Writer's Circle: How would YOU write Marvel's Black Panther movie? UPDATE:What about the sequel?

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It’s hardly news for a Marvel Studios movie to win great reviews and even better box office, but the studio’s latest comic-book entry, Black Panther, is poised to deliver all that and more. Early reactions to the Ryan Coogler–directed film are glowing, opening-weekend projections are through the roof, and one crucial laurel that has eluded the studio since its inception may finally be within reach: a golden Oscar statue.

None of the 17 blockbusters that make up Marvel’s interconnected cinematic universe has so far won an Academy Award, and few of those movies have even received a nomination outside of the Best Visual Effects category. Not only do I suspect Black Panther will change that, I think there’s one category where it already ought to be considered the front-runner, meaning the 18th Marvel Studios movie could take home the company’s first Academy Award.

That would be the race for the Best Costume Design Oscar, a trophy that no Marvel film has yet been nominated for. Superhero costumes and modern-day looks rarely get the credit they deserve from the Academy, since often the costume category defaults towards pretty period frocks. But I expect Ruth E. Carter’s dazzling Black Pantheroutfits will prove too good to ignore. Coogler and Carter have taken the fictional kingdom of Wakanda, where sci-fi futurism is rooted in African tradition, and created an aesthetic that isn’t just unlike any other superhero movie, but unlike any other movie, period. From the regal, intimidating uniforms of the all-female warrior clan known as the Dora Milaje, to the gorgeous gold-and-leather outfits donned by Lupita Nyong’o’s Nakia, to the breathtaking headpieces that showcase Angela Bassett’s regal hauteur, Carter has served looks that are instantly iconic.

It’s a massive accomplishment done on an incredible scale, given the many tribes we get a glimpse of in Wakanda. Even the more contemporary looks are stunning: Michael B. Jordan’s “incognegro”ensemble of a shearling coat and glasses is too cool for words, and every single thing that Letitia Wright’s hip sister Shuri wears looks like it came straight from the runway of your dreams. Expect people to be emulating these outfits at every Comic-Con from now until the end of time.

Carter has two previous nominations for the Costume Design Oscar (for Amistad and Malcolm X), and she’ll likely be up against traditional year-end competition from films like Mary Poppins Returns, the royalty drama Mary, Queen of Scots, and the second installment of the Fantastic Beasts franchise, which won the Oscar in this category for its first film just two years ago. Still, I think any contender would be hard-pressed to top what Carter has done here. Carter’s costumes make the movie.

Can Black Panther score any significant Oscar nominations beyond the Costume Design nod? Certainly: Its hair-and-makeup team deserves credit, though that branch often favors transformative and old-age makeup jobs. Cinematographer Rachel Morrison became the first woman to be nominated in that category this year for her work on Mudbound, and while she shoots Black Panther with aplomb, it’s likely lit too much like most other Marvel movies to stand out. Best Picture is the biggest question mark: Coogler’s film will surely have the box-office legs to prompt that sort of talk, though other big comic-book hits like Wonder Woman and Deadpool didn’t make the final cut, and Marvel has rarely given the full campaign push to its most well-received movies like The Avengers and Guardians of the Galaxy.

Allow me to make one more suggestion, though: Michael B. Jordan ought to be considered as a candidate for Best Supporting Actor. His angry, covetous Erik Killmonger is the sort of villain you can’t take your eyes off of, and his story line is rooted in the film’s most resonant real-world themes of race and inequality. To honor him would be a tip of the hat towards Black Panther grounding its fantasy world in something tangible and urgent, and a pat on the back for one of our most promising actors. Ruth E. Carter’s costumes surely deserve contention for an Oscar win, but over the next year as new contenders come and go, spare a moment to consider Black Panther’s tragic foe.

http://www.vulture.com/2018/02/black-panther-marvel-studios-oscar.html
 

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How Black Panther’s Actors Compare to Their Comics Counterparts

For a superhero to leave a lasting impact, it has to be a product of solid graphic design. All too often, we dwell mainly on the writers who develop the names and backstories of our favorite long-underwear characters, thus ignoring the profound importance that comic-book artists have on making a character succeed. Joe Shuster decides Superman should have a cape, and countless millions of children wrap towels around their shoulders. Steve Ditko opts to give Spider-Man oddly shaped eyes, and his mask becomes a Halloween best seller for five decades.

And when Jack Kirby laid out the simple black spandex and barely noticeable feline ears of T’Challa — better known as Black Panther — yet another icon was born. Other artists followed in his footsteps and gradually built a visual encyclopedia of Black Panther supporting characters, and now, well over a dozen of them are making the leap to the big screen. With Black Panther on the way, we’ve decided to show how far the king of Wakanda and his cohort have come by comparing their first visual iterations to the actors playing them in the film.

