Black Star Power: The REAL JUSTIFIED: 1st Black US Marshall Bass Reeves

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The REAL JUSTIFIED: 1st Black US Marshall Bass Reeves

Bass Reeves

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Bass Reeves (July, 1838 - 12 January 1910) was one of the first African Americans (possibly the first) to receive a commission as a Deputy U.S. Marshal west of the Mississippi River.

Reeves was born a slave in 1838 in Crawford County, Arkansas, and was given the surname of his owner, George Reeves, a farmer and politician. He moved to Paris, Texas with George Reeves. During the American Civil War, Bass parted company with George Reeves:
"some say because Bass beat up George after a dispute in a card game. Others believe that Bass heard too much about the 'freeing of slaves' and simply ran away."​
Bass Reeves fled north into the Indian Territory (now Oklahoma) and lived with the Seminole and Creek Indians.

Reeves became a crack shot with a pistol. Later Reeves moved to Arkansas and homesteaded near Van Buren. Once he got his farm going, he married Nellie Jennie from Texas. They had ten children – five boys and five girls.

Reeves and his family farmed until 1875 when the legendary Isaac Parker was appointed Federal Judge for the Indian Territory. Judge Parker appointed James F. Fagan as U.S. Marshal, and directed him to hire 200 deputy U.S. Marshals.
Fagan heard about Bass Reeves, who knew the Indian Territory and could speak several Indian languages, and recruited him as a deputy U.S. Marshal.​

Reeves worked a total of thirty-two years as a Federal peace officer in the Indian Territory. He was one of Judge Parker's most valued deputies. He arrested some of the most dangerous criminals of the time, but was never shot (despite having his hat and belt shot off on separate occasions). He had to arrest his own son for murder.

Reeves was an expert with rifle and pistol. During his long career he developed superior detective skills. When he retired from Federal service in 1907, Reeves had arrested over 3,000 felons. Reeves admitted having to shoot and kill fourteen outlaws in defending his life while making arrests.

When Oklahoma became a state in 1907, Reeves, then 68, became an officer of the Muskogee, Oklahoma, police department.

Reeves was himself once charged with murdering a posse cook. At his trial (before Judge Parker), Reeves was represented by former United States Attorney W. H. H. Clayton, who had been his colleague and good friend, and was acquitted.

Reeves' health failed in 1910, and he died of Bright's disease on 12 January. He was the uncle of Paul L. Brady, the first African-American appointed a Federal Administrative Law Judge (in 1972).[4]

In 2007, the U.S. Route 62 bridge crossing the Arkansas River between Muskogee and Fort Gibson, Oklahoma, was named the Bass Reeves Memorial Bridge in Reeves' honor. Additionally, he is figured prominently in an episode of How It's Made in which a Bass Reeves limited edition collectors' figurine is shown in various stages of the production process.

Bass Reeves, a fictionalized film of his life and career was released by Ponderous Productions of San Antonio in 2010.
 
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Deputy U.S. Marshal Bass Reeves, born as a slave in Arkansas Territory, grew up in Lamar and Grayson counties, Texas, where he belonged to Col. George R. Reeves, later to become the speaker of the house in the Texas legislature. As a young man Reeves escaped north into the Indian Territory, where he became acquainted with the Cherokee, Creek, and Seminole Indians. It is believed he served as a soldier with the Union Indian Home Guard Regiments during the Civil War. After the war Reeves settled down in Van Buren, Arkansas, as a farmer. On occasion he would serve as a guide for deputy U.S. marshals who worked out of the federal court at Fort Smith, Arkansas, into the Indian Territory. Reeves had once boasted that he knew Indian Territory "like a cook knows her kitchen" and, as a result of his skills and his knowledge of the territory, he was able to make substantial money as a scout and tracker for peace officers. In 1875, when Judge Isaac C. Parker took over the Fort Smith federal court, Parker commissioned Reeves as a deputy U.S. marshal. He is believed to be one of the earliest African Americans to receive a commission as a deputy U.S. marshal west of the Mississippi River.

