2007 Oscar Nominations

TAYLORMADE

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Performance by an actor in a leading role
Leonardo DiCaprio in “Blood Diamond” (Warner Bros.)
Ryan Gosling in “Half Nelson” (THINKFilm)
Peter O’Toole in “Venus” (Miramax, Filmfour and UK Council)
Will Smith in “The Pursuit of Happyness” (Sony Pictures Releasing)
Forest Whitaker in “The Last King of Scotland” (Fox Searchlight)

Performance by an actor in a supporting role
Alan Arkin in “Little Miss Sunshine” (Fox Searchlight)
Jackie Earle Haley in “Little Children” (New Line)
Djimon Hounsou in “Blood Diamond” (Warner Bros.)
Eddie Murphy in “Dreamgirls” (DreamWorks and Paramount)
Mark Wahlberg in “The Departed” (Warner Bros.)

Performance by an actress in a leading role
Penélope Cruz in “Volver” (Sony Pictures Classics)
Judi Dench in “Notes on a Scandal” (Fox Searchlight)
Helen Mirren in “The Queen” (Miramax, Pathé and Granada)
Meryl Streep in “The Devil Wears Prada” (20th Century Fox)
Kate Winslet in “Little Children” (New Line)

Performance by an actress in a supporting role
Adriana Barraza in “Babel” (Paramount and Paramount Vantage)
Cate Blanchett in “Notes on a Scandal” (Fox Searchlight)
Abigail Breslin in “Little Miss Sunshine” (Fox Searchlight)
Jennifer Hudson in “Dreamgirls” (DreamWorks and Paramount)
Rinko Kikuchi in “Babel” (Paramount and Paramount Vantage)

Best animated feature film of the year
“Cars” (Buena Vista) John Lasseter
“Happy Feet” (Warner Bros.) George Miller
“Monster House” (Sony Pictures Releasing) Gil Kenan

Achievement in art direction
“Dreamgirls” (DreamWorks and Paramount)
Art Direction: John Myhre
Set Decoration: Nancy Haigh
“The Good Shepherd” (Universal)
Art Direction: Jeannine Oppewall
Set Decoration: Gretchen Rau and Leslie E. Rollins
“Pan’s Labyrinth” (Picturehouse)
Art Direction: Eugenio Caballero
Set Decoration: Pilar Revuelta
“Pirates of the Caribbean: Dead Man’s Chest” (Buena Vista)
Art Direction: Rick Heinrichs
Set Decoration: Cheryl A. Carasik
“The Prestige” (Buena Vista)
Art Direction: Nathan Crowley
Set Decoration: Julie Ochipinti

Achievement in cinematography
“The Black Dahlia” (Universal) Vilmos Zsigmond
“Children of Men” (Universal) Emmanuel Lubezki
“The Illusionist” (Yari Film Group) Dick Pope
“Pan’s Labyrinth” (Picturehouse) Guillermo Navarro
“The Prestige” (Buena Vista) Wally Pfister

Achievement in costume design
“Curse of the Golden Flower” (Sony Pictures Classics) Yee Chung Man
“The Devil Wears Prada” (20th Century Fox) Patricia Field
“Dreamgirls” (DreamWorks and Paramount) Sharen Davis
“Marie Antoinette” (Sony Pictures Releasing) Milena Canonero
“The Queen” (Miramax, Pathé and Granada) Consolata Boyle

Achievement in directing
“Babel” (Paramount and Paramount Vantage) Alejandro González Iñárritu
“The Departed” (Warner Bros.) Martin Scorsese
“Letters from Iwo Jima” (Warner Bros.) Clint Eastwood
“The Queen” (Miramax, Pathé and Granada) Stephen Frears
“United 93” (Universal and StudioCanal) Paul Greengrass

Best documentary feature
“Deliver Us from Evil” (Lionsgate)
A Disarming Films Production
Amy Berg and Frank Donner
“An Inconvenient Truth” (Paramount Classics and Participant Productions)
A Lawrence Bender/Laurie David Production
Davis Guggenheim
“Iraq in Fragments” (Typecast Releasing)
A Typecast Pictures/Daylight Factory Production
James Longley and John Sinno
“Jesus Camp” (Magnolia Pictures)
A Loki Films Production
Heidi Ewing and Rachel Grady
“My Country, My Country” (Zeitgeist Films)
A Praxis Films Production
Laura Poitras and Jocelyn Glatzer

