Great Black musicians

I do not claim to be an expert and totally knowledgeable but there are some greats out there who played a great role in our history and are true pioneers who helped to turn the tide against racial prejudice. Feel free to add any that i have missed and even clips of them or information which is relevant.

Sam Cooke (January 22, 1931 -- December 11, 1964) was a popular and influential American gospel, R&B, soul, pop singer, songwriter, and entrepreneur. Musicians and critics today recognize him as one of the founders of soul music, and as one of the most important singers in soul music history. He has been called "the king of soul" by many, and while some may dispute this title, Sam Cooke's legacy is an extensive one and his impact on soul music is undeniable. He had 29 Top 40 hits in the U.S. between 1957 and 1965. He is therefore seen by many as "the creator" of the genre. Major hits like "You Send Me", "Chain Gang", "Wonderful World" and "Bring It on Home to Me" are some of his most popular songs.
Cooke was also among the first modern black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the Civil Rights Movement, using his musical ability to bridge gaps between black and white audiences.

[flash]http://www.youtube.com/v/7GPvvaCdje0[/flash]
http://www.youtube.com/watch?v=7GPvvaCdje0
 
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B.B. King

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Universally hailed as the reigning king of the blues, the legendary B.B. King is without a doubt the single most important electric guitarist of the last half century. A contemporary blues guitar solo without at least a couple of recognizable King-inspired bent notes is all but unimaginable, and he remains a supremely confident singer capable of wringing every nuance from any lyric (and he's tried his hand at many an unlikely song, anybody recall his version of "Love Me Tender?"). Yet B.B. King remains an intrinsically humble superstar, an utterly accessible icon who welcomes visitors into his dressing room with self-effacing graciousness. Between 1951 and 1985, King notched an amazing 74 entries on Billboard's R&B charts, and he was one of the few full-fledged blues artists to score a major pop hit when his 1970 smash "The Thrill Is Gone" crossed over to mainstream success (engendering memorable appearances on The Ed Sullivan Show and American Bandstand). The seeds of King's enduring talent were sown deep in the blues-rich Mississippi Delta. That's where Riley B. King was sired, in Itta Bena, to be exact. By no means was his childhood easy. Young King was shuttled between his mother's home and his grandmother's residence. The youth put in long days working as a sharecropper and devoutly sang the Lord's praises at church before moving to Indianola -- another town located in the very heart of the Delta -- in 1943. Country and gospel music left an indelible impression on King's musical mindset as he matured, along with the styles of blues greats T-Bone Walker and Lonnie Johnson and jazz geniuses Charlie Christian and Django Reinhardt. In 1946, B.B. King set off for Memphis to look up his cousin, rough-edged country blues guitarist Bukka White. . . . Continued here
 
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Robert Nesta Marley

Early life and career

Marley was born in the small village of Nine Mile in Saint Ann Parish, Jamaica as Nesta Robert Marley. A Jamaican passport official would later swap his first and middle names. His father, Norval Sinclair Marley, (born in 1895), was a white Jamaican of English descent, who lived in Liverpool. Norval was a Marine officer and captain, as well as a plantation overseer, when he married Cedella Booker, a black Jamaican then eighteen years old. Norval provided financial support for his wife and child, but seldom saw them, as he was often away on trips. In 1955, when Marley was 10 years old, his father died of a heart attack aged 60. Marley suffered racial prejudice as a youth, because of his mixed racial origins,[2] and faced questions about his own racial identity throughout his life. He once reflected:

"I don't have prejudice against himself. My father was a white and my mother was black. Them call me half-caste or whatever. Me don't dip on nobody's side. Me don't dip on the black man's side nor the white man's side. Me dip on God's side, the one who create me and cause me to come from black and white."

Marley and his mother moved to Kingston's Trenchtown slum after Norval's death. He was forced to learn self-defense, as he became the target of bullying because of his racial makeup and small stature. He gained a reputation for his physical strength, which earned him the nickname "Tuff Gong".

Marley became friends with Neville "Bunny" Livingston (later known as Bunny Wailer), with whom he started to play music. He left school at the age of 14 and started as an apprentice at a local welder's shop. In his free time, he and Livingston made music with Joe Higgs, a local singer and devout Rastafari who is regarded by many as Marley's mentor. It was at a jam session with Higgs and Livingston that Marley met Peter McIntosh (later known as Peter Tosh), who had similar musical ambitions.

