shit wayne got real beef to deal w/...he trying not to get shot by his daddy and his new boy toy![]()







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shit wayne got real beef to deal w/...he trying not to get shot by his daddy and his new boy toy![]()
Yo has Meek ever tweeted any of his label mates albums? Or Drakes Albums over the few years he's been on?
I find it real suspect this nigga always quick to flip if no one tweets his album...
http://www.mtv.com/news/2221917/hip-hop-ghostwriter-explains-how-it-works/<b>MTV: Once you get tapped by an artist to write, what happens next? Is there an agreement that’s signed before you step in the studio?</b></p>
<p><b>Aaron:</b> I never had an agreement [before writing], so I can’t speak on everybody’s situation, but to sign an agreement before you go in would seem very rare. I would assume you’d have to be writing for somebody who’s looked at as never having a writer. It would have to be a Jay Z, and obviously we know Jay isn’t getting any help. Jay’s written for other people; Jay’s been writing for people since 1996. For the most part it’s just a vibe, it’s really going in the studio, catching a vibe, building, feeling each other out and just making music. It usually starts with one song and that turns into more. It’s like a trial and error. You see how that goes and then you keep going. </p><b>MTV: Some writers receive writing credit, some do not. It’s assumed that being a ghostwriter means that you receive no traditional writing credit. Can you break that down?</b></p>
<p><b>Aaron:</b> You’re still a ghostwriter if you’re getting credit, the difference is if it’s public knowledge. When you look at album credits and track one has five or six names on it. The artist, you know his real name, that name may be first. The second name is the producer’s name, so that name is there. Let’s say there’s a Michael Jackson sample, so you might have Michael Jackson’s name there. You might have Quincy Jones’ name there, because he produced the original Michael Jackson record. So now you got so-and-so rapper, so-and-so producer, M. Jackson from the sample, Q. Jones from the sample and then there’s a fifth name and it becomes, “Who’s that fifth name?” And that’s when people start doing research and trying to figure out who’s this fifth name on this record. And that’s when you start getting to the bottom of things. You gotta really read the credits. There’s a lot of musicians on the record, you may have 10 names, it doesn’t mean 10 people wrote the rhymes. </p>
<p>I say all that to say, you’re still a ghost if your name is in the credits… It’s still hidden, it’s still tucked away, that person isn’t doing interviews running around saying, “I wrote this and I wrote that.”<br>
</p><b>MTV: Writing doesn’t have the same stigma in other genres like R&B, but in hip-hop it’s taboo. Why?</b></p>
<p><b>Aaron:</b> When you look at R&B and you look at pop and all these other genres of music, it’s nothing to have writers. I see a lot of people arguing for different artists, saying, “Well, Michael Jackson had help with this and Mary J. Blige had help with that. And Usher had help with that.” That’s very true, the reason is because in R&B and pop it’s about so much more than what you’re saying. What you’re saying may be the last piece of the puzzle. It’s about vocally, can you hit octaves and ranges. And if it’s not dancing, it’s playing an instrument. So you take somebody like Alicia Keys, she has to be able to sing, she has to be able to play instruments, and then the writing is just the added component — and we all know Alicia Keys writes — but if she’s not writing a certain song, that’s not what she really came there for anyway. She came to sing and play the piano. Usher came to sing and dance, Mary came to sing and occasionally dance. It’s about those components.<br>
</p><b>MTV: So what’s different about hip-hop?</b></p>
<p><b>Aaron:</b> The requirements in hip-hop are not about being a dancer, it’s not about being able to play the guitar and drums while you’re rapping, or even DJ’ing while you’re rapping. It is literally about what you’re saying, that’s it. And that’s why people have such a problem when they find out an artist that they look up to is getting help. It’s like, “Wait a minute, all you’re supposed to do is worry about what you’re saying.” I know an R&B artist may not have written their song, but I’m not coming to them for that, I’m coming because their voice is amazing… so it doesn’t matter if this guy or that guy wrote the record. With rappers, you’re only coming to them because they can rap. So if you’re not rapping, what are we doing, why am I here? And that’s the tug of war that the older fans understand from a different generation and the newer fans don’t get… Of course flow is a big part of it and cadence and different things like that. 100 percent, but it’s very different from hitting nine octaves like Mariah Carey.<br>
</p><b>MTV: If somebody wrote a hook for a rapper, is that more acceptable?</b></p>
<p><b>Aaron:</b> Yeah, it’s more accepted because it’s the hook. The hook is eight bars — it’s really four bars looped up twice, so it’s a little more acceptable with that. It’s even more accepted when the hook comes with the beat. A lot of times a producer like Kanye West or Pharrell or Swizz Beatz, they’ll give you a beat with the hook in place. So if you don’t take the record, they’re going pitch that record to somebody else. That’s common knowledge. If you watch “Fade to Black” the [2004] Jay Z documentary, Kanye was playing all of those beats for Jay for <i>The Black Album</i> with the hooks. The “Encore” beat was playing and ’Ye was spitting the same hook that you now hear Jay spitting on the record. The “Lucifer” beat was playing and Kanye was spitting the same hook that Jay was spitting when you bought the album — he changed a line or two, but ’Ye wrote those hooks. It’s not because Jay needed a writer, it’s because when Kanye made the beat as a producer, he had a vision for what the hook should be and he pitched the beat with the hook and Jay just wrote around it. That happens all the time. When the producer pitches the hook with the beat, that’s not ghostwriting at all… When it comes to those verses and the whole song, that’s when we have an issue.</p>
Lol he tweed Gunplay shit the other day...but I'm pretty sure GP wishes he hadn't
I'm sure he could've called Drake and asked him to tweet his album if it meant that much to him and Drake friendly ass would've done it
He burned that bridge for no reason
I'm sorry I don't fuck with people who you always do something for them and they still unappreciative and spoiled really
First time you don't do something for them it's like fuck you
Been there done that
Cut them mufuckas off once they expose themselves
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Man shut yo dumb ass up!