Best documentary short subject
“The Blood of Yingzhou District”
A Thomas Lennon Films Production
Ruby Yang and Thomas Lennon
“Recycled Life”
An Iwerks/Glad Production
Leslie Iwerks and Mike Glad
“Rehearsing a Dream”
A Simon & Goodman Picture Company Production
Karen Goodman and Kirk Simon
“Two Hands”
A Crazy Boat Pictures Production
Nathaniel Kahn and Susan Rose Behr

Achievement in film editing
“Babel” (Paramount and Paramount Vantage)
Stephen Mirrione and Douglas Crise
“Blood Diamond” (Warner Bros.)
Steven Rosenblum
“Children of Men” (Universal)
Alex Rodríguez and Alfonso Cuarón
“The Departed” (Warner Bros.)
Thelma Schoonmaker
“United 93” (Universal and StudioCanal)
Clare Douglas, Christopher Rouse and Richard Pearson

Best foreign language film of the year
“After the Wedding” A Zentropa Entertainments 16 Production
Denmark
“Days of Glory (Indigènes)” A Tessalit Production
Algeria
“The Lives of Others” A Wiedemann & Berg Production
Germany
“Pan’s Labyrinth” A Tequila Gang/Esperanto Filmoj/Estudios Picasso Production
Mexico
“Water” A Hamilton-Mehta Production
Canada

Achievement in makeup
“Apocalypto” (Buena Vista) Aldo Signoretti and Vittorio Sodano
“Click” (Sony Pictures Releasing) Kazuhiro Tsuji and Bill Corso
“Pan’s Labyrinth” (Picturehouse) David Marti and Montse Ribe

Achievement in music written for motion pictures (Original score)
“Babel” (Paramount and Paramount Vantage) Gustavo Santaolalla
“The Good German” (Warner Bros.) Thomas Newman
“Notes on a Scandal” (Fox Searchlight) Philip Glass
“Pan’s Labyrinth” (Picturehouse) Javier Navarrete
“The Queen” (Miramax, Pathé and Granada) Alexandre Desplat

Achievement in music written for motion pictures (Original song)
“I Need to Wake Up” from “An Inconvenient Truth”
(Paramount Classics and Participant Productions)
Music and Lyric by Melissa Etheridge
“Listen” from “Dreamgirls”
(DreamWorks and Paramount)
Music by Henry Krieger and Scott Cutler
Lyric by Anne Preven
“Love You I Do” from “Dreamgirls”
(DreamWorks and Paramount)
Music by Henry Krieger
Lyric by Siedah Garrett
“Our Town” from “Cars”
(Buena Vista)
Music and Lyric by Randy Newman
“Patience” from “Dreamgirls”
(DreamWorks and Paramount)
Music by Henry Krieger
Lyric by Willie Reale

Best motion picture of the year
“Babel” (Paramount and Paramount Vantage)
An Anonymous Content/Zeta Film/Central Films Production
Alejandro González Iñárritu, Jon Kilik and Steve Golin, Producers
“The Departed” (Warner Bros.)
A Warner Bros. Pictures Production
Nominees to be determined
“Letters from Iwo Jima” (Warner Bros.)
A DreamWorks Pictures/Warner Bros. Pictures Production
Clint Eastwood, Steven Spielberg and Robert Lorenz, Producers
“Little Miss Sunshine” (Fox Searchlight)
A Big Beach/Bona Fide Production
Nominees to be determined
“The Queen” (Miramax, Pathé and Granada)
A Granada Production
Andy Harries, Christine Langan and Tracey Seaward, Producers