Reeves worked for thirty-two years as a deputy marshal in the Indian Territory. He was the only deputy to begin with Parker's court and work until Oklahoma statehood in 1907. Reeves, standing six feet, two inches tall and weighing 180 pounds, became a celebrity during his lifetime in the Indian Territory. Muskogee Police Chief Bud Ledbetter said about him,

"The veteran Negro deputy never quailed in facing any man." Reeves became an expert with pistol and rifle. Territorial newspapers stated he killed fourteen outlaws during his career as a peace officer.
When Reeves began riding for Judge Parker, the jurisdiction covered more than seventy-five thousand square miles. The deputies from Fort Smith rode west to Fort Reno, Fort Sill, and Anadarko, a round trip of more than eight hundred miles. Whenever a deputy marshal left Fort Smith to capture outlaws in the territory, he took with him a wagon, a cook who served as guard, and at least one posseman. Reeves transferred to Wetumka, Indian Territory, in 1897 and then to Muskogee in 1898 after federal courts opened in the territory.

The Chickasaw Enterprise on November 28, 1901, reported that Bass Reeves had arrested more than three thousand men and women for violating federal laws in the territory.​

Newspapers praised Reeves's reputation often. On November 19, 1909, the Muskogee Times Democrat wrote that

"in the early days when the Indian country was overridden with outlaws, Reeves would herd into Fort Smith, often single handed, bands of men charged with crimes from bootlegging to murder. He was paid fees in those days that sometimes amounted to thousands of dollars for a single trip . . . trips that sometimes lasted for months."​

When Bass Reeves died on January 12, 1910, the Muskogee Phoenix wrote of the legendary lawman, "In the history of the early days of Eastern Oklahoma the name of Bass Reeves has a place in the front rank among those who cleansed out the old Indian Territory of outlaws and desperadoes. No story of the conflict of government's officers with those outlaws, which ended only a few years ago with the rapid filling up of the territory with people, can be complete without mention of the Negro who died yesterday. . . . During that time he was sent to arrest some of the most desperate characters that ever infested Indian Territory and endangered life and peace in its borders. And he got his man as often as any of the deputies. . . ."

The greatest testimony to his devotion to duty was the fact he brought his own son in for murder once he received the warrant. Bass Reeves was one of the greatest peace officers in the history of the American western frontier.
 
BASS REEVES, a Comics Mini-Series proposal

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The LIFE & TIMES OF BASS REEVES

A comic proposal by Ron Fortier & Rob Davis
Inks by Richard Scott. (links to 10 inked and lettered pages below)

OVERVIEW –

He was the most famous lawman the west ever had. During his thirty-two years of service he fought in fourteen shoot-outs and was never wounded once. He brought in over three thousands outlaws, was an expert tracker and marksman and often wore disguises to enter outlaw sanctums. Yet to this day, his name is only known to a handful of historians. Why is this so? Because Bass Reeves was a black man.

HISTORY –

Prior to the outbreak of the Civil War, Bass Reeves, his mother and younger sister were slaves of a Colonel Reeves who owned a ranch in north-west Texas. As a young man, Bass escaped the ranch to become a runaway slave and eventually was taken in by an Indian tribe of the area. Here he learned the ways of the native Americans, especially how to track and hunt like a native. When the war between the states erupted, Reeves and his adopted people were one of the few bands to fight on the side of the Union.

After the war, having been granted his freedom, Bass married another former slave, a girl named Jenny, and they proceeded to raise a horse/cattle ranch in the Oklahoma territories of that time. Soon they had eight children and Bass was recognized as one of the most prominent ranchers of the area. Fourteen years after the war, the U.S. Federal Government had plans of bringing the land into statehood, but before they could do this, it required stable law and order. To this end Washington sent Judge Parker to establish a district courthouse in Ft. Smith.

Parker soon realized that his jurisdiction took in a great majority of black and native American towns and villages. These were considered off-limits to his white marshals and outlaws wisely made these places their strongholds. Parker immediately realized he needed to recruit black marshals if he had any real hope of bringing justice to the territory. One of the first he recruited was Bass Reeves.

For the next 32 years, Reeves became the most successful and famous of Parker’s marshals, bringing in over three thousand criminals during the course of his career. During this time, he and Jenny had two more children, bringing the count to ten. One had died tragically in a railroad accident, and Jenny also passed away. A few years later Bass remarried, sold the ranch and moved to Muskogee which would be his home for the remainder of his life.

Towards the end of his career, one of his older boys, Benny, murdered his wife and ran off to the badlands to escape. None of the other marshals wanted to take the job of going after him. Reeves, who had been on the trail, when the incident occurred, upon his return to Ft. Smith asked for the writ, saying it was his job to bring in Benny. Which he did, as painful as that must have been for him. But Bass Reeves had no choice, he was obessessed with justice, that it would make the land a decent place for all people to live.

