Record Companies aren't so smart after all

Digital Angel

Sig Angel
BGOL Investor
War against Web tops music biz "screw-ups" list

03/12/2008 5:00 PM, Reuters


The talent scout who turned down the Beatles has long been credited with committing the music industry's biggest gaffe.

But Dick Rowe's billion-dollar boo-boo has been beaten to the top spot on Blender magazine's list of the "20 biggest record company screw-ups of all time" by the failure of record companies to capitalize on the Internet.

The major labels took top dishonors for driving file-sharing service Napster out of business in 2001, instead of figuring out a way to make money from its tens of millions of users. The downloaders merely scattered to hundreds of other sites, and the industry has been in a tailspin ever since.

"The labels' campaign to stop their music from being acquired for free across the Internet has been like trying to cork a hurricane -- upward of a billion files are swapped every month on peer-to-peer networks," Blender said in the report, which appears in its newly published April issue.

Rowe came in at No. 2 for politely passing on the Beatles after the unpolished combo performed a disastrous audition in 1962. Beatles manager Brian Epstein later claimed the Decca Records executive had told him that "groups with guitars are on their way out," a comment that Rowe denied making. He went on to sign the Rolling Stones.

Motown Records founder Berry Gordy was No. 3, because he sold the money-losing home of the Supremes and Marvin Gaye for about $60 million in 1988. The sum was dwarfed the following year when A&M Records sold for about $500 million. And in 1990, David Geffen got about $700 million for Geffen Records. (Gordy did retain ownership of the lucrative Motown copyrights.)

Geffen Records grabbed two spots on the list: No. 11 for suing Neil Young in the 1980s because it did not like his uncommercial musical direction; and No. 12, for pumping a reported $13 million into a Guns N' Roses album that still has not seen the light of day after more than a decade of work.

Other hall of shamers included Columbia Records at No. 10, for dumping Alicia Keys and rapper 50 Cent before they became famous; and Warner Bros. Records at No. 13 for signing rock band R.E.M. to a money-losing $80 million contract in 1996.

Reuters/Nielsen

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The music industry still wants to blame file sharing and piracy for slumping record sales. They refuse to accept that record sales are down because of cost, CDs are much too costly and because the music that's available really isn't that good.

Between vinyl records (45s, 12inches & LPs), cassettes and CD's I probably have around 2000 pieces and I haven't bought 10 new pieces in the last several years. For the most part today's music sucks.

But your article really shows how out of touch music industry leaders are in giving the people what they want. They continue to make poor decisions and then want to not only blame but through the RIAA sue the consumer. How do you sue your customer base? :dunno:
 
But your article really shows how out of touch music industry leaders are in giving the people what they want. They continue to make poor decisions and then want to not only blame but through the RIAA sue the consumer. How do you sue your customer base? :dunno:

That's because the recording industry is made up of fake producers who want to be A&Rs, and A&rs who advanced through workplace nepotism, and not the discovering and cultivating of artists.

That's why you got T-Pain, Singer, rapper, producer, what the fuck doesn't he do!? But it's not his fault if record producers don't want to do any work. These muthafuckas now days, they want the shit MIXED and MASTERED from the GET! That's a demo now!?

WTF?



Meanwhile, since the '90s, record labels decided the can sell you Dreams instead of backing artists, and the dreams have to be bigger, badder, and cost more money!

An who fucks with CDs in the CAR anymore!? It's MP3!??

Not to mention the final and most important part of the equation. The market. Most people out there know don't good music, and the way it is now, it doesn't get supported in any event.

An last but not least, the artists are fucked too, because there is hardly an underground circuit, because promotion costs so much!

In ten years the recording industry will have eaten itself from the inside out.
 
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