Music Legal: Beyoncé Used New Orleans Doc. Footage in Formation With no Permission - not true

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Beyoncé Used New Orleans Documentary Footage in 'Formation' 'With Permission'

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Yesterday, Beyoncé began her full-on assault on Super Bowl weekend by releasing a new song and video, dubbed "Formation" and set in New Orleans. Though Beyoncé's releases tend to go off as meticulously as her choreography, the release of "Formation" hit a snag when filmmaker Chris Black wrote on Twitter that the music video used footage of New Orleans from a 2013 documentary short he produced called That B.E.A.T. without consulting anyone involved. The short's director, Abteen Bagheri, alsochimed in, writing, "I'm not mad. It's the sad reality of the music business. Doesn't affect my friends' and my work, but not cool."

Black told the Fader that he and Bagheri received emails asking for permission to use That B.E.A.T. footage on Friday from another director, Lily Keber, whose work also appears in the "Formation" video. They did not give her a definitive answer, as they did not own the rights to the footage in That B.E.A.T., which was produced by Nokia in partnership with the Sundance Channel. Black and Bagheri tried to reach out to Nokia, but the employees who commissioned the footage were no longer at the company.

Still, in a statement from a representative today, Beyoncé's team claims that the footage was obtained through the proper means, which means discussions with the Sundance Channel and likely Nokia:

The documentary footage was used with permission and licensed from the owner of the footage. They were given proper compensation. The footage was provided to us by the filmmaker's production company. The filmmaker is listed in the credits for additional photography direction. We are thankful that they granted us permission.

The video's director, Melina Matsuokas, gave credit to the filmmakers on Twitter as well. In a later email, Bagheri wrote that, "It seems they've given us credit now, which is all that was important to me." He also tweeted a thank you to Beyoncé and Matsuokas.

:hmm:
 
https://www.thefader.com/2016/02/07/beyonce-formation-video-documentary-footage-credit

Beyoncé Clarifies Dispute Over "Formation" Video Footage
After filmmakers said a Beyoncé video used their footage without permission, Beyoncé's team replied: "The documentary footage was used with permission and licensed from owner of the footage. They were given proper compensation."

On Saturday, Beyoncé dropped a new song and video, "Formation."Beyoncé lies on top of a New Orleans police car in the video, which was directed by Melina Matsouaks, and also features an appearance from Blue Ivy Carter.

Hours after the video's release, filmmaker Chris Black wrote on Twitter that the clip sourced footage from a 2014 documentary short he helped produce called That B.E.A.T., which centered around NOLA's bounce culture and was directed by Abteen Bagheri.



Doc director Bagheri chimed in minutes later. "I'm not mad," he wrote on Twitter. "It's the sad reality of the music business.


The work goes to the copycats.

— abteen bagheri (@abteen)February 6, 2016

The FADER reached out to a representative for Beyoncé, who responded with the following statement:

"The documentary footage was used with permission and licensed from the owner of the footage. They were given proper compensation. The footage was provided to us by the filmmaker's production company. The filmmaker is listed in the credits for additional photography direction. We are thankful that they granted us permission."

Melina Matsoukas, the director of "Formation," also acknowledged Black and Bagheri's tweets, thanking them for the footage which made her video "whole." (A rep for Melina Matsoukas, was not immediately available to comment.)



On Saturday, Black told The FADER that he and Bagheri received emails on Friday, January 29, which asked for permission to licenseThat B.E.A.T.'s footage. Black said the emails came from another director named Lily Keber, whose NOLA documentary footage also appears in "Formation." Black and Bagheri did not give a definitive answer, Black said, because they didn't actually own the footage, which was commissioned by Nokia in partnership with Sundance. Black said he could no longer reach the Nokia employees who commissioned the footage, because they were no longer with the company.

Black said he did not not intend to pursue legal action and didn't believe Bagheri would either. "All we want is respect and credit," Black told The FADER over email. "They don't know what we sacrificed to make [the film]. They just came along and took it without crediting us."

"I love Beyoncé," Black continued. "I still think she's dope and I have no ill will or feelings towards her or anybody but at the end of the day we have to respect other filmmakers who are working just as hard... Why use the footage from the doc we did? She has a larger budget than we did and they gave no credit to the filmmakers. If I hadn't said anything about this would you have known where it came from?"

In an email to The FADER, Bagheri said, "It seems they've given us credit now, which is all that was important to me." After the statement from Beyoncé's rep and the shoutout from Matsoukas, he tweeted: "Thanks for the credit."

 
sounds like the short was owned by a parent company, and Beyonce's group went through the real owners of the project. They should take up their issue with Nokia or better yet OWN YOUR SHIT. Beyonce is notorious for going through proper channels at the top end of the ownership spectrum - ie stealing songs (ask Future lol and that chick who wrote "If I was a Boy").

That short will get them a new job, that's for sure. 9 minutes might get you a documentary budget or a movie budget. Chalk it up to the game.
 
sounds like the short was owned by a parent company, and Beyonce's group went through the real owners of the project. They should take up their issue with Nokia or better yet OWN YOUR SHIT. Beyonce is notorious for going through proper channels at the top end of the ownership spectrum - ie stealing songs (ask Future lol and that chick who wrote "If I was a Boy").

That short will get them a new job, that's for sure. 9 minutes might get you a documentary budget or a movie budget. Chalk it up to the game.

lets hope you right but they way they went at it on social media to me was so immature and unprofessional...

Wouldn't that make any future collaboraters pause?

Even if only for a moment?

and COULD potentially cost them.

I don't think going after the biggest artist on the planet is EVER a wise mone.

ESPECIALLY when you wrong.
 
just watched the short man there is a WHOLE lotta homosexuality in that video. Man what is construed as male versus female is some confusing shit down south:eek2::eek2::eek2::eek2:
 
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