Best animated short film
“The Danish Poet” (National Film Board of Canada)
A Mikrofilm and National Film Board of Canada Production
Torill Kove
“Lifted” (Buena Vista)
A Pixar Animation Studios Production
Gary Rydstrom
“The Little Matchgirl” (Buena Vista)
A Walt Disney Pictures Production
Roger Allers and Don Hahn
“Maestro” (Szimplafilm)
A Kedd Production
Geza M. Toth
“No Time for Nuts” (20th Century Fox)
A Blue Sky Studios Production
Chris Renaud and Michael Thurmeier

Best live action short film
“Binta and the Great Idea (Binta Y La Gran Idea)”
A Peliculas Pendelton and Tus Ojos Production
Javier Fesser and Luis Manso
“Éramos Pocos (One Too Many)” (Kimuak)
An Altube Filmeak Production
Borja Cobeaga
“Helmer & Son”
A Nordisk Film Production
Soren Pilmark and Kim Magnusson
“The Saviour” (Australian Film Television and Radio School)
An Australian Film Television and Radio School Production
Peter Templeman and Stuart Parkyn
“West Bank Story”
An Ari Sandel, Pascal Vaguelsy, Amy Kim, Ravi Malhotra and Ashley Jordan Production
Ari Sandel

Achievement in sound editing
“Apocalypto” (Buena Vista)
Sean McCormack and Kami Asgar
“Blood Diamond” (Warner Bros.)
Lon Bender
“Flags of Our Fathers” (DreamWorks and Warner Bros., Distributed by Paramount)
Alan Robert Murray and Bub Asman
“Letters from Iwo Jima” (Warner Bros.)
Alan Robert Murray
“Pirates of the Caribbean: Dead Man’s Chest” (Buena Vista)
Christopher Boyes and George Watters II

Achievement in sound mixing
“Apocalypto” (Buena Vista)
Kevin O’Connell, Greg P. Russell and Fernando Camara
“Blood Diamond” (Warner Bros.)
Andy Nelson, Anna Behlmer and Ivan Sharrock
“Dreamgirls” (DreamWorks and Paramount)
Michael Minkler, Bob Beemer and Willie Burton
“Flags of Our Fathers” (DreamWorks and Warner Bros., Distributed by Paramount)
John Reitz, Dave Campbell, Gregg Rudloff and Walt Martin
“Pirates of the Caribbean: Dead Man’s Chest” (Buena Vista)
Paul Massey, Christopher Boyes and Lee Orloff

Achievement in visual effects
“Pirates of the Caribbean: Dead Man’s Chest” (Buena Vista)
John Knoll, Hal Hickel, Charles Gibson and Allen Hall
“Poseidon” (Warner Bros.)
Boyd Shermis, Kim Libreri, Chaz Jarrett and John Frazier
“Superman Returns” (Warner Bros.)
Mark Stetson, Neil Corbould, Richard R. Hoover and Jon Thum

Adapted screenplay
“Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” (20th Century Fox)
Screenplay by Sacha Baron Cohen & Anthony Hines & Peter Baynham & Dan Mazer
Story by Sacha Baron Cohen & Peter Baynham & Anthony Hines & Todd Phillips
“Children of Men” (Universal)
Screenplay by Alfonso Cuarón & Timothy J. Sexton and David Arata and Mark Fergus & Hawk Ostby
“The Departed” (Warner Bros.)
Screenplay by William Monahan
“Little Children” (New Line)
Screenplay by Todd Field & Tom Perrotta
“Notes on a Scandal” (Fox Searchlight)
Screenplay by Patrick Marber

Original screenplay
“Babel” (Paramount and Paramount Vantage)
Written by Guillermo Arriaga
“Letters from Iwo Jima” (Warner Bros.)
Screenplay by Iris Yamashita
Story by Iris Yamashita & Paul Haggis
“Little Miss Sunshine” (Fox Searchlight)
Written by Michael Arndt
“Pan’s Labyrinth” (Picturehouse)
Written by Guillermo del Toro
“The Queen” (Miramax, Pathé and Granada)
Written by Peter Morgan
 
Performance by an actor in a leading role

Forest Whitaker in “The Last King of Scotland” (Fox Searchlight)

Performance by an actor in a supporting role

Eddie Murphy in “Dreamgirls” (DreamWorks and Paramount)

Performance by an actress in a supporting role

Jennifer Hudson in “Dreamgirls” (DreamWorks and Paramount)

Best motion picture of the year

“The Departed” (Warner Bros.)
A Warner Bros. Pictures Production
 
Damn, Dreamgirls didn't score a nod in the best picture or best director categories. AT least Eddie and Jennifer got nominations.

