Go here https://www.talkatone.com/?gclid=Cj...2UDhjck1KL8cUm-eT4o5Y3xOyQeic3xkaAsY5EALw_wcB make a number and pm it to @VAiz4hustlaz...Or pm it to me....that way your worthless phone number is still private...let's do this shit the. G WAY...tell me who I am..so I can tell you who you are..my phone number never change ask @ShortyCumStain
People be very careful this virus is not done yet
- Thread starter easy_b
- Start date
Go here https://www.talkatone.com/?gclid=Cj...2UDhjck1KL8cUm-eT4o5Y3xOyQeic3xkaAsY5EALw_wcB make a number and pm it to @VAiz4hustlaz...Or pm it to me....that way your worthless phone number is still private...let's do this shit the. G WAY...tell me who I am..so I can tell you who you are..my phone number never change ask @ShortyCumStain
Aint no bish in my blood cuz..ain't nuttin but thugg
Sir trust me I could be as nightmarish as you can be so if you know any better you really consider squashing this right now…..remember do not judge a book by its cover a lot of people made that mistake with me in the past especially in Miami and some interesting things happen doing those times but we’re not going to get into right now….if you want to squash this we can.
Yes it went down a dark Boulevard you never know what you can run into because there is no lights. This thread is about Covid.
Let's talk about it...let me make that same mistake..give me a chance....please....I need to holla at you...I don't give a fuck about Miami...I'm in the murder capital of the south ret nigh...so let me make my mistake...post that number nigga
Im trying to cross one mo Bridge...I hope kinsfolk link up with me...so I can put some souf in his muffuckin mouf...jackk
Make that number...brah...let's quit cluttering up this thread...and we gone post our conversation...one call...that's all...call a nigga..another nigga...thats street shit...
There’s no talking we can say squash this right now in front of everyone….At this point I am cooler than the other side of the pillow….To quote Morgan Freeman from deep impact “it seems like we got each other over the same barrel but it’s just seems like it” so let’s move on and be civil again.
I think he is already vaccinated. Either this will be a cakewalk which will make him think if he can survive, others will do ok too, or he will suffer a bit and decide to spare others from the same fate. I don't think he's gonna learn, tho.
Killa out..brah
Same here peace out
Unfortunately he'll survive, however they did say that he was receiving treatment which means he's at least experiencing some symptoms.
There's always the possibility that he has a compromised immune system or some other ailment.
Sadly he'll probably be making a Trump style "don't fear the coronavirus" video if he recovers.
We are already fucked. The problem is you’re waiting on a corporate funded government to make decisions for you.
The guy has the third shot. He’s rush and got the mono therapy. Apparently the mothafucka seems deathly afraid of dying.
This is genocide. This is the new trail of tears.
Don’t you think that’s what they want?
Gutless moderating.
So his punk ass is getting a third shot before I tell you these Republicans are assholes and hypocrites. I wonder what variant he has.
Naw..bae handled it... the correct way...and I love her...folk
Negro what?
The goal is to kill as many people as possible. And they’re doing a splendid job.
Tim Tebow can say a prayer for him now that he got cut.
Right on...
I had my third and 4th shot. You would be a fool to wait for the government that recommended you use a handkerchief as a mask because they refused to shot the economy down to come to the conclusion you need a couple more shots.
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She's doing a little bit better. She was coughing up blood this morning. But no vomiting and no fever. Other than this morning....the only other time she's coughed, was like an hour ago. Thanks for asking tho.
Seriously make sure she walks around outside and does breathing exercises.
COVID-19
COVID-19 is the disease caused by SARS-CoV-2, the coronavirus that emerged in December 2019. Learn about symptoms, diagnosis, treatment and prevention.
Church hands out hundreds of COVID-19 vaccine exemption letters
ROCKLIN, Calif. (KCRA/CNN NEWSOURCE/WKRC) — A church in California handed out hundreds of exemption letters Sunday for people who do not want to take the COVID-19 vaccine. This followed recent announcements from several employers imposing new vaccine requirements on employees. During Sunday...
I hope they run back to the church if they get sick too.Church hands out hundreds of COVID-19 vaccine exemption letters
ROCKLIN, Calif. (KCRA/CNN NEWSOURCE/WKRC) — A church in California handed out hundreds of exemption letters Sunday for people who do not want to take the COVID-19 vaccine. This followed recent announcements from several employers imposing new vaccine requirements on employees. During Sunday...abc6onyourside.com
The vaccine doesn't contain fetal cells and only the J&J version was used cells to produce it.