Benny stood trial, was found guilty and sentenced to life in Leavenworth. Ultimately a group of supporters started up a petition to have his case re-opened and after serving twenty years, Benny’s sentence was commuted and he was released. This happening long after Bass passed away in 1910.

Everything I’ve stated here is the truth and has been documented. Now to make it an exciting, gripping western comic series.

 
Lessons in Manliness from Bass Reeves


It’s Never Too Late for a Man to Have a Second Act

Bass Reeves was born a slave in Arkansas in 1838. When the Civil War broke out, his white master joined the Confederate Army and took Reeves along to serve as his body servant. Reeves bided his time, until one night he saw an opening, laid out his master with his mighty fists, and took off for the hills a free man. He was taken in by the Keetoowah, an abolitionist sect of the Cherokee Nation.

When the war was over, he struck out on his own and settled with his family in Van Buren, Arkansas, making a good living as a farmer and horse breeder. He was the first black man to settle in Van Buren, and he built his family an eight room house with his own hands.

He started making some extra money by helping the U.S. Marshals with scouting and tracking and soon earned a reputation for himself as a man who knew what he was doing and could be relied upon.

He was commissioned as a Deputy U.S. Marshal in his own right in 1875, when he was 38 years old. During this time marshals were paid for the number of criminals brought in and the distance traveled in capturing them and bringing them back to court. With so many miles to cover in Indian Territory, and with his legendary effectiveness for tracking down wrong-doers, Reeves made a great living at his job. And so it was only as he was nearing 40 that he found his true calling.

Compensate for Weaknesses by Cultivating Signature Strengths

“My mom always said she heard that Bass was so tough he could spit on a brick and bust it in two!” -Willabelle Shultz, granddaughter of fellow marshal

Because he grew up a slave, Bass Reeves did not know how to read or write. Being an illiterate U.S. Marshal was highly unusual—the men needed to fill out forms and reports–but Bass got and kept his job by compensating for this weakness with other valuable strengths.

First, he could speak the Muskogee language of the Creeks and Seminoles, and he could also converse pretty well in the languages of the other Five Civilized Tribes. He took the time to get to know the tribes and their customs, and they respected him for it. His friendly and sterling reputation among Indians, blacks, and whites alike led folks to trust him and give him assistance and tips they didn’t feel comfortable sharing with other marshals.

Reeves knew Indian Territory like the back of his hand, and his scouting and tracking skills were second to none.

But his most notable strength was his prowess with firearms. He carried two big .45 caliber six-shooters and wore them with their handles facing forward. He employed the cross-handed draw, as he believed it was the fastest way for a man to grab his guns. And indeed, he was known as a man who could draw with lightning fast speed; numerous men tried to beat him, and 14 of them died in the attempt.

But unlike what you see in movies, cowboys in the West did not rely on their pistols; those were their back-up firearms. A cowboy’s weapon of choice was his trusty Winchester rifle, and that was the gun Reeves used most. But he was a proficient marksman with both weapons. Ambidextrous and always cool under pressure, Reeves could fire an accurate shot with pistol or rifle, with his left hand or his right. It was said he could draw “a bead as fine as a spider’s web on a frosty morning” and “shoot the left hind leg off of a contended fly sitting on a mule’s ear at a hundred yards and never ruffle a hair.”

Turkey shoot competitions were popular at territorial fairs and picnics, but Reeves was banned from entering them because he was too darn good. Once, when he saw 6 wolves tearing at a steer, he took them all out with just 8 shots from the back of a galloping horse.

The Mind Is Just as Powerful a Weapon as the Gun

“If Reeves were fictional, he would be a combination of Sherlock Holmes, Superman, and the Lone Ranger.” -Historian Art Burton

Despite Bass’ legendary strength and prowess with firearms, he didn’t simply go after criminals with guns and fists blazing. Rather, he took a far slower, methodical, and ultimately more effective approach. He was an intuitive and quick-thinking detective who often got his man from being smart and crafty.

Reeves was a master of disguise, a tactic he used to sneak up on unsuspecting outlaws. They would undoubtedly see a giant black man on a giant horse coming for them, so when Bass was closing in on a man, he would switch to a smaller ride, and he learned tricks from the Indians on how to look smaller in the saddle.

