New Movie Trailer: Babygirl w/ Nicole Kidman Erotic Drama (A24) she had to take a break during filming too more orgasms


Please don't ask Babygirl star Harris Dickinson to call you a 'good girl' (exclusive)​

"People need to look past the eroticism of it," the actor says. "It's a very nuanced film."
By
Maureen Lee Lenker

Published on November 11, 2024 01:00PM EST




Babygirl doesn't even hit theaters until Christmas, but Harris Dickinson is already over people asking him to call them a "good girl."

The phrase has captured a lot of attention in the film's trailer, where Dickinson's Samuel first uses it to tame an aggressive dog before later addressing Romy (Nicole Kidman), his boss and lover, with the same terminology. It's a delicious moment (we don't blame you if it turned you on a little), but Dickinson hopes that the film's message transcends this potential new catchphrase.

Nicole Kidman is Harris Dickinson's 'good girl' in the wickedly sexy Babygirl trailer

Babygirl Harris Dickinson and Nicole Kidman

Harris Dickinson and Nicole Kidman in 'Babygirl'.
Niko Tavernise/A24
"Someone came up to me off the street and said, 'Oh, can you say, 'Good girl?'" Dickinson recounts to Entertainment Weekly. "I said, 'No, come on, man. Don't ask me to say that.' People need to look past the eroticism of it. It's a very nuanced film. It's so much about liberation and the consequences of too much constraint. It's important that that's what people are talking about as well."

Dickinson, who is becoming a go-to actor for projects that require a certain level of intensity (see: The Iron Claw, Where the Crawdads Sing, Blitz), found himself facing his own questions of liberation by even signing on to the project. He stars as Samuel, an intern at a major corporation who feels an immediate connection to the company’s CEO, Romy. When their professional relationship escalates into something sexual, they find themselves caught in a shifting power dynamic that probes questions of control and desire.

"We take turns holding the power," Dickinson muses. "Samuel definitely has a weapon in the sense that he's a younger coworker, and he's in a much, much lower role at the company. In any world, it's pretty obvious that those power dynamics and relationships can be problematic — and he holds that as a bit of a tactic. But also, there's a directness to him that pierces through Romy's professionalism very quickly."

Babygirl Harris Dickinson and Nicole Kidman

Harris Dickinson and Nicole Kidman in 'Babygirl'.
Niko Tavernise/A24
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Indeed, Dickinson stresses that it's less about Samuel seizing power as it is that he holds it precisely because she is his professional superior. "She keeps referencing her concern for hurting him and for the age gap," says Dickinson. "But actually, he is the one that can control this situation and potentially make this a bigger thing if needed."

In this way, Samuel uses his lower status to show Romy that she might actually crave domination, tapping into a desire for humiliation that she has trouble even admitting to herself. "We're trying to subvert what we'd seen in this genre," Dickinson explains. "It's about embarrassment, performative behavior, and trying things out with someone that you desire — and what that means in all of its ugliness."

"It's all about, 'Okay, let me try and act out what someone wants from a scenario,'" he continues. "It's giving and taking. It's a certain generosity and understanding of what it is someone wants. It goes beyond just sex. It's also about behavior and love languages and all of that stuff. How does someone want to be treated? How do they respond best? There's a release for both of them in this relationship. They find this sense of freedom within themselves."

Babygirl Harris Dickinson

Harris Dickinson in 'Babygirl'.
Niko Tavernise/A24
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Despite that subversion of the genre, writer-director Halina Reijn also regularly sent films to Dickinson and Kidman as reference points for their work. Titles included 2001's The Piano Teacher, 1992's Damage, and 1988's Dangerous Liaisons. Though he doesn't mention it, one also can't help but think of another psychosexual drama in which Kidman explores her sexuality — Stanley Kubrick's Eyes Wide Shut.

Indeed, much like Samuel does with Romy, Dickinson had to face off against the intimidating record of a professional elder stateswoman. "I had to try and hold my own because, given Samuel's dynamic, I couldn't really go in and be a kid quaking in my boots. I had to own it a bit, be myself and try and get past the mystique of Nicole."

Nicole Kidman posts throwback clip of first movie role, because nostalgia feels good in a place like this

One way for him to do that was to engage with Kidman's desire to test boundaries and throw herself into complex characters and situations, something he's eager to replicate. "She's drawn to dangerous stories and difficult subjects," he muses. "She is a provocative, thoughtful, intelligent artist that wants to push the envelope in every sense of the word. She's radical in her approach and bold every time. I'm just so grateful that I got to be a part of that."

