Charlemagne says he didn't call Will a bitch...
Charlemagne says he didn't call Will a bitch...
THIS IS THE SHIT I'M TALKING ABOUT WITH THIS GENERATION...
Ya'll wanted Chris to get back at him...you waited for it... you sat there like this
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and the second he does EXACTLY what you wanted him to do NOW ya'll niggas get NEW and act disgusted
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This dude got ASSAULTED ON LIVE TV IN FRONT OF MILLIONS... nobody went to jail....nobody sent goons to Wills house to handle business.... Will didn't even get kicked out of the fucking theater after doing that shit!
and FIRST TIME Chris Rock publicly addresses it.. YOU ALL think his STAND UP ROUTINE CROSSED A LINE????
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HOW THE FUCK DOES THAT WORK???
Seriously... someone explain that shit???
Waiting for will to slap shit outta the no name white actor who improvised spitting on him TWICE during a scene in that slave movie...that shit was way more disrespectful than anything Chris said about jada. When is Will gonna publicly smack shit outta that cac?Still waiting for Chris Rock to clap back at Louis CK and Ricky Gervais blatantly using the word n*gger in his face and laughing. That shit was way more disrespectful than a slap.
When does that netflix special come out?
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Waiting for will to slap shit outta the no name white actor who improvised spitting on him TWICE during a scene in that slave movie...that shit was way more disrespectful than anything Chris said about jada. When is Will gonna publicly smack shit outta that cac?
Here’s the irony; Will told that story better than Chris tells jokes. His timing and cadence was impeccable.Waiting for will to slap shit outta the no name white actor who improvised spitting on him TWICE during a scene in that slave movie...that shit was way more disrespectful than anything Chris said about jada. When is Will gonna publicly smack shit outta that cac?
Is that our Truth? It says cali/NY and he's following mostly Asian women.
Chris Rock's Outraged Netflix Comedy, Will Smith's Outrageous Slap--and MeI'm wondering why ultra serious Kareem is up there
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Good question. Hard to believe he didn’t negotiate for more, he needs to sic Will Smith on his agent if not.I wonder if this special was part of the $40 million 2 show deal...
Or did have to give Chris a bonus?
Especially as their FIRST live?
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Netflix pays a reported $40 million for two Chris Rock stand-up specials
The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.www.theverge.com
'Chris Rock should have focused on Will Smith. But he couldn’t help himself.' said:“Everybody Hates Chris,” the brilliant coming-of-age sitcom based on Rock’s life, features a scrawny teenage Chris who is forever at the mercy of bullies and who is never the pick of girls. In that series, he is smaller, less athletic, less handsome and less charming than even his younger brother. In a September 2020 profile in “The Hollywood Reporter,” he said his bullies didn’t just beat him up; they threw balloons filled with pee at his head.
https://www.msnbc.com/opinion/msnbc...etflix-special-ups-oscars-criticism-rcna72920
'Chris Rock should have focused on Will Smith. But he couldn’t help himself.' said:Given that in his 2018 Netflix comedy special, “Tambourine,” Rock expresses the certainty that Bill Gates and Mark Zuckerberg were bullied and that being bullied shaped them into one-of-a-kind entrepreneurs, it’s obvious that he believes being bullied shaped him into who he is: someone who can execute a bigger slap down with his words than he ever could with his hand.
And so Saturday night, he attempted to recast Smith, somebody he’s said he’d loved since his DJ Jazzy Jeff and The Fresh Prince days, as something other than the big, tall, handsome, silver-tongued leading man, and as something other than a husband nobly defending his wife. In pointing out he is “significantly bigger than me,” he recast Smith as a bully. He accused Smith of not having not responded as multiple celebrities had said the most disparaging things about him and about his wife’s sexual exploits — and then selectively choosing to attack Rock, somebody he “knows he can beat,” for Rock’s “G.I. Jane” joke.
In the years to come, it will all die bc of too many sensitive fags out there. Always looking for something to complain about rather than laugh or not laugh and moving the fuck onThings like this make me want to rewatch Eddie Murphy raw, in living color, I’m gonna get you sucka, house party, and old school def comedy jam.. real comedy has slowly died
Real comedy isn’t dead, y’all just don’t wanna pay for it. The funniest comedians aren’t famous. Hollywood told you Tiffany Haddish was funny, the world didn’t and she proved it. Jess Hilarious is not-at-all. Kevin Hart isn’t the benchmark, he’s the it guy. Support the up and coming guys. Hollywood never put Patrice on. Who can fuck with him, even dead??? He wasn’t mainstream and was unfuckwittable.In the years to come, it will all die bc of too many sensitive fags out there. Always looking for something to complain about rather than laugh or not laugh and moving the fuck on
Thanks fir posting this.Chris Rock's Outraged Netflix Comedy, Will Smith's Outrageous Slap--and Me
How'd I get to be part of Chris Rock's Netflix comedy special--and what I think about it.