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Photo: Marvel Entertainment
Black Panther/T’Challa (Chadwick Boseman)
Our lead was introduced by writer-artist Jack Kirby and writer Stan Lee in 1966’s Fantastic Four No. 52. The two notoriously clashed over which one of them was primarily responsible for coming up with the characters they collaborated on (other examples include the Hulk, Thor, and the X-Men), and T’Challa is no exception. That said, no one can dispute that Kirby — one of comics’ greatest geniuses — is responsible for Panther’s looks.

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Photo: Marvel Entertainment
T’Chaka (John Kani)
That first Panther story in Fantastic Four introduced two more characters in the film, the more sympathetic of which is T’Challa’s father, T’Chaka. Kirby had a revolutionary approach to designing Wakanda and its denizens: He mixed worn-out tropes about African dress with awe-inspiring technological wonders. So you might see a headdress like the one T’Chaka’s wearing here, but you’d also see massive computers and such. Thus was born one of the great Afrofuturist cosmologies.

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Photo: Marvel Entertainment
Ulysses Klaue (Andy Serkis)
The final film character from the first Panther comics story is the secondary villain, Klaue. In the comics, his name is spelled “Klaw” and he has the ability to create structures out of sound using a whiz-bang device in the place where one of his hands used to be. In later stories, he donned a skintight red jumper and a truly bizarre mask, but the movie iteration is much closer to his more realistic first look.

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Photo: Marvel Entertainment
Erik Killmonger (Michael B. Jordan)
The film’s primary villain — birth name N’Jadaka — didn’t make his debut until 1973’s Jungle Action (terrible title) No. 6. That issue was the first time Black Panther was written by a man who would go on to become one of his most storied scribes: the loquacious Don McGregor. Over the course of many years writing the character, McGregor worked with an array of talented artists, the first of whom was Rich Buckler. The two of them created Killmonger as a massive bruiser with a quasi-mullet. Director Ryan Coogler and his cohort clearly had other ideas, which is probably for the best.

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Photo: Marvel Entertainment
Nakia (Lupita Nyong’o)
Speaking of changes that are for the best: Thank goodness for the evolution of the Dora Milaje. They’re T’Challa’s all-female squadron of elite warriors, and when we were first introduced to them in 1998, they were considerably less PC than they are now. Writer Christopher Priest and artist Mark Texeira conceived of them as voluptuous, underage brides-in-waiting for the king, and although they kicked ass, their looks were a little on the exploitative side. The first two that we met in the comics are now the most prominent ones in the film: Nakia, played by Lupita Nyong’o, and …

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Photo: Marvel Entertainment
Okoye (Danai Gurira)
… Okoye, played by Danai Gurira. Both characters have gone through considerable narrative and visual evolution over the decades, and their film incarnations owe much more to later artists like John Romita Jr. and Brian Stelfreeze than they do to Texeira.

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Photo: Marvel Entertainment
Everett K. Ross (Martin Freeman)
Texeira and Priest were also responsible for introducing us to one of the only white characters in the film’s main cast, government agent Everett K. Ross. He was originally a diminutive man with a puckish smile, designed to look like Michael J. Fox. Freeman, of course, looks nothing like Fox, and by all accounts, the character — first introduced on film in Captain America: Civil War — acts almost nothing like his comics counterpart.

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Photo: Marvel Entertainment
W’Kabi (Daniel Kaluuya)
Although many of the characters in Black Panther are relatively obscure, the caliber of talent behind their creation is high. W’Kabi, T’Challa’s loyal second-in-command, came from the famed writer-artist team of Roy Thomas and John Buscema. They brought W’Kabi to life in an Avengers story arc from 1969, before the Panther had his own solo title. Buscema initially envisioned him as a visually unremarkable dude, but later artists like Ken Lashley depicted him with distinctive outerwear and a determined look on his face. Kaluuya retains the boyish face of the original Buscema version.

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Photo: Marvel Entertainment
Shuri (Letitia Wright)
T’Challa’s sister was introduced surprisingly recently, in the pages of a Black Panther solo title in 2005. Since then, she’s become an icon — a vision of powerful black womanhood rivaled in comics only by the likes of the X-Men’s Storm and the Avengers’ Monica Rambeau. She came about during one of the better Black Panther runs, that of writer Reginald Hudlin and the aforementioned artist Romita. She was originally depicted as being noticeably younger than T’Challa, and Letitia Wright and Chadwick Boseman keep that visual notion alive.