Here's to hoping that Marty takes home that best director statue this year.
 
Black Sexxxploitation said:
Here's to hoping that Marty takes home that best director statue this year.

Man..they gonna fuck Marty again. This was not even one of his better more classic films either... but you know he is not gonna take it home....
 
TAYLORMADE said:
Performance by an actor in a leading role
Forest Whitaker in “The Last King of Scotland” (Fox Searchlight)

Performance by an actor in a supporting role
Djimon Hounsou in “Blood Diamond” (Warner Bros.) EDDIE MURPHY BETTER NOT WIN AN OSCAR

Performance by an actress in a leading role
Helen Mirren in “The Queen” (Miramax, Pathé and Granada)

Performance by an actress in a supporting role
Jennifer Hudson in “Dreamgirls” (DreamWorks and Paramount)

Best animated feature film of the year
“Happy Feet” (Warner Bros.) George Miller


Achievement in art direction
“Dreamgirls” (DreamWorks and Paramount)
Art Direction: John Myhre
Set Decoration: Nancy Haigh
“The Good Shepherd” (Universal)
Art Direction: Jeannine Oppewall
Set Decoration: Gretchen Rau and Leslie E. Rollins
“Pan’s Labyrinth” (Picturehouse)
Achievement in cinematography
“ “Pan’s Labyrinth” (Picturehouse) Guillermo Navarro
Achievement in costume design
Marie Antoinette” (Sony Pictures Releasing) Milena Canonero
“The Queen” (Miramax, Pathé and Granada) Consolata Boyle

Achievement in directing
“The Departed” (Warner Bros.) Martin Scorsese


Best documentary feature
Amy Berg and Frank Donner
“An Inconvenient Truth” (Paramount Classics and Participant Productions)

Best documentary short subject
“The Blood of Yingzhou District”
A Thomas Lennon Films Production
Ruby Yang and Thomas Lennon
“Recycled Life”
An Iwerks/Glad Production
Leslie Iwerks and Mike Glad
“Rehearsing a Dream”
A Simon & Goodman Picture Company Production
Karen Goodman and Kirk Simon
“Two Hands”
A Crazy Boat Pictures Production
Nathaniel Kahn and Susan Rose Behr

Achievement in film editing
“Babel” (Paramount and Paramount Vantage)
Stephen Mirrione and Douglas Crise

Best foreign language film of the year

“Pan’s Labyrinth” A Tequila Gang/Esperanto Filmoj/Estudios Picasso Production
Mexico

Achievement in makeup
“Apocalypto” (Buena Vista) Aldo Signoretti and Vittorio Sodano
Achievement in music written for motion pictures (Original score)
“Pan’s Labyrinth” (Picturehouse) Javier Navarrete
“The Queen” (Miramax, Pathé and Granada) Alexandre Desplat

Achievement in music written for motion pictures (Original song)
“I Need to Wake Up” from “An Inconvenient Truth”
(Paramount Classics and Participant Productions)
Music and Lyric by Melissa Etheridge
“Listen” from “Dreamgirls”
(DreamWorks and Paramount)
Music by Henry Krieger and Scott Cutler
Lyric by Anne Preven
“Love You I Do” from “Dreamgirls”
(DreamWorks and Paramount)
Music by Henry Krieger
Lyric by Siedah Garrett
“Our Town” from “Cars”
(Buena Vista)
Music and Lyric by Randy Newman
“Patience” from “Dreamgirls”
(DreamWorks and Paramount)
Music by Henry Krieger
Lyric by Willie Reale

Best motion picture of the year
“The Departed” (Warner Bros.)
A Warner Bros. Pictures Production
Best animated short film
“ “Lifted” (Buena Vista)
A Pixar Animation Studios Production
Gary Rydstrom

