Patton Oswalt: Racist 'Star Wars' backlash is 'depressing'
When the Star Wars: The Force Awakens trailer blew nerds’ brains back in November, racist buzz soon surrounded British actor John Boyega, who featured prominently in the clip.
Boyega, cool guy that he is, fired back with “get used to it” to those who weren’t happy about seeing a black Stormtrooper. But, comedian Patton Oswalt tells Vulture that kind of ignorance is truly disheartening.
Oh, that’s depressing, Jesus Christ. ‘Star Wars,’ half the movie is aliens and robots, and a black guy is what set people off? I love how they’re reacting as if this is a classic novel that’s being cast — ‘I can’t believe they booked James Earl Jones to play Holden Caulfield.’ But this is a script that no one has read, so what the (bleep) are they talking about? If everyone in the original ‘Star Wars’ had been black, it still would have been a (bleep) blockbuster because the movie would have still been awesome. If ‘Star Wars’ had been Richard Pryor and Cicely Tyson, people still would have gone, ‘This movie’s (bleeping) great!’
Patton also sounded off on Selma, David Oyelowo’s Oscar snub and why Hollywood is in trouble.
THE SELMA SNUBS MAKE NO SENSE
The thing about Selma that bothers me: It’s just logic. It goes beyond race. So it’s a best movie nominee, and yet none of the performances, none of the writing, none of the directing, none of the cinematography — none of them did an Oscar-worthy job, but the movie is Oscar-worthy. That doesn’t make sense. It’s a little alarming when you don’t have a year in movies that celebrates what a fantastic year of films it really was. I wish it had gotten more, especially performance-wise. David Oyelowo lost the director of the movie partway into it (Lee Daniels was originally attached in 2010, but eventually left the project), so on top of having to carry a movie as Martin Luther King Jr., he was also basically keeping the movie afloat. It’s insane the fact that we got the performance that we got out of him, with all the other pressure on that guy’s back. And then in the same year, he’s in A Most Violent Year, playing the complete opposite of what he did in Selma — he’s a cop, but he’s very, very controlled, and focused, and very un–Martin Luther King–like. What more could he have done, acting-range-wise?
HIS HOPES FOR DIVERSITY IN HOLLYWOOD
I want next year to be better, but not in a reflexive way. I just want everything to get a completely fair shake. Even beyond white or black, there’s Asian people, gay people, women. I mean, women are just so underrepresented in directing, in editing, in screenwriting.
WHY HOLLYWOOD HAS TO CHANGE
(The movie business) is in trouble right now, so movies are getting more awesome. They are losing people going to theaters, so they’re dealing with it in a lot of ways by taking more chances. We should celebrate and reward those chances.
When the Star Wars: The Force Awakens trailer blew nerds’ brains back in November, racist buzz soon surrounded British actor John Boyega, who featured prominently in the clip.
Boyega, cool guy that he is, fired back with “get used to it” to those who weren’t happy about seeing a black Stormtrooper. But, comedian Patton Oswalt tells Vulture that kind of ignorance is truly disheartening.
Oh, that’s depressing, Jesus Christ. ‘Star Wars,’ half the movie is aliens and robots, and a black guy is what set people off? I love how they’re reacting as if this is a classic novel that’s being cast — ‘I can’t believe they booked James Earl Jones to play Holden Caulfield.’ But this is a script that no one has read, so what the (bleep) are they talking about? If everyone in the original ‘Star Wars’ had been black, it still would have been a (bleep) blockbuster because the movie would have still been awesome. If ‘Star Wars’ had been Richard Pryor and Cicely Tyson, people still would have gone, ‘This movie’s (bleeping) great!’
Patton also sounded off on Selma, David Oyelowo’s Oscar snub and why Hollywood is in trouble.
THE SELMA SNUBS MAKE NO SENSE
The thing about Selma that bothers me: It’s just logic. It goes beyond race. So it’s a best movie nominee, and yet none of the performances, none of the writing, none of the directing, none of the cinematography — none of them did an Oscar-worthy job, but the movie is Oscar-worthy. That doesn’t make sense. It’s a little alarming when you don’t have a year in movies that celebrates what a fantastic year of films it really was. I wish it had gotten more, especially performance-wise. David Oyelowo lost the director of the movie partway into it (Lee Daniels was originally attached in 2010, but eventually left the project), so on top of having to carry a movie as Martin Luther King Jr., he was also basically keeping the movie afloat. It’s insane the fact that we got the performance that we got out of him, with all the other pressure on that guy’s back. And then in the same year, he’s in A Most Violent Year, playing the complete opposite of what he did in Selma — he’s a cop, but he’s very, very controlled, and focused, and very un–Martin Luther King–like. What more could he have done, acting-range-wise?
HIS HOPES FOR DIVERSITY IN HOLLYWOOD
I want next year to be better, but not in a reflexive way. I just want everything to get a completely fair shake. Even beyond white or black, there’s Asian people, gay people, women. I mean, women are just so underrepresented in directing, in editing, in screenwriting.
WHY HOLLYWOOD HAS TO CHANGE
(The movie business) is in trouble right now, so movies are getting more awesome. They are losing people going to theaters, so they’re dealing with it in a lot of ways by taking more chances. We should celebrate and reward those chances.