And often he would ditch the horse all together. For example, one time he dressed like a farmer and lumbered along in a ramshackle wagon pulled by old oxen. He drove the wagon close to a cabin where six outlaws where holed up, and as he passed their hide out, he pretended to get the wagon snagged on a large tree stump. When the outlaws came out to help this humble farmer, he coolly reached into his overalls, drew out his six-shooters, and placed the men under arrest.

On another occasion, Reeves was after two outlaws who were hiding out at their mother’s house. Reeves camped 28 miles away to be sure they didn’t see him coming or hear he was in the area. Then he ditched his marshal duds and stashed his handcuffs and six-shooters under a set of dirty, baggy clothes, flat shoes, and a large floppy hat into which he shot three bullet holes. Dressed like a typical tramp, Reeves sauntered up to the felons’ hideout and asked for something to eat, showing them his bullet-ridden hat and explaining how he had been shot at by marshals and was famished from having walked for miles to flee the law. Having ingratiated himself as a fellow outlaw, the men ate together and decided to join forces on a future heist. After everyone had fallen asleep for the night, Reeves crept up to the two outlaws and handcuffed them in their sleep, careful not to wake them. In the morning, Reeves bounded into the room and woke them up with his booming voice, “Come on, boys, let’s get going from here!” As the men tried to get out bed, they quickly realized they’d been had by crafty old Bass Reeves.

Be Reliable–The Details Matter


Even though he was a tough-as-nails badass, locals also remembered Reeves as a man known for his “politeness and courteous manner” and as someone who was “kind,” “sympathetic,” and “always neatly dressed.” He was also a man who took pride in getting the details right.

Reeves was unable to read or write and yet part of his job was to write up reports on his arrests and serve subpoenas to witnesses. So when he had to write a report, he would dictate to someone else and sign with an “X.” When he would get a stack of subpoenas to serve to different people, he would memorize the names like symbols and have people read the subpoenas out loud to him until he memorized what symbol went with what subpoena.

He took great pride in the fact that he never once served the wrong subpoena to the wrong person. In fact, many of the courts specially requested that their subpoenas be served by Reeves because he was so reliable.

Keep Cool. Always.


“Reeves was never known to show the slightest excitement under any circumstance. He does not know what fear is. Place a warrant for arrest in his hands and no circumstance can cause him to deviate. ” -Oklahoma City Weekly Times-Journal, 1907

Bass Reeves had an uncanny ability to stay calm and cool, even when he was in a really tight spot.

He found himself in that kind of tight spot while looking to arrest a murderer, Jim Webb, who was hanging out with posseman Floyd Smith at a ranch house. Reeves and his partner moseyed up, tried to pull the old, “we’re just regular cowboys passing through” trick, and sat down to get some breakfast. But the two men weren’t buying it and sat glaring at the marshals, pistols at the ready in their hands. An hour went by and Reeves and his partner still didn’t have an opening to make a move on the outlaws. But when Webb was momentarily distracted by a noise outside, Reeves jumped up, wrapped his large hand around Webb’s throat, and shoved his Colt .45 in the surprised man’s face. Webb meekly surrendered. Reeves’ partner was supposed to jump in and grab Smith, but he froze. Smith fired two shots at Reeves; he dodged them both, and with his hand still around Webb’s neck, he turned and took Smith out with one shot. Then he ordered his partner to handcuff Webb and called it a day.

Reeves was the target of numerous assassination attempts but he often saved his own neck by staying completely calm and in control. One time, he met two men out riding who knew who he was and wanted him dead. They drew their guns and forced him off his horse. One of the men asked if Reeves had any last words, and Bass answered that he would really appreciate it if one of them could read him a letter from his wife before finishing him off. He reached into his saddlebag for the letter and handed it over. As soon as the would-be-assassin reached for the letter, Bass put one of his hands around the man’s throat, used his other hand to draw his gun, and said, “Son of a bitch, now you’re under arrest!” The outlaw’s partner was so surprised he dropped his gun, and Reeves put both men in chains.