Best live action short film
“Binta and the Great Idea (Binta Y La Gran Idea)”
A Peliculas Pendelton and Tus Ojos Production
Javier Fesser and Luis Manso
“Éramos Pocos (One Too Many)” (Kimuak)
An Altube Filmeak Production
Borja Cobeaga
“Helmer & Son”
A Nordisk Film Production
Soren Pilmark and Kim Magnusson
“The Saviour” (Australian Film Television and Radio School)
An Australian Film Television and Radio School Production
Peter Templeman and Stuart Parkyn
“West Bank Story”
An Ari Sandel, Pascal Vaguelsy, Amy Kim, Ravi Malhotra and Ashley Jordan Production
Ari Sandel

Achievement in sound editing
“Flags of Our Fathers” (DreamWorks and Warner Bros., Distributed by Paramount)
Alan Robert Murray and Bub Asman
“Letters from Iwo Jima” (Warner Bros.)
Alan Robert Murray

Achievement in sound mixing
“Dreamgirls” (DreamWorks and Paramount)
Michael Minkler, Bob Beemer and Willie Burton

Achievement in visual effects
“Pirates of the Caribbean: Dead Man’s Chest” (Buena Vista)
John Knoll, Hal Hickel, Charles Gibson and Allen Hall SUPERMAN RETURNS BETTER NOT WIN

Adapted screenplay
“Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” (20th Century Fox)
Screenplay by Sacha Baron Cohen & Anthony Hines & Peter Baynham & Dan Mazer
Story by Sacha Baron Cohen & Peter Baynham & Anthony Hines & Todd Phillips

Original screenplay
“Babel” (Paramount and Paramount Vantage)
Written by Guillermo Arriaga
 
If Borat does not get nodded so shouldnt Dreamgirls...... It has a good amount of nominations..... Eddie Murphy is a cornball, Id rather see Hounsou take it
 
Performance by an actor in a leading role
Leonardo DiCaprio in “Blood Diamond” (Warner Bros.)

Performance by an actor in a supporting role
Mark Wahlberg in “The Departed” (Warner Bros.)

Performance by an actress in a leading role
Penélope Cruz in “Volver” (Sony Pictures Classics)

Performance by an actress in a supporting role
jennifer Hudson in “Dreamgirls” (DreamWorks and Paramount)


Best animated feature film of the year
“Monster House” (Sony Pictures Releasing) Gil Kenan

Achievement in art direction

“Pan’s Labyrinth” (Picturehouse)
Art Direction: Eugenio Caballero

Achievement in cinematography
“Pan’s Labyrinth” (Picturehouse) Guillermo Navarro


Achievement in costume design
“Curse of the Golden Flower” (Sony Pictures Classics) Yee Chung Man

Achievement in directing
“The Departed” (Warner Bros.) Martin Scorsese

Best documentary feature
“Jesus Camp” (Magnolia Pictures)
A Loki Films Production

Best documentary short subject
“The Blood of Yingzhou District”
A Thomas Lennon Films Production
Ruby Yang and Thomas Lennon
“Recycled Life”
An Iwerks/Glad Production
Leslie Iwerks and Mike Glad
“Rehearsing a Dream”
A Simon & Goodman Picture Company Production
Karen Goodman and Kirk Simon
“Two Hands”
A Crazy Boat Pictures Production
Nathaniel Kahn and Susan Rose Behr

Achievement in film editing
“The Departed” (Warner Bros.)
Thelma Schoonmaker


Best foreign language film of the year
“Pan’s Labyrinth” A Tequila Gang/Esperanto Filmoj/Estudios Picasso Production
Mexico


Achievement in makeup
“Pan’s Labyrinth” (Picturehouse) David Marti and Montse Ribe

Achievement in music written for motion pictures (Original score)
“Pan’s Labyrinth” (Picturehouse) Javier Navarrete


Achievement in music written for motion pictures (Original song)

“Listen” from “Dreamgirls”
(DreamWorks and Paramount)
Music by Henry Krieger and Scott Cutler(i just asume somthing from dreamgirls)


Best motion picture of the year
“The Departed” (Warner Bros.)
A Warner Bros. Pictures Production