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Photo: Marvel Entertainment
M’Baku (Winston Duke)
This guy’s visuals are largely the same, but he seems to have undergone a much-needed name change. In the Thomas-Buscema Avengers story that also introduced W’Kabi, we met M’Baku, better known as … Man-Ape. That kind of offensive moniker doesn’t exactly fly for a character of color in 2018, so he’s just going by his birth name. A mighty Wakandan warrior, he’s mostly been a villain, though in the Marvel Cinematic Universe, he appears to be someone who becomes an ally by film’s end (we know that because he’s standing alongside T’Challa in the Avengers: Infinity War trailer). Buscema put him in an intimidating white gorilla pelt, a version of which will be draped over Winston Duke in the flick.

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Photo: Marvel Entertainment
Ramonda (Angela Bassett)
Ramonda is another McGregor creation. In the comics, she’s T’Challa’s surrogate mother, a South African woman who married T’Chaka after the death of T’Challa’s biological mom. In the great “Panther’s Quest” story line, T’Challa went on a, well, quest to find Ramonda, and she’s been a key supporting character in his life ever since. Famed artist Gene Colan gave her a quiet, gracefully aging dignity that Angela Bassett does a terrific job of upholding in her visuals.

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Photo: Marvel Entertainment
Zuri (Forest Whitaker)
Another Priest-Texeira creation, Zuri is an aging warrior and longtime adviser to the kings of Wakanda. In his initial appearances, Texeira depicted him as a mountain of a man, bound in incredible muscles and perpetually looking glum. The latter of those two qualities carries over to Forest Whitaker’s film portrayal, but when it comes to build, he’s more of a chill uncle than a swole specimen fresh out of the gym. Nevertheless, the visual gravity remains.

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Photo: Marvel Entertainment
Tilda Johnson (Nabiyah Be)
Much like Okoye and Nakia, Tilda Johnson has had to undergo a significant makeover in recent years in order to make her appropriate for modern audiences. Writer Steve Englehart and artist Alan Weiss actually gave us the character as part of Captain America’s supporting cast back in 1973. There, she was drawn in a dominatrix-y two-piece that would make a Bond girl blush. Thankfully, her look has toned down in the years hence. This genius-level intellect and skilled fighter has been both hero and villain, though she shakes out on the hero side these days, and Nabiyah Be is an excellent choice for bringing the character to the real world, as she shares both Tilda’s build and her excellent hair.

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Photo: Marvel Entertainment
Ayo (Florence Kasumba)
Of all the characters in Black Panther, Ayo is the newest. Writer Ta-Nehisi Coates and artist Brian Stelfreeze conceived of her for the pages of their run with T’Challa but, oddly enough, she first appeared in an issue of a comic called Ultimates a few weeks prior to the beginning of that run. Therefore, online outlets mistakenly attribute her creation to Ultimates team Al Ewing and Kenneth Rocafort, who are both terrific, but not the ones who designed this top-flight member of the Dora Milaje. We’ve broken our rules slightly by not using an image from her very first appearance, but rather the first time she shows up at the pen of her visual creator.

http://www.vulture.com/2018/02/how-black-panther-actors-compare-to-comics-counterparts.html
 
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Coogler Interested in Seeing What Kind of King Black Panther Becomes in Sequels

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When it comes to the future storylines involving T’Challa, Black Panther director Ryan Coogler is keen to explore what it means to be king. While much of the discussion surrounding Black Panther‘s uniqueness has rightfully focused on what it means for representation, it’s clear that the film will be innovative even in its plot. Not only will the movie take the action outside of the US and Europe, but T’Challa is not a typical superhero. Instead, he’s the anointed ruler and sacred protector of an entire kingdom.

It’s that focus that means T’Challa isn’t a vigilante fighting crime but rather an almost holy figure watching over his people while also fending of usurpers. As much as Black Panther explores what it means to be African, the upcoming Marvel movie will also put a welcome twist on the standard comic book narrative. In fact, that distinct tone is what has long made the Black Panther comics themselves in a league of their own—and the future of the franchise will continue to emulate the source material in that regard.

RELATED: AMAZING REACTION OF STUDENTS LEARNING THEY’RE SEEING BLACK PANTHER

We spoke with Ryan Coogler about the future of Black Panther the series and the character following his first solo outing and this summer’s Avengers: Infinity War. For the director, the key to exploring T’Challa further lies in the differences between the MCU and the comics.

“Without getting into specifics, what I’ll say is something that I kind of, you know, what I struggled with at first is the difference between T’Challa in the comic books versus T’Challa in the MCU. And I always think that the differences lie in how old he was when he lost his father.”

On the page, T’Challa was quite young when his father was killed by Ulysses Klaue. That saw T’Challa forced to step up and win his right to the throne and govern as he grew. In fact, it’s that story which a new Black Panther comic tells, revealing more about T’Challa’s secret origin. When it comes to the MCU. however, things have gone a different way.