Another time, Reeves faced a similar situation; this time three wanted outlaws forced him from his horse and were about to do him in. He showed them the warrants he had for their arrest and asked them for the date, so he could jot it down for his records when he turned the men into jail. The leader of the group laughed and said,“You are ready to turn in now.” But having dropped his guard for just a second, Reeves drew his six-shooter as fast as lightning and grabbed the barrel of the man’s gun. The outlaw fired three times, but Reeves again dodged the bullets. At the same time, and with his hand still around the barrel of the first man’s gun, he shot the second man, and then hit the third man over the head with his six-shooter, killing him. All in a day’s work for Deputy U.S. Marshal Bass Reeves.

Build a Bridge

When Reeves was appointed a marshal by Judge Parker, the judge reminded him that “he would be in a position to serve as a deputy to show the lawful as well as the lawless that a black man was the equal of any other law enforcement officer on the frontier.”

Bass took this responsibility seriously.

Black law enforcement officers were a rarity in other parts of the country, but more common in Indian Territory and surrounding states like Texas. In fact, despite Hollywood’s depiction of the Old West as lily white, 25% of cowboys in Texas were African-American.

Because of the reputation Bass earned as a marshal who was honest, effective, and doggedly persistent–the Chief Deputy U.S. Marshal of the Western District, Bud Ledbetter, called Bass, “one of the bravest men this country has ever known”–more black marshals were hired in Indian Territory; a couple dozen were part of the service during Bass’ tenure. Nowhere else in the country could a black man arrest a white man. Bass had paved the way, and done one of the manliest things a man can do—build a bridge and a legacy for others to follow.

Sadly, when Oklahoma became a state in 1907, it instituted Jim Crow laws that forced black marshals out of the service. Despite his legendary record as a deputy marshal, Reeves had to take a job as a municipal policeman in the town of Muskogee the year before he died. But his shining example of manhood cannot so easily be passed over and still speaks to us today.
 
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sorry but nope....

or...

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Ernest R. Dickerson

Directed...

TV

Treme

The Wire ("Hamsterdam")

The Walking Dead

Dexter

Burn Notice

Law & Order

Eureka

weeds

The 4400

Heroes

ER

Film

Director

Never Die Alone (2004)
Bones (2001)
Blind Faith (1998)
Ambushed (1998)
Bulletproof (1996)
Tales from the Crypt Presents Demon Knight (1995)
Surviving the Game (1994)
Juice (1992)
 
Same here but couldn't get the name right.

Wonder how the guy Lime house will work out on the show

Take me through the creation of the Limehouse character.

I felt after the first two seasons that the only African-Americans we’d had on the show were either Rachel or more urban stories, like Rachel’s brother-in-law in the second season, or there was Curtis Mims, a hitman type bad guy in the first season, and there didn’t seem to be anything particularly Kentucky about it.​

So we started looking into the black communities in Harlan, much to many’s surprise that there are any. But there are, so what was the history of them? A lot of them formed in the ’30s and ’40s, sharecroppers who were brought up from the deep, deep South to come work in the mines, and they just collected into these little African-American hamlets. But then [executive story producer/writer] Nichelle Tramble Spellman found this story of a community that was called Coe Ridge or Coe Holler. These were emancipated slaves who were basically deeded the land from their previous owners, and they survived back in the hill country in Harlan for almost another 100 years. White landowners in the area tried to pry ‘em out, but they couldn’t get them out. So that sounded cool. And then the next part of it that we thought was great is we found out that Coe Holler was used sometimes as a refuge, as a sanctuary by battered white women, because they knew that their husbands or boyfriends or whoever wouldn’t come in after them there.

So that seemed to be something that would fit with Raylan’s backstory and his mother having been beaten by his father, as well as Ava’s backstory of her life with Boyd’s brother Bowman.

The third thing that pointed us that way was that one of the models for Mags Bennett in the second season was a real-life criminal matriarch named Mags Bailey, and the story goes that she kept her money hidden under a black church, because she knew no white criminals would go after it. So putting all that together, we decided what if our version of Coe Ridge or Coe Holler still existed, and the reason it existed is because of this family that had sort of served as the unofficial banking enterprise for white criminals, because they all knew no one would come and steal their money from a black community. That’s where it got started.

Then we came across this perhaps fictional character named Limehouse, who was supposedly an African-American man who was sent down into the deep South to recruit sharecroppers to work in the mines, and we just loved that name. As soon as we started to come close to this character, I thought of Mykelti Williamson [who Yost worked with on Boomtown].
 
Yeah me too, but I didn't quite understand what he said. I was googling "Vass Reed" :lol:
I caught the reference on Justified last night.