Chucky Thompson, Member of Bad Boy Records’ Hitmen, Dead
By Justin Curto
Photo: Joe Kohen/2009 Joe Kohen
Chucky Thompson, one of the producers on Bad Boy Records’ Hitmen team, died, his publicist confirmed to Billboard on August 9. “To anyone in his orbit, you know how generous he was with his energy, creativity, and love,” wrote Tamar Juda, Thompson’s publicist. “Both the music industry and the world has lost a titan.” Thompson was a fixture of Bad Boy since its inception, after meeting founder Puff Daddy around the time he left Uptown Records. He worked with many of the label’s biggest artists, helming hits like Notorious B.I.G.’s “Big Poppa” and Faith Evans’s “You Used to Love Me.” Shortly after his arrival at Bad Boy, Thompson was tapped to produce Mary J. Blige’s second album My Life, including her signature ballad “I’m Going Down”; the album was nominated for Best R&B Album at the Grammys. Outside Bad Boy, Thompson worked closely with Nas, producing his Phil Collins–sampling hit “One Mic” among other songs. His résumé also includes Usher, Ice Cube, TLC, Ledisi, and Ne-Yo.
Update August 17, 8:00 p.m.: Thompson’s publicist confirmed that Thompson’s cause of death was COVID-19, per the New York Times.
Chucky Thompson, Hitmaking Producer, Is Dead at 53
He brought a range of musical influences to bear on the tracks he helped create for Mary J. Blige, the Notorious B.I.G. and many others.
The producer Chucky Thompson in 2011. He was an important influence on the hip-hop and R&B sound of the 1990s. Credit...Noel Calubaquib and Ryan Azia
By Neil Genzlinger
Aug. 17, 2021Updated 7:20 p.m. ET
“My mind is always on ‘Record,’” the producer Chucky Thompson once told an interviewer, explaining how he was able to bring such a wide range of musical influences to the hits he helped create for Mary J. Blige, the Notorious B.I.G., Nas and other stars.
For any particular track, he might draw on the soul records his parents used to play, or his time as a conga player in Chuck Brown’s go-go band, or some other style in his mental archive, as he sought to realize the vision the performer was after, or perhaps take him or her in a whole different direction.
Mr. Thompson helped forge the hip-hop and R&B sound of the 1990s while in his mid-20s. He showed his versatility with his work on Ms. Blige’s second album, “My Life,” and the Notorious B.I.G.’s debut, “Ready to Die,” both released in 1994. The next year he was a producer on almost all the tracks on Faith Evans’s debut, “Faith,” another hit.
In this period he was working for Bad Boy Entertainment, the influential label Sean “Diddy” Combs founded in 1993, as part of the producing team known as the Hitmen. But he continued to produce for a range of artists after the Hitmen dissolved later in the 1990s. If he — unlike some other producers in those years — defied categorization, that was deliberate.
“In my brain, as a producer, I never wanted a sound,” he said in a 2013 video interview with Rahaman Kilpatrick. “That’s why you hear me on so many different records.”
Mr. Thompson died on Aug. 9 in a hospital in the Los Angeles area. He was 53.
His publicist, Tamar Juda, said the cause was Covid-19.
Mr. Thompson was different from many of his contemporaries in that he was a multi-instrumentalist, often contributing guitar, piano, trombone or other flourishes to the tracks he produced. To get a particular effect for the 2002 Nas track “One Mic,” he flipped a guitar over and banged on the back of it.
“He’s a true musician and doesn’t like to program heavily — just like me,” Mr. Combs told Billboard in 1995, when that publication included Mr. Thompson in an article on “the next crop of hotshot producers.” “Chucky has so many melodies in his head and produces from the heart.”
Carl Edward Thompson Jr. was born on July 12, 1968, in Washington to Carl and Charlotte Thompson. In the 2013 interview, he said that his mother recognized his innate musical ability early.
“She used to sit me in the kitchen and — you know how kids would just be banging and making noise? I was actually on beat with it,” he said. “She knew from there that something was different.”