Dam near everyone gets hooks written for them. Hooks are about song making. MC'ing and rapping is about lyrics. Many producers give hooks with their tracks and the artist builds around that or adjusts the hook to fit their train of thought. Pharrell clown ass has written tons of hooks for your favorite rappers. Fab "Breathe" was a track and hook given to him by Just Blaze. Fab built the entire song around the hook because he thought it was saying "Breath". When he found out it wasnt Jus Blaze adjusted the vocals to say just that. Point being, everyone has hooks written for them.
MTV: If somebody wrote a hook for a rapper, is that more acceptable?
Aaron: Yeah, it’s more accepted because it’s the hook. The hook is eight bars — it’s really four bars looped up twice, so it’s a little more acceptable with that. It’s even more accepted when the hook comes with the beat. A lot of times a producer like Kanye West or Pharrell or Swizz Beatz, they’ll give you a beat with the hook in place. So if you don’t take the record, they’re going pitch that record to somebody else. That’s common knowledge. If you watch “Fade to Black” the [2004] Jay Z documentary, Kanye was playing all of those beats for Jay for The Black Album with the hooks. The “Encore” beat was playing and ’Ye was spitting the same hook that you now hear Jay spitting on the record. The “Lucifer” beat was playing and Kanye was spitting the same hook that Jay was spitting when you bought the album — he changed a line or two, but ’Ye wrote those hooks. It’s not because Jay needed a writer, it’s because when Kanye made the beat as a producer, he had a vision for what the hook should be and he pitched the beat with the hook and Jay just wrote around it. That happens all the time. When the producer pitches the hook with the beat, that’s not ghostwriting at all… When it comes to those verses and the whole song, that’s when we have an issue.
That's it? Of all people he tweeted gunplay? Ole clown ass nigga for real
Had the be pre back to back.... but for damn sure it's pre wanna know
Nore speaking the truth. I think it's good for hiphop... but because it's changed how rappers are communicating with fans and vice versa. These niggas are SUPER EXPOSED and open to get touched by every Tom Dick & Mary.
You have to watch for the hook and be on point 24 7 cuz the streets ain't the only ones watching... myths fuckin What's burger may fire shots at any time lol
Was he on some Drakestrodaums shit?
Lol addressed the beef 3 years before Twitter fingers jumped bad?
That Gunplay clip may be the realest, most mature and most sound shit posted in here. Sad when he is the voice of reason for Meek clown ass.
Thats what happens tho when you surround yourself with dumb dependent enablers.
He never does.![]()
Had the be pre back to back.... but for damn sure it's pre wanna know
Nore speaking the truth. I think it's good for hiphop... but because it's changed how rappers are communicating with fans and vice versa. These niggas are SUPER EXPOSED and open to get touched by every Tom Dick & Mary.
You have to watch for the hook and be on point 24 7 cuz the streets ain't the only ones watching... myths fuckin What's burger may fire shots at any time lol
Man some of ya'll need to discuss Nicki versus Iggy the way ya'll discuss this rap shit
meek is just a nigga with money. thats it. eriod. that nigga has no sort of intelligence. he let a little jealousy end his career. the nigga couldnt even come up with a with comeback after what like 4 days? and it all supposedly started because drake wouldnt tweet his album. that goes to show you where these industry niggas really are. he exposed hmself as a fraud trying to be a real nigga.basically if u aint doing for him then fuck you. hes one of them niggas that see somebody make it out the hood and will hold his hands out like "wheres my cut nigga?"
boy im so disappointed in this nigga meek. i cant listen to his music anymore. and the only reason i havnt spoken on this on social media is because he has a trak of mines thats a potential single. im just waiting on the check but at this point it almost dont even matter because that nigga career is on thin ice
meek is just a nigga with money. thats it. eriod. that nigga has no sort of intelligence. he let a little jealousy end his career. the nigga couldnt even come up with a with comeback after what like 4 days? and it all supposedly started because drake wouldnt tweet his album. that goes to show you where these industry niggas really are. he exposed hmself as a fraud trying to be a real nigga.basically if u aint doing for him then fuck you. hes one of them niggas that see somebody make it out the hood and will hold his hands out like "wheres my cut nigga?"
boy im so disappointed in this nigga meek. i cant listen to his music anymore. and the only reason i havnt spoken on this on social media is because he has a trak of mines thats a potential single. im just waiting on the check but at this point it almost dont even matter because that nigga career is on thin ice
If Young Fag shoots like he punches Wayne aint got shit to worry about
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That Gunplay clip may be the realest, most mature and most sound shit posted in here. Sad when he is the voice of reason for Meek clown ass.
Thats what happens tho when you surround yourself with dumb dependent enablers.
these 2 tracks from drake was bait to get meek to rap...wonder if drake gonna go for the kill now![]()
these 2 tracks from drake was bait to get meek to rap...wonder if drake gonna go for the kill now![]()
He doesn't have to. He can go into Komodo dragon mode, and just hang around and watch the bacteria from his saliva slowly kill Meek.
He doesn't have to. He can go into Komodo dragon mode, and just hang around and watch the bacteria from his saliva slowly kill Meek.
these 2 tracks from drake was bait to get meek to rap...wonder if drake gonna go for the kill now![]()
That Gunplay clip may be the realest, most mature and most sound shit posted in here. Sad when he is the voice of reason for Meek clown ass.
Thats what happens tho when you surround yourself with dumb dependent enablers.