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“You know, in the comic books he’s very young when [his father] T’Chaka is killed. In the MCU, he’s a man, you know? And those are two different things. So, you know, in the [books] he was kind of a guy who was a child king, you know? He got his throne when he was very young. So when you meet him you know you dealing with a guy who’s thirty-four years old who’s been king for a long time. So he has a different type of poise and confidence in his position, you know? Whereas, in our film that character is just settling in. So I’d be really interested to see, you know, what kind of king he is with experience and how that affects his performance in the stories.”

Much of T’Challa’s backstory has been changed in the MCU. For one, he seems to already be the Black Panther even before he becomes king. In the comics, the two are one and the same. T’Chaka also wasn’t killed by Klaue and T’Challa is a great deal older than on the page (Chadwick Boseman is in his mid-40s). It’s because of these details that Coogler is right in stating the development of T’Challa as a ruler will be quite different on the screen.

The comics, however, will likely still serve as inspiration for the Black Panther franchise. Ta-Nehisi Coates’ current run on Black Panther has seen the Dora Milaje become their own faction and Wakanda shift towards democracy. We’ve heard Coates’ comics will influence Black Panther, so something along these lines could follow the uprising caused by Killmonger. On top of that, we could see Shuri become Queen of Wakanda like in the comics, where she also serves as the Black Panther when T’Challa heads to New York (to replace Daredevil). Whatever happens, the MCU will put its own spin on things, but Coogler seems to have a handle on what makes a Black Panther story work.
 

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Where is Wakanda: Wakanda is located in Northeastern Africa, although its exact location has varied throughout the nation's publication history: some sources place Wakanda in East Africa, just north of Tanzania, while others - such as Marvel Atlas #2 - show it bordering Lake Turkana, near South Sudan, Kenya and Ethiopia (and surrounded ...

What language do they speak: “The language we used for Wakandan is called Xhosa,” Joe Russo tells EW. “John Kani, the actor who plays T'Challa's father in the movie, speaks the language and taught it to Chadwick. It's spoken by 7.6 million people in South Africa.”

What is the meaning of Wakanda: "Wakanda may have several meanings: Wakanda (comics), a fictional nation appearing in comic books published by Marvel Comics. Wakanda, the name used by the Omaha tribe for Wakan Tanka, the "Great Spirit" of Native American mythology."

Why is the Black Panther so rich: "T'Challa, the Black Panther, isn't just the richest superhero. He's almost undoubtedly the wealthiest fictional character of all time. How is it even possible for one person to have this much wealth? T'Challa is the king of Wakanda, a fictional African country with nearly all of the world's reserves of Vibranium."

How did the Black Panther get his powers
: "As chieftain, the Panther is entitled to eat a special Heart-Shaped Herb which, in addition to his mystical connection with the Wakandan Panther God, grants him superhumanly acute senses, enhanced strength, speed, agility, stamina, durability, healing, and reflexes."
 

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Honestly,
I'm not qualified. I have a few BP comics from back in the day but I don't think I could write a better script without intense research. Plus, I haven't seen it yet.
I would introduce Wakanda. T'Chall's childhood, establish relationships, etc. in the 1st third. 2nd third - flash forward to after Cap America Civil War. Establish Killmonger and his intentions, set up conflict. Maybe have Killmonger capture T'Challa's sister and hold her hostage. 3rd act - conflict - T'Challa calls on his people to help, showing Killmonger how strong they are as a nation united and that he can't defeat a unified people. Then have Killmonger give back T'Challa's sister, change his name to Thrillmonger and then, the orgy scene!
:giggle:
See, you can't let BGOL niggas write this shit. We gone perv it out!
 

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first and foremost

a movie like this is supposed to do ONE THING...

ENTERTAIN

that is it that is all.

If it didn't entertain you black white Asian etc..

that is OK.

Your NOT a racist or a sell out.

But you CANNOT get offended that you are left out or don't respond to the themes and messages in the film

you can't get defensive.

It just wasn't for YOU

La La Land was a Oscar winning so called classic film

I aint like it

these white folk loved it

And it didn't bother me and I didn't feel the need to tweet about it or PLEAD my case

I didn't like it

it was NOT for me.

And that is OK

And I don't need to MAKE people like Panther either, so don't look to ME for that.

Its OK

Cause if you REALLY feel a NEED to shout from the roof tops AGAINST the MASSES who love it?

Well then you really need a serious by yourself meeting

and address some deep rooted issues YOU have on race culture and Black people.

Cause fam it AIN'T THAT serious


you just feel left out.

maybe T'Chaka was right

you can't be bringing all these muthafukas back to Wakanda

cause they just gonna ruin it.
 
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