At 16 he was touring with Mr. Brown and his band, the Soul Searchers, playing the funk variant known as go-go, which was popular in and around Washington. It was a time when traditional live performances by bands were losing ground to D.J.s, who could keep the music constant rather than breaking between songs and thus keep people on the dance floor. Mr. Brown had his young conga player try to compensate.
“He decided, ‘I’ll put a percussion break in between songs,’” Mr. Thompson told Rolling Stone in June. “So we would finish a song, then I’d do a percussion break, and I’d do a call and response — ask the crowd, ‘Y’all tired yet?’”
The year 1994 was a big one for Mr. Thompson. Among the albums he worked on that year was the Notorious B.I.G.’s debut, “Ready to Die.”Credit...Bad Boy Arista
That same year, he co-produced much of Mary J. Blige’s “My Life,” the Grammy-nominated follow-up to her successful debut, “What’s the 4-1-1?,” with Ms. Blige and Sean Combs.Credit...Uptown Records
By the early 1990s he was in New York trying to market himself as a producer, and Mr. Combs and Ms. Blige were looking for material for the follow-up to her successful first album, “What’s the 4-1-1?” (1992).
“She picked my song out of a ton of tracks from new and previous producers,” Mr. Thompson said in an interview with the website StupidDope.com in June. “I was truly honored. That track was ‘Be With You,’ and at that time it was very different for her and her sound. I felt at that moment we were onto something that would be special.”
He ended up co-producing much of the album with Ms. Blige and Mr. Combs. Ms. Blige had a tough hip-hop image that defied female-singer stereotypes, and some people didn’t care for it. Mr. Thompson took that reaction into account as he helped her create the songs for her second album.
“I didn’t like people throwing stones at something they didn’t understand,” he told Rolling Stone. “So I was like, on this record, people are gonna know you’re a singer. You’re the real deal.”
“My Life,” full of confessional songs exploring Ms. Blige’s personal struggles, received a Grammy nomination for best R&B album and helped establish her as a star. In June, Amazon Prime unveiled a documentary about her career and the record, “Mary J. Blige’s My Life.”
Over the years Mr. Thompson also produced for Usher, Raheem DeVaughn, Total and many others. He produced some of the final tracks for his early mentor, Mr. Brown, who died in 2012 at 75.
Mr. Thompson’s survivors include five children, Ashley, Emille, Myles, Quincey and Trey Thompson.
By Justin Curto
Photo: Joe Kohen/2009 Joe Kohen
Chucky Thompson, one of the producers on Bad Boy Records’ Hitmen team, died, his publicist confirmed to Billboard on August 9. “To anyone in his orbit, you know how generous he was with his energy, creativity, and love,” wrote Tamar Juda, Thompson’s publicist. “Both the music industry and the world has lost a titan.” Thompson was a fixture of Bad Boy since its inception, after meeting founder Puff Daddy around the time he left Uptown Records. He worked with many of the label’s biggest artists, helming hits like Notorious B.I.G.’s “Big Poppa” and Faith Evans’s “You Used to Love Me.” Shortly after his arrival at Bad Boy, Thompson was tapped to produce Mary J. Blige’s second album My Life, including her signature ballad “I’m Going Down”; the album was nominated for Best R&B Album at the Grammys. Outside Bad Boy, Thompson worked closely with Nas, producing his Phil Collins–sampling hit “One Mic” among other songs. His résumé also includes Usher, Ice Cube, TLC, Ledisi, and Ne-Yo.
Update August 17, 8:00 p.m.: Thompson’s publicist confirmed that Thompson’s cause of death was COVID-19, per the New York Times.
Chucky Thompson, Hitmaking Producer, Is Dead at 53
He brought a range of musical influences to bear on the tracks he helped create for Mary J. Blige, the Notorious B.I.G. and many others.
The producer Chucky Thompson in 2011. He was an important influence on the hip-hop and R&B sound of the 1990s. Credit...Noel Calubaquib and Ryan Azia
By Neil Genzlinger
Aug. 17, 2021Updated 7:20 p.m. ET
“My mind is always on ‘Record,’” the producer Chucky Thompson once told an interviewer, explaining how he was able to bring such a wide range of musical influences to the hits he helped create for Mary J. Blige, the Notorious B.I.G., Nas and other stars.