Best animated short film
“The Danish Poet” (National Film Board of Canada)
A Mikrofilm and National Film Board of Canada Production
Torill Kove
“Lifted” (Buena Vista)
A Pixar Animation Studios Production
Gary Rydstrom
“The Little Matchgirl” (Buena Vista)
A Walt Disney Pictures Production
Roger Allers and Don Hahn
“Maestro” (Szimplafilm)
A Kedd Production
Geza M. Toth
“No Time for Nuts” (20th Century Fox)
A Blue Sky Studios Production
Chris Renaud and Michael Thurmeier

Best live action short film
“Binta and the Great Idea (Binta Y La Gran Idea)”
A Peliculas Pendelton and Tus Ojos Production
Javier Fesser and Luis Manso
“Éramos Pocos (One Too Many)” (Kimuak)
An Altube Filmeak Production
Borja Cobeaga
“Helmer & Son”
A Nordisk Film Production
Soren Pilmark and Kim Magnusson
“The Saviour” (Australian Film Television and Radio School)
An Australian Film Television and Radio School Production
Peter Templeman and Stuart Parkyn
“West Bank Story”
An Ari Sandel, Pascal Vaguelsy, Amy Kim, Ravi Malhotra and Ashley Jordan Production
Ari Sandel

Achievement in sound editing
“Blood Diamond” (Warner Bros.)
Lon Bender


Achievement in sound mixing
“Blood Diamond” (Warner Bros.)
Andy Nelson, Anna Behlmer and Ivan Sharrock

Achievement in visual effects
“Superman Returns” (Warner Bros.)
Mark Stetson, Neil Corbould, Richard R. Hoover and Jon Thum

Adapted screenplay
“The Departed” (Warner Bros.)
Screenplay by William Monahan

Original screenplay
“Pan’s Labyrinth” (Picturehouse)
Written by Guillermo del Toro
 
Marty better win he is long over due. The Academy tends to give awards, at times, based on career and not so much a particular piece of work. Think Denzel Training Day, Halle MOnsters, Al Pacino (scent of a woman, beat Denzels Malcolm X). It may not be his best film but Marty deserves to win. What does this guy have to do to win the best director, already.
 
god-of-war-420 said:
why would leo get nominated for blood diomand not the departed, they fucked him over again :smh: :smh: :smh:

Word..he killed that role in The Departed...much better than blood diamond
 
Damn, no Beyonce? Jennifer Hudson is takin all of B's shine, weird.

Forrest Whittikar is to Will Smith as Don Cheadle is to Jamie Foxx...
 
thetruth said:
Marty better win he is long over due. The Academy tends to give awards, at times, based on career and not so much a particular piece of work. Think Denzel Training Day, Halle MOnsters, Al Pacino (scent of a woman, beat Denzels Malcolm X). It may not be his best film but Marty deserves to win. What does this guy have to do to win the best director, already.


Yeah u do have a point. I always taught the Malcolm X was Denzels Best work to date in terms of character performance. I can't beleive he didn't win the oscar that yr.
 
eewwll said:
Man..they gonna fuck Marty again. This was not even one of his better more classic films either... but you know he is not gonna take it home....
It would appear that film critics and movie goers disagree with you. If I'm not mistaken the Departed is Marty's highest grossing film thus far, and is one of the best reviewed films of the year. Many people I know put it right up their with Goodfellas. A few have even told me they like it even better than Infernal Affairs.

Not trying to dismiss your opinion, though.
 
peterlongshort said:
Damn, no Beyonce? ...
GOOD.... Plus She is nodded for Listen..... She may take home an Oscar :hmm:

BTW this post is Blunt Bait...... Who is an aid porn Connesuier and Movie Critic
 
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peterlongshort said:
Damn, no Beyonce?
Truth be told I wasn't all that Impressed with Beyonce's performance. Not that I thought she was bad, I just don't think she deserved a nomination for it.

I really am glad to see Eddie and Jennifer get their props though. I'm still an Eddie Murphy fan (all of his crappy family films not withstanding) and this truly is his best performance in my opinion.

Jennifer just owned that film. Period.
 
