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Beyonce new album will be called Renaissance, release date 7/29.. RELEASED TODAY

xfactor said:
The LGBT club member @lightbright thinks so to post about that bullshit on BGOL :smh:
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HNIC said:
It's not a bad song, but there are thousands of records on Spotify that sound that good or better.
She is suppose to be a Superstsar, her songs should be making you say DAMN THAT's HOT.
Instead it's just a blah song that has Zero originality.
Does it really sound better than :ipod:
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HNIC said:
This has to be the greatest marketing job in the history of music. the idea that this brawd is some kind of transformative singer is laughable. When she calls herself really getting down, like Aretha or Whitney it is pure comedy.
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This what Trick Daddy was trying to say but said it wrong...
 
HNIC said:
This has to be the greatest marketing job in the history of music. the idea that this brawd is some kind of transformative singer is laughable. When she calls herself really getting down, like Aretha or Whitney it is pure comedy.
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She's a good entertainer. Not top 5, but she's in an era where all the female stars are strippers and the guy stars are holocaust thin and drugged out, so I can see her being praised the way she is.
 
REDLINE said:
Y'all are just some fucking haters! :roflmao:

Her fans and the media say her music and her album is amazing, but dude's who don't even listen to Beyoncé so it's wack.

Let me find out that @HNIC is looking for that one Beyoncé song to make him

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:lol:
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phanatic said:
She's a good entertainer. Not top 5, but she's in an era where all the female stars are strippers and the guy stars are holocaust thin and drugged out, so I can see her being praised the way she is.
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So far, I like the songs that I've heard, but they have me wondering why every song she makes is basically repeating the same hook over and over again for like 80-90% of the content of the song.... and after going through that whole shit with Robin Thicke, shouldn't Pharrell know better than to do this? ...


Kelis Didn't Know Beyoncé Was Sampling Her Song on Renaissance: 'This Was a Trigger for Me'

Queen B's "Energy" samples Kelis' "Milkshake," on which Pharrell Williams and Chad Hugo of The Neptunes are the sole credited writers and producers

Kelis is one of many musicians whose work is sampled on Beyoncé's new album Renaissance — and the "Bossy" hitmaker feels disrespected.
Queen B's new song "Energy" includes an interpolation of Kelis' 2003 signature hit "Milkshake," on which Pharrell Williams and Chad Hugo of The Neptunes are the sole credited writers and producers. (Williams, 49, and Hugo, 48, are credited as co-writers on "Energy," per Genius — Kelis, 42, whose vocals do not appear on the Renaissance track, is not.)
Ahead of the Friday release of Renaissance, the musician and chef took to Instagram and expressed anger toward not being contacted about the song's use beforehand.
After a fan account named @kelistrends shared a throwback photo of Kelis and Beyoncé, 40, alongside a caption mentioning that Renaissance "will include a @Kelis sample on the song 'Energy'," the Grammy nominee left a comment from her verified @bountyandfull account, writing, "It's not a collab it's theft."

​


....In follow-up comments, Kelis revealed that she heard about the sample "the same way everyone else did" and said, "The level of disrespect and utter ignorance of all three parties is astounding."

​


The comments quickly sparked online conversation, and the "Caught Out There" singer later posted two Instagram videos explaining her feelings toward the situation.



"I'm an artist, so I am — as Erykah [Badu] said, 'I'm sensitive about my s—,'" Kelis said on-camera. "The reality is that my real beef is not only with Beyoncé, because at the end of the day, she sampled a record. She's copied me before, so have many other artists, it's fine, I don't care about that."

"The issue is that not only are we female artists, okay? Black female artists in an industry [where] there's not that many of us," she continued. "We've met each other, we know each other, we have mutual friends. It's not hard. She can contact, right?"

Kelis then said pop singer Ashnikko, who sampled 1999's "Caught Out There" on her 2021 single "Deal With It," contacted her before using the song. "She's a young white girl, she reached out when she freakin' like… it's just common decency. It's common decency."
Seemingly referencing fans pointing out that Kelis doesn't have writing or production credits on the song, she added, "I know what I own and what I don't own. I also know the lies that were told. I also know the things that were stolen. Publishing was stolen, people were swindled out of rights. It happens all the time, especially back then. So, it's not about me being mad about Beyoncé."
She specifically mentioned Williams, 49, claiming the "Happy" musician "knows better."
"This is a direct hit at me," she said of her former collaborator, whom she alleged holds writing credits on many of their collaborative works despite not contributing lyrics. "He does this stuff all the time. It's very petty."
Representatives for Beyoncé, Kelis and Williams did not immediately respond to PEOPLE's request for comment.
Kelis has previously called out The Neptunes, claiming she was "blatantly lied to and tricked" by Williams and Hugo, 48, into signing contracts in a 2020 interview with The Guardian that've caused her not to make any money from her first two albums, 1999's Kaleidoscope and 2001's Wanderland.
"I was told we were going to split the whole thing 33/33/33, which we didn't do," she said at the time. "[The Neptunes and their team's] argument is, 'Well, you signed it.' I'm like, 'Yeah, I signed what I was told, and I was too young and too stupid to double-check it.'"



CONTINUED:
Kelis Didn't Know Beyoncé Was Sampling Her Song on Renaissance | PEOPLE.com
 
lightbright said:
So far, I like the songs that I've heard, but they have me wondering why every song she makes is basically repeating the same hook over and over again for like 80-90% of the content of the song.... and after going through that whole shit with Robin Thicke, shouldn't Pharrell know better than to do this? ...