Reijn sets the film apart in distinct ways, using very little nudity in scenes of Romy and Samuel's liaison. Instead, she focuses on interior experience, the line between private and public, and the notion that true intimacy comes with emotional nakedness.

Babygirl Harris Dickinson

Harris Dickinson in 'Babygirl'.
Niko Tavernise/A24
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Nicole Kidman hides her face when her AMC ad plays at the movies, says new ad is 'brewing'

"Halina was never interested in showing explicit sex scenes," confirms Dickinson. "Showing sex on film can often be so corny and unnecessarily voyeuristic. It's more interesting to show the awkwardness of sex, or if you're going to show nudity, then the vulnerability and how exposing that is. Being seen and finding truth together is more sexy than just getting your kit off and shooting a sex scene in the way that's been done over and over."

But the film isn't only about Romy's liberation and sexual identity — it is also about Samuel's learning curve as he tries to figure out whether he actually wants control or is merely trying to deliver what Romy (or society) might expect from him. "It's all about them navigating those boundaries," he says. "The line gets blurred constantly. He wants control, but he also doesn't know how to do it. And he's misunderstanding his own masculinity. It's complicated to understand where you fit into the world as a young man and how you should act. There's a certain confusion around who he's supposed to be. He's good at taking control, but there's times where he also wants to be vulnerable and understand more about who he is and what all of this means."

At the end of the day, isn't that what we all desire, babygirl?
 
COME AGAIN?

I was so turned on shooting my film Babygirl I had to take a break so I didn’t have any more orgasms, says Nicole Kidman​

Watch the steamy trailer for the raunchy new movie above
nicole-kidman-romps-with-hunky-young-co-star-as-he-demands-get-on-your-knees-in-babygirl-trailer_ae975a.jpg

NICOLE KIDMAN has admitted she was so “turned on” by her sexy new role that at one point she had to pause filming.
Babygirl sees the Oscar-winning actress playing a high-powered married company boss who falls for a kinky young intern.
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Nicole Kidman has admitted she was so 'turned on' by her sexy new role that at one point she had to pause filming
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Nicole Kidman has admitted she was so 'turned on' by her sexy new role that at one point she had to pause filmingCredit: Rex
Babygirl sees Nicole playing a high-powered married company boss who falls for a kinky young intern named Samuel, played by Harris Dickinson
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Babygirl sees Nicole playing a high-powered married company boss who falls for a kinky young intern named Samuel, played by Harris Dickinson
Nicole’s character, workaholic CEO Romy, gets erotic with Samuel in the pool
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Nicole’s character, workaholic CEO Romy, gets erotic with Samuel in the poolCredit: Alamy
The erotic thriller has 57-year-old Nicole stripping naked and longing to be dominated in the bedroom by the near-stranger.
In the film, released here on January 10, new employee Samuel tells Nicole’s character, workaholic CEO Romy, the first rule is, “I tell you what to do and you do it”.
Those orders include Romy getting down on her hands and knees to lap milk from a saucer and stuffing Samuel’s tie in her mouth.
In a revealing new interview, Nicole says that performing the scenes with young British actor Harris Dickinson, who plays the intern, and Antonio Banderas, as her husband, Jacob, was often too much to cope with.

She says: “There was an enormous amount of sharing and trust and then frustration.
“It’s like, ‘Don’t touch me’.
“There were times when we were shooting where I was like, ‘I don’t want to orgasm any more.
“Don’t come near me. I hate doing this.

“I don’t care if I am never touched again in my life!
“I’m over it. It was so present all the time for me that it was almost like a burnout.”



Play Video
Nicole Kidman shares teenage daughter Sunday's surprising reaction to star 'getting stoned' in Eyes Wide Shut movie
It is far racier than her recent starring role in the hit Netflix drama The Perfect Couple, which included a scene where on-screen husband Liev Schreiber makes love to her in front of a window at their packed family holiday home.

Mother-of-four Nicole has pushed the boundaries before when choosing her roles, having appeared in an orgy scene in 1999 film Eyes Wide Shut with then-husband Tom Cruise and engaging in a disturbing bedroom game with Colin Farrell in Killing Of A Sacred Deer in 2017.
But Babygirl is considered to be her raunchiest performance yet.