Last question: Art says “Somebody needs to tell Denzel” the story of Bass Reeves (who was famous for the number of criminals he captured after being commissioned a U.S. Marshal in 1875, making him one of the first black federal lawmen west of the Mississippi). Was that you, screenwriter of Speed, pitching Denzel Washington?

No. Elmore Leonard has a new book out, called Raylan, which is three interconnected stories that he started working on after we started the series. I think it’s in there that Raylan has a long conversation with another marshal, and the other marshal talks about Bass Reeves. One of the things that you find in Elmore’s writing is he loves characters to talk about movies, because we all talk about movies. And they will even talk about, “You know, I’d like to be played by this guy,” or “Let’s get Denzel to do that.” It’s either in there, or it was just something that Tim and the writer of the episode, Ben Cavell, came up with.
 
What was it exactly?

Art and another Marshal were discussin' their favorite old time marshalls ... and the marshal mentioned ... Wyatt Earp, Bat Masterson, and Bass Reeves ...

and Art was like "good luck findin' a movie about him" ..talkin' about Bass Reeves..

Chief Deputy Art Mullen says “Somebody needs to tell Denzel” the story of Bass Reeves...

(who was famous for the number of criminals he captured after being commissioned a U.S. Marshal in 1875, making him one of the first black federal lawmen west of the Mississippi).
 
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Chief Deputy Art Mullen says “Somebody needs to tell Denzel” the story of Bass Reeves...

(who was famous for the number of criminals he captured after being commissioned a U.S. Marshal in 1875, making him one of the first black federal lawmen west of the Mississippi).
Thanks MoS. You know about when in the episode it took place? I wanna see the exchange and context.

Good post OP.
 
This is incredible, I never heard of this gentleman but talk about a success story. From slave to US Marshall.,His incredible arrest totals and in the area of the country in which he worked makes his life all the more astonishing. Not to mention mastering several Indian languages.

Great post and timely just in time for Black History Month.

5 Star Post! :yes:
 
Thanks MoS. You know about when in the episode it took place? I wanna see the exchange and context.

Good post OP.

First 10 min...

Art takes a visit from Marshal Bill Nichols with WITSEC, in town to check on the several witness relocation cases in the area. Great scene.
 
Morgan Freeman Wants To Play Legendary Lawman Bass Reeves

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Here's some info I stumbled upon recently. It seems actor Morgan Freeman has attempted, for at least five years now, to get the story of famous lawman Bass Reeves to the big screen.

So who was Bass Reeves you ask? He's believed to be the first black U.S. Deputy Marshal. Born a slave in 1838, he was one of the first black federal lawmen west of the Mississippi River that became a legend for his ability to catch criminals under trying circumstances arresting over 3,000.

Here's more detailed info from deputybassreeves.com :

Bass Reeves redefined our perception of a true American hero. Born a slave to a Texas farmer and politician, Reeves fled to Indian Territory in the 1860s to avoid the usual punishment of death for fighting with his master. Reeves lived among the Seminole and Creek Indians until the Emancipation Proclamation, freeing African-Americans from slavery and oppression. Settling in Van Bure, Arkansas, Reeves married, began a family, and tended his farm.

In 1875, Isaac C. Parker - a newly appointed federal judge - set out to tame the Indian Territory, now known as Oklahoma. James Fagan, the tenth U.S. Marshal appointed the the district, began recruitting 200 deputies to capture fugitives so that Judge Parker's court could administer justice. Bass Reeves was a natural choice because of his intimate knowledge of Indian Territory, his skills in multiple dialects, his markmanship, and his tenacity.

By the time Reeves retired in 1907, this former slave had served 32 years as a federal peace officer, arresting more than 3,000 felons. Reeves finished his law enforcement career as a member of the Muskogee, Oklahoma Police Department.

Reeves was the first African-American inducted into the Great Westerners Hall of the National Cowboy Hall of Fame in Oklahoma City in 1992.

So far, there's only been one low-budget production depicting the famous frontiersman. Independent film producer Sharon Ray, also director of the Bare Bones Film Festival in Oklahoma, is in the early stages of developing a project as well.

In 2010, a member of the Bass Reeves Legacy Intiative, a non-profit created to support projects commemorating the life and times of Reeves, had a chance to talk and meet with Freeman which you can see in the video posted below.
 
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