Kelis Didn't Know Beyoncé Was Sampling Her Song on Renaissance: 'This Was a Trigger for Me'

Queen B's "Energy" samples Kelis' "Milkshake," on which Pharrell Williams and Chad Hugo of The Neptunes are the sole credited writers and producers

Kelis is one of many musicians whose work is sampled on Beyoncé's new album Renaissance — and the "Bossy" hitmaker feels disrespected.
Queen B's new song "Energy" includes an interpolation of Kelis' 2003 signature hit "Milkshake," on which Pharrell Williams and Chad Hugo of The Neptunes are the sole credited writers and producers. (Williams, 49, and Hugo, 48, are credited as co-writers on "Energy," per Genius — Kelis, 42, whose vocals do not appear on the Renaissance track, is not.)
Ahead of the Friday release of Renaissance, the musician and chef took to Instagram and expressed anger toward not being contacted about the song's use beforehand.
After a fan account named @kelistrends shared a throwback photo of Kelis and Beyoncé, 40, alongside a caption mentioning that Renaissance "will include a @Kelis sample on the song 'Energy'," the Grammy nominee left a comment from her verified @bountyandfull account, writing, "It's not a collab it's theft."

​


....In follow-up comments, Kelis revealed that she heard about the sample "the same way everyone else did" and said, "The level of disrespect and utter ignorance of all three parties is astounding."

​


The comments quickly sparked online conversation, and the "Caught Out There" singer later posted two Instagram videos explaining her feelings toward the situation.



"I'm an artist, so I am — as Erykah [Badu] said, 'I'm sensitive about my s—,'" Kelis said on-camera. "The reality is that my real beef is not only with Beyoncé, because at the end of the day, she sampled a record. She's copied me before, so have many other artists, it's fine, I don't care about that."

"The issue is that not only are we female artists, okay? Black female artists in an industry [where] there's not that many of us," she continued. "We've met each other, we know each other, we have mutual friends. It's not hard. She can contact, right?"

Kelis then said pop singer Ashnikko, who sampled 1999's "Caught Out There" on her 2021 single "Deal With It," contacted her before using the song. "She's a young white girl, she reached out when she freakin' like… it's just common decency. It's common decency."
Seemingly referencing fans pointing out that Kelis doesn't have writing or production credits on the song, she added, "I know what I own and what I don't own. I also know the lies that were told. I also know the things that were stolen. Publishing was stolen, people were swindled out of rights. It happens all the time, especially back then. So, it's not about me being mad about Beyoncé."
She specifically mentioned Williams, 49, claiming the "Happy" musician "knows better."
"This is a direct hit at me," she said of her former collaborator, whom she alleged holds writing credits on many of their collaborative works despite not contributing lyrics. "He does this stuff all the time. It's very petty."
Representatives for Beyoncé, Kelis and Williams did not immediately respond to PEOPLE's request for comment.
Kelis has previously called out The Neptunes, claiming she was "blatantly lied to and tricked" by Williams and Hugo, 48, into signing contracts in a 2020 interview with The Guardian that've caused her not to make any money from her first two albums, 1999's Kaleidoscope and 2001's Wanderland.
"I was told we were going to split the whole thing 33/33/33, which we didn't do," she said at the time. "[The Neptunes and their team's] argument is, 'Well, you signed it.' I'm like, 'Yeah, I signed what I was told, and I was too young and too stupid to double-check it.'"



CONTINUED:
Kelis Didn't Know Beyoncé Was Sampling Her Song on Renaissance | PEOPLE.com
Click to expand...


To my knowledge The Neptunes wrote and produced the song so they're the owners of the song.

Beyoncé didn't need or have to call Kelis for permission to use the song. The producers of that song reached out to the producers of that Kelis produced song and made it happen.

Apparently Kelis doesn't like Beyoncé and is going on an unnecessary rant because she's mad and bitter.



Now regarding Beyoncé's new album, I haven't heard it like most men on this board. I haven't heard Lemonade either, it just ain't must've that I listen to! :lol:

I might've heard a couple of songs in the past but I don't ride around bumping Beyoncé

200w.gif


like most dude's on this board.

So when they talk shit about her music like they actually listen, that shit's funny to me!

Now I did like some songs on her first album because this is my shit!



So when people say she can't sing, I already know that they didn't listen.
 
REDLINE said:
To my knowledge The Neptunes wrote and produced the song so they're the owners of the song.

Beyoncé didn't need or have to call Kelis for permission to use the song. The producers of that song reached out to the producers of that Kelis produced song and made it happen.

Apparently Kelis doesn't like Beyoncé and is going on an unnecessary rant because she's mad and bitter.



Now regarding Beyoncé's new album, I haven't heard it like most men on this board. I haven't heard Lemonade either, it just ain't must've that I listen to! :lol:

I might've heard a couple of songs in the past but I don't ride around bumping Beyoncé

200w.gif


like most dude's on this board.

So when they talk shit about her music like they actually listen, that shit's funny to me!

Now I did like some songs on her first album because this is my shit!



So when people say she can't sing, I already know that they didn't listen.
Click to expand...

What I've heard, I've heard on WBLS and the television...... WBLS rants about her shit 24/7
sidebar: not turning off the radio cause a Beyonce song comes on :dunno:

.


..
 
Last edited:
That first single along with Drake’s whole album sounds like lgbtq music.
Please tell me this is not the direction that music is going!!!​
 
I listened to her album to see what all the fuss was about because I haven't listened to a Beyonce song since her first album. Her music ain't for me that's the most positive thing. Listening her album was like trying to date a single mother or a divorcee(don't do it). The last song on the album is Renaissance she samples Donna Summers I feel love. The only thing her album did is make me want to listen to Donna Summer I mean she did it better.
 
Beyonce has officially lost it... I think she has fully embraced the demonic/santanic ideology. It's amazing how a beat can mask nonsensical lyrics.
 

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