At a recent press conference in Los Angeles, Harris, 28, from East London, told how he needed time out from the intense role.
The actor, who starred in the third Kingsman film, The King’s Man, and acclaimed satire Triangle Of Sadness, would tell the crew and his co-stars: “OK, everyone — go away for a second” if “we weren’t comfortable”.
There is already an Oscar buzz around Nicole’s highly charged portrayal of Romy.

One minute she is giving orders to her staff at a robotics company, the next she is putty in Samuel’s hands.
The thriller is written and directed by Halina Reijn who also brought us 2022 black comedy horror Bodies Bodies Bodies starred Pete Davidson and Amandla Stenberg.
Nicole had been wanting to work with the female Dutch director for years so when Halina came to her with Babygirl she was immediately interested.
Nicole recalls: “I read the script and I thought it was so funny.

Racy moments​

“But I also was turned on by it. I was also sort of hypnotised.”
Halina was inspired by the 1992 Sharon Stone and Michael Douglas thriller Basic Instinct and by hearing about a woman who had never experienced sexual pleasure during her 25-year marriage.

Nicole met Harris prior to filming beginning in New York last December.
She recalls: “A lot of it was just talking about ourselves, which is a really great way for actors to come together, because you share things.”
When they did start shooting, the director would act out most of the parts for her cast.
Nicole continues: “She’d be throwing herself around the room in the rehearsal space, playing all the roles — I’d never experienced that before.”

There were times when we were shooting where I was like, ‘I don’t want to orgasm any more. Don’t come near me. I hate doing this. I don’t care if I am never touched again in my life! I’m over it'
Nicole Kidman
The cast needed an intimacy coordinator for the sex scenes, which include the couple getting together during a late-night swim.
But Nicole made sure they weren’t “confined” by the coordinator telling them what they could or couldn’t do.
She explains: “I’m a huge believer still in the sacredness of the set or the actors’ space, and it never, never being violated.
“Because it’s ours, it’s the bubble, and then there’s the world outside.”

The Hollywood beauty has chosen to work with female directors, because that part of the industry is still male-dominated.
And Nicole doesn’t think she could have performed the racy moments so well if a man was behind the camera giving orders, as the late Stanley Kubrick did on Eyes Wide Shut.
Nicole's character Romy sheds her gold dress in a hotel tryst
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Nicole's character Romy sheds her gold dress in a hotel tryst
Nicole said: 'There were times when we were shooting where I was like, ‘I don’t want to orgasm any more'
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Nicole said: 'There were times when we were shooting where I was like, ‘I don’t want to orgasm any more'
Nicole sips suggestively in the erotic movie
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Nicole sips suggestively in the erotic movie
Nicole strips off to romp with Colin Farrell in The Killing of a Sacred Deer
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Nicole strips off to romp with Colin Farrell in The Killing of a Sacred DeerCredit: refer to caption
That was because she could talk about her most “secret desires” with Halina.
She says: “I don’t think I could have done it, working with a man.
“I actually think the only way I could do this was with her because the two of us would sit and talk.

“We talked about so many things and still do, that is so secretive and vulnerable — but it’s safe.”
Nicole made her movie debut aged 16 in 1983 Australian festive drama Bush Christmas and has told in the past how she experienced “#MeToo moments — since I was little”.
But she reckoned she was protected from the sexual harassment experienced by many actresses thanks to her marriage to Cruise.
I’m a huge believer still in the sacredness of the set or the actors’ space, and it never, never being violated. Because it’s ours, it’s the bubble, and then there’s the world outside
Nicole Kidman
The couple wed in 1990 and had two children Isabella, 31, and 29-year-old Connor.

By the time Nicole and the Top Gun star divorced in 2001, she was a major power in the industry herself.
Five Oscar nominations, including one win for The Hours in 2003, means directors are desperate to work with her.
Nicole’s clout also means she can choose whether she wishes to wear revealing clothes in a film or not.
And she can decide to play a part where she has to get down on all fours and do what a man tells her in a BDSM relationship, as with Babygirl.

