Who The Fuck CARES what a bootlickin' buffoon like Coleman Hughes thinks about anything?![]()
They ain’t new scripts because Hollywood doesn’t want new scripts! They are putting their money on proven things or movies that have made money in the past! Money is the ultimate driver as oppose to art. There was a poster on here, can’t remember their name, but they posted that Hollywood has been acting like this for the last like 6 years…It's not necessarily the movies it's the audience. The audience has a lower attention span.
The audience only cares about known IP
Go look at the top movies each year...they aren't new scripts, so we keep getting more of the same. Reboots and sequels. Of course the movie studios are going to give you what they think will make money instead of taking risk.
So we're going to get Minefield Part 10 and Lilo & Stitch 20.
They ain’t new scripts because Hollywood doesn’t want new scripts! They are putting their money on proven things or movies that have made money in the past! Money is the ultimate driver as oppose to art. There was a poster on here, can’t remember their name, but they posted that Hollywood has been acting like this for the last like 6 years…
It’s not no dam view fatigue! People are watching more and more shit every year! There’s a need for content and it’s a huge need. The issue is is just that. People are just producing content and not art! And that’s getting push more than good projects and products…Plus home theater advantages coupled with so many streaming options is causing viewer fatigue.
Nah, pal...I mean your right...
But Justine views on this, AI, modern Hollywood and the union has been very good.
So if you so choose ignore him listen to her.
This one is good.
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Justine Bateman: Pulling AI Into the Arts Is “Absolutely the Wrong Direction”
During this week’s ‘TV’s Top 5’ podcast, the writer, director and former actress — who served as a consultant to SAG-AFTRA’s negotiating committee — warns how artificial intelligence “is the end of the road” for Hollywood.www.hollywoodreporter.com

Nah, pal...
I refuse to give clicks to a self hating Black man who is a happy tool for White supremacy.
Just like I refuse to watch the channels of these declared enemies of the Black Community with YouTube channels:
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It's new scripts
It's new smaller and original movies every week
Nobody sees them. I know. I've been in there with two, four, five people.
It's not necessarily the movies it's the audience. The audience has a lower attention span.
The audience only cares about known IP
Go look at the top movies each year...they aren't new scripts, so we keep getting more of the same. Reboots and sequels. Of course the movie studios are going to give you what they think will make money instead of taking risk.
So we're going to get Minefield Part 10 and Lilo & Stitch 20.
It's not necessarily the movies it's the audience. The audience has a lower attention span.
The audience only cares about known IP
Go look at the top movies each year...they aren't new scripts, so we keep getting more of the same. Reboots and sequels. Of course the movie studios are going to give you what they think will make money instead of taking risk.
So we're going to get Minefield Part 10 and Lilo & Stitch 20.
They ain’t new scripts because Hollywood doesn’t want new scripts! They are putting their money on proven things or movies that have made money in the past! Money is the ultimate driver as oppose to art. There was a poster on here, can’t remember their name, but they posted that Hollywood has been acting like this for the last like 6 years…
More platforms for movies/shows than good writers.
Plus home theater advantages coupled with so many streaming options is causing viewer fatigue.
^^^kaboom
apparently this is actually built into Netflix programming investnet choices
they ACTIVELY seek content that viewers / subscribers do NOT have to give their FULL undivided attention to
they WANT content that a viewer can use their phone while watching Netflix too.
and that's why we get Happy Gilmore 2 and why it's the most streamed Netflix movie ever....doesn't matter if it's good. Netflix just wants people watching Netflix, so they won.
I don’t know if the audience or if it’s they scared to support new content. I think they might view new content like well if it hits then we will put money towards it. If it doesn’t then oh well. But repeat shit they know it has already worked or hit so they put money behind those…Tats true too but Day if the audience SUPPORTS redone old sh*t why would thy invest in anything else?
No matter what it IS show BUSINESS.
I don’t know if the audience or if it’s they scared to support new content. I think they might view new content like well if it hits then we will put money towards it. If it doesn’t then oh well. But repeat shit they know it has already worked or hit so they put money behind those…
Mannnnnn, I just watched "The war of the worlds) with Ice Cube...OMG, it was terrible.
Exactly.It’s not no dam view fatigue! People are watching more and more shit every year! There’s a need for content and it’s a huge need. The issue is is just that. People are just producing content and not art! And that’s getting push more than good projects and products…
Exactly.
There wouldn’t be so many streaming apps if perople were watching less content.
I think the movie business looks at this as “why reinvent the wheel” if we can make money off of content whether it’s bad or good.
Wifey told me the same thing smhMannnnnn, I just watched "The war of the worlds) with Ice Cube...OMG, it was terrible.
Has the art form of movie making gotten lazy or is the show business not willing take more risk to invest in content that might be atypical?
How’s the promotion? How’s the trailer? Were those movies worth 15-20 bucks?It's new scripts
It's new smaller and original movies every week
Nobody sees them. I know. I've been in there with two, four, five people.
I can name a bunch of cult classics that cost 15 million dollars or less that did good in the theatre that you could easily put on streaming in today’s market and people would’ve love… saw cost 1 million to make.. if it was released today on streaming platforms it still would been a hit.. it dosent take a lot of money to make a good movie… the long walk could been a streaming movie or theatre release… weapons could be both( both these movies cost under 40 million dollars)that's a VERY tricky thing to figure out.
Should we be DIFFERENATING between streaming content and theatrical?