[flash]http://www.youtube.com/v/Hd1CQEtrQMY[/flash]
http://www.youtube.com/watch?v=Hd1CQEtrQMY

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http://www.youtube.com/watch?v=p7pAvbjChQM
 
Too many to name ,we invented Blues,Jazz,Rap/Hip-Hop
Rock&Roll,etc... in other words take away Black folks and
things get pretty boring musically
 
Too many to name ,we invented Blues,Jazz,Rap/Hip-Hop
Rock&Roll,etc... in other words take away Black folks and
things get pretty boring musically

That may be true but by sharing these great icons someone may come across someone they never heard or knew about and thus enrich their lives with th music:yes::dance:
 
Thelonius Monk

With the arrival Thelonious Sphere Monk, modern music—let alone modern culture--simply hasn’t been the same. Recognized as one of the most inventive pianists of any musical genre, Monk achieved a startlingly original sound that even his most devoted followers have been unable to successfully imitate. His musical vision was both ahead of its time and deeply rooted in tradition, spanning the entire history of the music from the “stride” masters of James P. Johnson and Willie “the Lion” Smith to the tonal freedom and kinetics of the “avant garde.” And he shares with Edward “Duke” Ellington the distinction of being one of the century’s greatest American composers. At the same time, his commitment to originality in all aspects of life—in fashion, in his creative use of language and economy of words, in his biting humor, even in the way he danced away from the piano—has led fans and detractors alike to call him “eccentric,” “mad” or even “taciturn.” Consequently, Monk has become perhaps the most talked about and least understood artist in the history of jazz.

Read more: http://www.monkzone.com/silent/biographyHTML.htm

(hope embedding works for me this time)

[flash]http://www.youtube.com/watch/v/OMmeNsmQaFw[/flash]
 
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Thelonius Monk

With the arrival Thelonious Sphere Monk, modern music—let alone modern culture--simply hasn’t been the same. Recognized as one of the most inventive pianists of any musical genre, Monk achieved a startlingly original sound that even his most devoted followers have been unable to successfully imitate. His musical vision was both ahead of its time and deeply rooted in tradition, spanning the entire history of the music from the “stride” masters of James P. Johnson and Willie “the Lion” Smith to the tonal freedom and kinetics of the “avant garde.” And he shares with Edward “Duke” Ellington the distinction of being one of the century’s greatest American composers. At the same time, his commitment to originality in all aspects of life—in fashion, in his creative use of language and economy of words, in his biting humor, even in the way he danced away from the piano—has led fans and detractors alike to call him “eccentric,” “mad” or even “taciturn.” Consequently, Monk has become perhaps the most talked about and least understood artist in the history of jazz.

Read more: http://www.monkzone.com/silent/biographyHTML.htm

(hope embedding works for me this time)
[flash]http://www.youtube.com/v/OMmeNsmQaFw[/flash]

Assist
 
Charlie Parker


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March 12, 1955 in New York City while watching Tommy Dorsey's Orchestra on tv. He was then staying at his friend's house, the Baroness Pannonica de Koenigswarter.
Contribution to Jazz Music: Influenced the development of "bop" in the 1940's and one of the greatest improvising soloists in jazz.
Early Years: He took music lessons in a public school and started playing the alto saxophone at the age of 13. In 1935 he left school to become a professional musician and joined different jazz groups in Kansas City.
Becoming Famous: In the early 1940's Parker's name started to appear in the music press. He joined Jay McShann's band touring the states of Chicago and New York. In 1941 he had his first recording session in Dallas. He then joined Earl Hines band and in 1944 they formed the Billy Eckstine's band.
Notable Performances: In 1945, Parker had his own group and worked with Dizzy Gillespie to much extent. They later took their style of playing to Hollywood where they had a six-week playing engagement. Parker continued to work in Los Angeles performing in nightclubs and concerts.
Personal Struggles: In 1946 he was confined to a hospital because of his addiction to alcohol and heroin causing him to have a nervous breakdown. In 1947 he formed a quintet and they did recordings of his favorite pieces. He continued to perform in different venues and earned well. In 1951 his license was revoked preventing him from performing in New York.
Final Years: His last years were beset with personal and financial struggles. He twice attempted suicide in 1954 but voluntarily checked himself in a hospital to seek help. March 5, 1955 marked his last performance at Birdland, a New York club named after him.
 
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