Nicole says: “Being in the hands of Halina I knew she wasn’t going to exploit me.
“I didn’t feel exploited.
Nicole with ex-husband Tom Cruise in Eyes Wide Shut
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Nicole with ex-husband Tom Cruise in Eyes Wide ShutCredit: Rex Features
Nicole with screen husband Liev Schreiber in hit Netflix drama The Perfect Couple
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Nicole with screen husband Liev Schreiber in hit Netflix drama The Perfect CoupleCredit: SEACIA PAVAO/NETFLIX
Nicole with writer and director Halina Reijn
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Nicole with writer and director Halina ReijnCredit: Getty
“I felt very much a part of it.
“It’s the story that I wanted to be a part of, that I wanted to tell, and every part of me was committed to that.
“There was enormous care taken by all of us.
“We were all very, very gentle with each other and helped each other — Harris, Antonio.”
The best part of making Babygirl, though, for Nicole was going clubbing for one scene.

She says: “My favourite day was the rave, because I got to go to a rave.
“We played loud music and I got to just go wild.
“And at that point in the film when we were doing it, it was just so needed — that feeling of full release.”
The in-demand star has plenty of projects coming up, including playing the fictional forensic pathologist title character in TV series Kay Scarpetta, and in an Amazon Prime thriller titled Holland, Michigan.
Unfortunately, when you have a family at home and everything, there has to be a sort of agreement that’s made where you go, ‘I’m now going to go into this and I’m asking your permission to let me go
Nicole Kidman
But she has to pick her roles carefully, because it means being away from husband Keith Urban and their daughters Sunday Rose, 16, and Faith, 13.

The family live on a ranch in Memphis, Tennessee, and Nicole always has to come to an agreement with husband Keith before committing to major work projects.

Award-winning country star Keith also needs to find time to perform and record his music.
Nicole says: “Unfortunately, when you have a family at home and everything, there has to be a sort of agreement that’s made where you go, ‘I’m now going to go into this and I’m asking your permission to let me go’.
“And I have teenage children who understand it and a husband who’s also an artist.

“So there’s a releasing of you into your artistic life and then you come back to your home and your real life.
"But there is a sort of letting go that’s required.”
 
I'll say this it's been background artists, Broadway supporting cast, an Emmy winner and a couple of folks from the wire. So make of that as you will.
Be funny if one of them was Isiah Whitlock..

"Trying to get me to sign off on a love scene with my wife and someone like,say, Denzel? Shheeeeeeiiiiiiiiiiiiiiiitt.." :roflmao2:
 
Be funny if one of them was Isiah Whitlock..

"Trying to get me to sign off on a love scene with my wife and someone like,say, Denzel? Shheeeeeeiiiiiiiiiiiiiiiitt.." :roflmao2:

You have no IDEA how close you are to guessing! I just can't say!

Pre intimacy coordinator?

why you think so many relationships are ruined after one rom com or 2 season long will they won't day situation?

Humans gonna Hume and people gonna peep.
 
A thread like this really highlights the criticism that we are sex-craved blah blah blah.

Y’all haven’t figured out marketing yet? Hollywood is selling you an image they hope you will buy.

Is this film legal in MAGA Mike Johnson’s world? What am I saying? Yall will gladly do fed time to watch this.
 
Babygirl




PRAISE: A Character being seduced in a movie is definitely nothing new but Writer and Director Halina Reijn definitely infuses some new life into some well worn tropes as business woman,wife and mother Romy (Nicole Kidman),finds herself on the seductive path of intern Samuel (Harris Dickinson). I liked how Romy is presented at the start of the film. I could see her desire,being unsatisfied sexually making her fall into a well of seduction very easy. She's drawn in by the control Samuel wants to take of her. Turning her no's into quick yeses. So many moments click between Kidman and Dickinson it's incredible to watch the two in their scenes together and not just the erotic ones. I loved the moments that displayed Romys regret and desire simultaneously. Dickinson wears such a poker face and his character chooses so many angles i really didn't know what his endgame was until the end.I admire the commitment both actors had to their roles and the trust they highly likely had to have between each other. Reijn captures all the nastiness that can spring from an affair. As Romys husband Jacob,Antonio Banderas definitely is given a great moment to shine and Sophie Wilde as Esme is also given a powerful and realistic moment. I couldn't help but think about the 1986 movie 9½ Weeks while watching this and that's a huge compliment.

PROBLEMS: I couldn't get on board with how casual a character was about doing something especially with the scene that came before it. Actually there was a casual vibe between multiple characters that just didn't ring true to me.

Scale of 1 to 10 an 8½
 
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