Black Sexxxploitation said:
It would appear that film critics and movie goers disagree with you. If I'm not mistaken the Departed is Marty's highest grossing film thus far, and is one of the best reviewed films of the year. Many people I know put it right up their with Goodfellas. A few have even told me they like it even better than Infernal Affairs.

Not trying to dismiss your opinion, though.

I get what you are saying, but I am not judging this movie by box office sales. Brah..since when did box office sales determine if a movie is good or enough. There are several 100M plus grossing films that were straight trash. Only a non-serious movie viewer would really compare this film to Goodfellas. I cringed everytime a friend told me that. Then I went to see the movie and was ready to smack them.. :lol: Actually, Taxi-Driver, Goodfellas, Raging Bull,etc all blow The Departed away IMHO. Scorcese has has done damn near 50 films..this one maybe cracks his top ten. And what really killed it for me was the lazy ass ending where everyone died.. man..it was a stupid way to end what was an intelligent movie...even though is more of a shooting script issue than a directing issue.

I liked the movie.. but it felt contrived...and I definitely did not walk away feeling this was even the same league as Goodfellas.... think of all the memorable scenes, one-liners, characters, subplots in Goodfellas... i cant think of ONE in The Departed.
 
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eewwll said:
I get what you are saying, but I am not judging this movie by box office sales. Brah..since when did box office sales determine if a movie is good or enough. There are several 100M plus grossing films that were straight trash. Only a non-serious movie viewer would really compare this film to Goodfellas. I cringed everytime a friend told me that. Then I went to see the movie and was ready to smack them.. :lol: Actually, Taxi-Driver, Goodfellas, Raging Bull,etc all blow The Departed away IMHO. Scorcese has has done damn near 50 films..this one maybe cracks his top ten. And what really killed it for me was the lazy ass ending where everyone died.. man..it was a stupid way to end what was an intelligent movie...even though is more of a shooting script issue than a directing issue.

I feel you. Your an old school Scorcese fan like me. Nothing will ever compare to very first time I ever saw Goodfellas...

..Although....

The Departed is something of a departure for Scorcese (no Pun intended). It's probably the closest he'll ever get to directing a straight up crowd pleasing action flick. A thriller with plot twists and all that. He's never really dabbled in that before. Overall I think it was a very successful attempt at that kind of filmmaking.

and I think Jack Nicholson had a lot of memorable lines. "Don't Laugh! This ain't reality TV!"
 
Black Sexxxploitation said:
It would appear that film critics and movie goers disagree with you. If I'm not mistaken the Departed is Marty's highest grossing film thus far, and is one of the best reviewed films of the year. Many people I know put it right up their with Goodfellas. A few have even told me they like it even better than Infernal Affairs.

Not trying to dismiss your opinion, though.

The Departed is good but it is not in the Goodfellas league. It may be highest grossing but that doesn't mean shit. Goodfellas was one of the best movies in american cinema history. I don't think you could make that claim with The Departed, even though (I think) it was the best film of the year.
 
Black Sexxxploitation said:
I feel you. Your an old school Scorcese fan like me. Nothing will ever compare to very first time I ever saw Goodfellas...

..Although....

The Departed is something of a departure for Scorcese (no Pun intended). It's probably the closest he'll ever get to directing a straight up crowd pleasing action flick. A thriller with plot twists and all that. He's never really dabbled in that before. Overall I think it was a very successful attempt at that kind of filmmaking.

and I think Jack Nicholson had a lot of memorable lines. "Don't Laugh! This ain't reality TV!"

It reminded me of Goodfellas..in the sense of the way the scenes were shot..but beyond that..not much else.

Dont get me wrong.. I enjoyed the film a lot(except for the ending). I just think Goodfellas is an all-time classic movie though...the real deal.
 
peterlongshort said:
Damn, no Beyonce? Jennifer Hudson is takin all of B's shine, weird.

Hudson was perfectly cast (beating out 800 others) and hit it out of the park, but it's still only her frst acting effort. She doesn't even consider herself an actress (but rather a singer). She and Beyonce aren't on the same planet. Hudson's role was always the "key" one in the musical.