For any particular track, he might draw on the soul records his parents used to play, or his time as a conga player in Chuck Brown’s go-go band, or some other style in his mental archive, as he sought to realize the vision the performer was after, or perhaps take him or her in a whole different direction.
Mr. Thompson helped forge the hip-hop and R&B sound of the 1990s while in his mid-20s. He showed his versatility with his work on Ms. Blige’s second album, “My Life,” and the Notorious B.I.G.’s debut, “Ready to Die,” both released in 1994. The next year he was a producer on almost all the tracks on Faith Evans’s debut, “Faith,” another hit.
In this period he was working for Bad Boy Entertainment, the influential label Sean “Diddy” Combs founded in 1993, as part of the producing team known as the Hitmen. But he continued to produce for a range of artists after the Hitmen dissolved later in the 1990s. If he — unlike some other producers in those years — defied categorization, that was deliberate.
“In my brain, as a producer, I never wanted a sound,” he said in a 2013 video interview with Rahaman Kilpatrick. “That’s why you hear me on so many different records.”
Mr. Thompson died on Aug. 9 in a hospital in the Los Angeles area. He was 53.
His publicist, Tamar Juda, said the cause was Covid-19.
Mr. Thompson was different from many of his contemporaries in that he was a multi-instrumentalist, often contributing guitar, piano, trombone or other flourishes to the tracks he produced. To get a particular effect for the 2002 Nas track “One Mic,” he flipped a guitar over and banged on the back of it.
“He’s a true musician and doesn’t like to program heavily — just like me,” Mr. Combs told Billboard in 1995, when that publication included Mr. Thompson in an article on “the next crop of hotshot producers.” “Chucky has so many melodies in his head and produces from the heart.”
Carl Edward Thompson Jr. was born on July 12, 1968, in Washington to Carl and Charlotte Thompson. In the 2013 interview, he said that his mother recognized his innate musical ability early.
“She used to sit me in the kitchen and — you know how kids would just be banging and making noise? I was actually on beat with it,” he said. “She knew from there that something was different.”
At 16 he was touring with Mr. Brown and his band, the Soul Searchers, playing the funk variant known as go-go, which was popular in and around Washington. It was a time when traditional live performances by bands were losing ground to D.J.s, who could keep the music constant rather than breaking between songs and thus keep people on the dance floor. Mr. Brown had his young conga player try to compensate.
“He decided, ‘I’ll put a percussion break in between songs,’” Mr. Thompson told Rolling Stone in June. “So we would finish a song, then I’d do a percussion break, and I’d do a call and response — ask the crowd, ‘Y’all tired yet?’”
The year 1994 was a big one for Mr. Thompson. Among the albums he worked on that year was the Notorious B.I.G.’s debut, “Ready to Die.”Credit...Bad Boy Arista
That same year, he co-produced much of Mary J. Blige’s “My Life,” the Grammy-nominated follow-up to her successful debut, “What’s the 4-1-1?,” with Ms. Blige and Sean Combs.Credit...Uptown Records
By the early 1990s he was in New York trying to market himself as a producer, and Mr. Combs and Ms. Blige were looking for material for the follow-up to her successful first album, “What’s the 4-1-1?” (1992).
“She picked my song out of a ton of tracks from new and previous producers,” Mr. Thompson said in an interview with the website StupidDope.com in June. “I was truly honored. That track was ‘Be With You,’ and at that time it was very different for her and her sound. I felt at that moment we were onto something that would be special.”
He ended up co-producing much of the album with Ms. Blige and Mr. Combs. Ms. Blige had a tough hip-hop image that defied female-singer stereotypes, and some people didn’t care for it. Mr. Thompson took that reaction into account as he helped her create the songs for her second album.
“I didn’t like people throwing stones at something they didn’t understand,” he told Rolling Stone. “So I was like, on this record, people are gonna know you’re a singer. You’re the real deal.”
“My Life,” full of confessional songs exploring Ms. Blige’s personal struggles, received a Grammy nomination for best R&B album and helped establish her as a star. In June, Amazon Prime unveiled a documentary about her career and the record, “Mary J. Blige’s My Life.”
Over the years Mr. Thompson also produced for Usher, Raheem DeVaughn, Total and many others. He produced some of the final tracks for his early mentor, Mr. Brown, who died in 2012 at 75.
Mr. Thompson’s survivors include five children, Ashley, Emille, Myles, Quincey and Trey Thompson.
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