in King Richard. "The fact is the Williams sisters have, actually, squared off against men on the court (and off), and they have both raised the bar and opened doors for what is possible for women in this world. The last thing I would ever want to do is minimize remarkable women. I love Serena and Venus. Their accomplishments are titanic and inspiring. Serena and Venus, I apologize and completely celebrate you."


During the show, Campion expressed her love to "the guys" in her nearly all-male competitive category, before turning her attention to the Williams sisters in the audience.
"Serena and Venus, you are such marvels," she said, "however, you do not play against the guys like I have to."
Jane Campion with Venus and Serena Williams at the 2022 Critics Choice Awards.

| CREDIT: JEROD HARRIS/GETTY IMAGES
Campion also recently spoke out about another Hollywood figure who criticized her place in the industry when she addressed 1883 actor Sam Elliott's controversial comments about her qualifications to helm The Power of the Dog — a movie that tells a story about the American West, with queer themes — as a woman from New Zealand.

"I'm sorry, he was being a little bit of a b-i-t-c-h, and, I'm sorry to say it, he's not a cowboy, he's an actor," Campion said on the DGA Awards red carpet, where she reaffirmed her status as the top contender for this year's Best Director prize at the Oscars. "The West is a myth exposed. There's a lot of room on the range. I think it's a little bit sexist because you think about the number of amazing westerns that were made in Spain by Sergio Leone. I consider myself a creator and I think he sees me a woman or something lesser first, and I don't appreciate that."
 
Why was Serena clapping?

You won an award and make it about them.

Women empowerment....
 

Sam Elliott Feels ‘Terrible’ for Power of the Dog Criticism
By Alejandra Gularte


Update, April 11, at 9:55 a.m.: Sam Elliott profusely apologized for his comments criticizing The Power of the Dog. On a panel about 1883 for Deadline’s Contenders Television event, Elliott said the film “struck a chord” with him, but he “didn’t articulate it very well.” He continued, “I said some things that hurt people. And I feel terrible about that.” Elliott also specifically apologized to the gay community, noting he has had gay “friends on every level, in every job description, up until today with my agent, my dear friend.” And lastly, the actor apologized to the cast of The Power of the Dog and Jane Campion. “I can only say that I’m sorry, and I am,” he said. Elliott initially made his comments on the February 28 episode of WTF With Marc Maron; on the panel, he referred to Maron as “the WTF guy.” “Don’t go do a podcast whose call letters are WTF,” he joked.


You can take a horse to the cinema, but you can’t make them enjoy the film. Best Picture Oscar nominee The Power of the Dog is considered to be one of the front-runners for the ever-changing awards show this year. However, not all cowboys are rooting for Jane Campion’s adaptation of the 1967 novel by Thomas Savage. On the WTF podcast hosted by Marc Maron, 1883’s Sam Elliott shared he did not like director Jane Campion’s approach to the Western. Elliott criticized the deconstruction of the cowboy archetype and the Western genre, comparing Benedict Cumberbatch’s character, Phil, to Chippendale dancers. “That’s what all these fucking cowboys in that movie looked like,” he told Maron. “They’re running around in chaps and no shirts. There’s all these allusions of homosexuality throughout the movie.” Maron responded by stating that Elliott’s criticism is “what the movie is about.” Cumberbatch plays a closeted gay man who overcompensates with hypermasculinity. “Where’s the Western in this Western?” Elliott continued. “I mean, Cumberbatch never got out of his fucking chaps. He had two pairs of chaps — a woolly pair and a leather pair. And every fucking time he would walk in from somewhere — he never was on a horse, maybe once — he’d walk into the fucking house, storm up the fucking stairs, go lay in his bed in his chaps and play his banjo. It’s like, what the fuck?”

The costuming in the film wasn’t Elliott’s only issue; the film was originally set in 1920s Montana while the production of the movie was filmed in New Zealand. “What the fuck does this woman from down there know about the American West?” criticized Elliott of Campion, “Why the fuck did she shoot this movie in New Zealand and call it Montana? And say this is the way it was? That fucking rubbed me the wrong way.” Campion told the Los Angeles Times in 2021 that the decision to film in New Zealand was due to budget constraints. “A lot of fantastic old ranch houses had been renovated as resorts. Or turned into second homes that were half authentic, half fabulous kitchens. We looked and looked, but we didn’t find anything, and the cost of building the ranch house and a fake town there turned out to be incredibly expensive items,” said the Power of the Dog director. Despite his feelings on the modern Western, Elliott concluded by admitting he took his criticisms of the film personally.
 
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