Forrest Whitaker is to Will Smith as Don Cheadle is to Jamie Foxx...

You've got that backwards.
 
HandsSolo2K5 said:
... Plus She is nodded for Listen..... She may take home an Oscar

Nope. She was dropped from the credit list for that song. The Academy only allows 3 writers. She was the fourth.

But Siedah Garrett (former Michael Jackson singing partner, songwriter and solo artist) did get nominated for co-writing another original Dreamgirls song.

BTW this post is Blunt Bait......

Apparently it's "bait" for you as well. Funny how you always beat me to these supposed "bait" threads.

:smh:
 
Blunt said:
Hudson was perfectly cast (beating out 800 others) and hit it out of the park, but it's still only her frst acting effort. She doesn't even consider herself an actress (but rather a singer). She and Beyonce aren't on the same planet. Hudson's role was always the "key" one in the musical.



You've got that backwards.
I wasn't clear, my bad.
I was trying to say that the better/more serious black actor is going to get beat by the more popular/comedic black actor, again. I still think Cheadle got robbed for 'Hotel Rwanda'. :hmm:
 
Black Sexxxploitation said:
The Departed is something of a departure for Scorsese (no Pun intended). It's probably the closest he'll ever get to directing a straight up crowd pleasing action flick. A thriller with plot twists and all that. He's never really dabbled in that before.

Scorsese's real "crowd-pleasing action/thriller" flick was Cape Fear. He did that just to prove he could finally make some money at the box office.

The Departed is more of a return to the gangsta/urban mode he's been most identified with in the past.
 
Blunt said:
Scorsese's real "crowd-pleasing action/thriller" flick was Cape Fear. He did that just to prove he could finally make some money at the box office.

The Departed is more of a return to the gangsta/urban mode he's been most identified with in the past.
To me Cape Fear played more like a suspense thriller than an action film, but I get your point.
 
peterlongshort said:
I was trying to say that the better/more serious black actor is going to get beat by the more popular/comedic black actor, again. I still think Cheadle got robbed for 'Hotel Rwanda'.

Well, Forest Whitaker is far and away the odds-on favorite to win "Best Actor." He's won virtually every other award. Will Smith isn't even in the ballpark. The only chance for an upset is a sentimental vote for 8-time nominee (who's never won) Peter O'Toole (but his film hasn't been seen by enough folks).

The nomination of great young actor Ryan Gosling for the excellent urban drama Half-Nelson is terrific. It's similar to Ed Norton getting the nod for American HIstory X a few years back. A recognition of future (and current) brilliance.
 
HandsSolo2K5 said:
YOU PICK SUPERMAN RETURNS OVER PIRATES OF THE CARRIBEAN GOD OF WAR? :smh:
yes personally i don't see how its a competition, just off the scene were he stops the plane in the air what in pirates rivals that
 
god-of-war-420 said:
yes personally i don't see how its a competition, just off the scene were he stops the plane in the air what in pirates rivals that
I think the CG work on Davy Jones is more than enough to deserve the oscar.

The scene wear supes stops the plane was dope, though. As seamless as any cg work I've ever seen.
 
Look at blunt going crazy like sugar on an Ant. Blunt has a 24- hour erection over this shit. The oscars are here like OMG!!!! FABULOUS HONEY FABULOUSSSTH!. Fuckin faggot.
 
Black Sexxxploitation said:
I was hoping that Children of Men would get a best picture nod. That was my favorite film of the year next to Pan's Labyrinth

I still havent seen Children of Men yet... overseas and shit gets here late..and I dont want to watch it online..
 
eewwll said:
I still havent seen Children of Men yet... overseas and shit gets here late..and I dont want to watch it online..

Claire-Hope Ashitey


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..wonder what will be the looks on will and forrest's faces when they see leonardo walking up to get his award :rolleyes: LOL seriously hope either one of them wins.. im'a assume paul greengrass may get the best director win for United 93..then again Clint or Martin may win who knows
 
If you had told me fifteen years ago that Marky Mark would end up an Oscar nominee for his role in a Martin Scorcese film, I would have laughed right in your face. "Music For The (White) People", indeed....

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