MAR 7
Selective outrage is all the rage. You mustn’t cancel Kanye’s tweets but banning books is okay. You mustn’t allow political corruption, but letting George Santos into Congress is okay. You mustn’t eat chicken but trout is okay.
That’s the point of Chris Rock’s new Netflix comedy special, Selective Outrage, which was broadcast live on Saturday, March 4 and which I was part of as a guest on the Show After The Show. We pick and choose what we’re outraged about as if selecting from a cold and congealed buffet of trigger points.
How’d I get there and what does it personally mean to me?
I’m a fan of Chris. Not just his blunt yet incisive comedy, but also his powerful and nuanced acting. His role as the doomed gangster in Fargo was commanding and heartbreaking. I was riveted.
Some comedians’ routines come from personal pain and struggles, some come from witty observation of human foibles and contradictions. Both are equally valid because both tread in the murky waters of our shared vulnerabilities, insecurities, and arrogance. We all wear carefully crafted masks of how we want others to see us and how we want to see ourselves. As with the best artists, the best comedians yank those masks off and make us look at each other and ourselves as we really are, so that in those moments of clarity, we can choose to embrace what we like—and change what we don’t. As with the best of art, those lights illuminate us only briefly before they are dimmed and the comedian leaves the stage.
Jerry Seinfeld and Ricky Gervais, both wonderful comedians, have created stage personas of distant observers who gaze upon humanity with amused disengagement. They do it with amazing wit and insight. And, most important, they are very, very funny.
But Chris brings us a more personal humor, forged in the pain and struggles of being Black in America, of being a Black entertainer, of being a Black parent, and even of being a rich Black celebrity. And, most important, he is very, very funny.
In case you think I’m saying all this just because we know each other, you are wrong. Loyal readers of my Substack and my articles in The Hollywood Reporter know that I have in the past called out famous Black athletes and celebrities, even close friends, when I thought they did something wrong. I would then get angry and hurt calls from them asking why I didn’t keep quiet. My answer is always the same: when someone famous uses their celebrity to promote dangerous ideas in public, the response also needs to be public in order to mitigate the damage.
Last March, when Will Smith slapped Chris at the Academy Awards show, I wrote an article on my Substack called “Will Smith Did a Bad, Bad Thing” which got millions views, my most-read article. In it, I criticized Will, even though I’ve known him for a long time and liked him. But what he did was bad for men, bad for women, and bad for Black Americans. And if Chris ever does or says something that I think is detrimental, I’ll comment on that too.
But I have nothing except praise for Chris’s Selective Outrage. I guess Chris and I have something in common. I write a regular column, “Kareem Reacts to the News,” and Chris does stand-up in which he reacts to the news. We are both outraged by other people’s selective (meaning inconsistent and contradictory) outrage, while smugly confident in our own righteousness. His presentation is funny and mine isn’t, though some say I have a dry, parched, almost desert-like, sense of humor.
I was honored to be part of his Aftershow. I got to bask in Chris’s hard-earned glory without doing anything. Now, go out and watch Chris do what he does best. Your day will be brighter because of it.
You’re right. I was mainly speaking mainstream. But yeah, the underground is where it’s at. Corey Holcomb shows are off the chain and raw as fuck. I wish some of sensitive asses get a chance to witness something like thatReal comedy isn’t dead, y’all just don’t wanna pay for it. The funniest comedians aren’t famous. Hollywood told you Tiffany Haddish was funny, the world didn’t and she proved it. Jess Hilarious is not-at-all. Kevin Hart isn’t the benchmark, he’s the it guy. Support the up and coming guys. Hollywood never put Patrice on. Who can fuck with him, even dead??? He wasn’t mainstream and was unfuckwittable.
So Jada is a innocent victim in this, she did nothing wrong and Chris is just bullying her?Second half definitely better than the first.
going in on Jada ≠ going in on Black women. I'm so tired of that narrative.
So Jada is a innocent victim in this, she did nothing wrong and Chris is just bullying her?